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Fernando Botero's distinctive exaggerated forms perfectly complement the exaggerated atmosphere of the circus. The esteemed artist uses bright colours and unexpected movement to artfully manifest the poetry of the circus, inviting the viewer to participate in a circus with Botero as the artful ringmaster. In the tradition of great painters also inspired by circus fantasy — Renoir, Picasso, Chagall, and Calder, among others — Botero explores light, colour, style, and space with a poignancy that highlights through the extravagant disproportion of his figures the exceptional beauty of the human body. 'Circus', a collection of more than 130 paintings and 50 works on paper, celebrates this rich history of entertainment and astonishment in this assemblage of images never before published as a complete collection.

The transition from the 356 to the 901 has never before been documented as precisely as this — it is the purpose of this book to shed more light on this exceptional period, to describe the genesis of the 901. It goes to the very heart of the Porsche brand — to the creation of the 901, which rapidly transformed into the 911. Over the last 20 years, author Jurgen Lewandowski — whose personal library now amounts to more than 4,500 books — has initiated, written, and edited around 60 books on the history of the automobile and the development of new models.

Photographer Paul Nathan has documented New York's best-dressed dogs, their owners, and the couturiers who design their made-to-order outfits. While socialising with the four-legged, Nathan attended 'pawties', 'puptials,' and 'barkmitzvahs'. He photographed married dogs who get around in yellow cabs wearing matching outfits and visited the homes of doggie moms and dads with walk-in closets for their 'fur children' filled with enough designer outfits to rival any New York fashionista. And finally he chose fifteen of the most fashionable dogs to invite to his studio along with their favourite couture outfits to pose for this book. The result is a giddily glamorous romp through New York's 'Doggie World' where the city's most fashionable mutts get dressed to the nines even for a walk around the block.

Paradise for Growth-Kindergarten Design welcomes you into an environment of colour, providing an environment for expression and imagination the fundamental elements of a happy childhood; this is a collection of beautifully designed interiors that feel warm, bold and uncluttered leaving space to grow and develop. The designs seem intuitive, themselves playful and unrestrained; spaces where stories are created, where there is talk and laughter; understated simplicity of architectural shape and form and yet undeniably an educational environment to be enjoyed and used practically. Outdoor spaces filter inside, earth and sky are cleverly joined to provide 'classrooms' that are uniquely different.

Capture the unique Laduree style in your home in this special book created to celebrate Laduree's 150th anniversary.

Lush, beautiful close-up photography A valuable resource for architects, interior designers, builders and home decorators Featuring a foreword by renowned interior designer David EastonIn The Art of Classical Details, classically trained architect Phillip Dodd takes a close-up look at some of the finest examples of neo-classical architecture in the world today. Covering the fundamentals of classical architecture, such as Tuscan, Doric, Ionic, Corinthian, and Composite columns, and featuring the work of skilled contemporary classicists, including Marc Appleton, William Baker, Julian Bicknell, Ken Tate, Michael Imber, and Dick Reid, The Art of Classical Details is the definitive guide to today's world of neoclassical architectural detailing.

Manju netsuke have never been the subject of a book on netsuke. Many books ignore them completely and it is hoped that this catalogue will throw light on the differences between the manju and other better-known types of netsuke. Dr. Barnett was one of a handful of collectors of one particular type of netsuke, the manju. These were not widely appreciated until about ten years ago when interest began to increase and the exquisite workmanship and design of this group of carvers was noticed as an art in its own right and one which presents the artist with a challenge completely different from the more popular katabori netsuke, carved in the round. Dr. Barnett continued to collect until just before her death in 2000, by which time she had acquired some of the finest pieces to be sold over 30 years which will be presented in this book. Manju netsuke have played a small part in the many publications on netsuke, but there has never been a catalogue entirely devoted to the subject. The book aims to provide a description of each object and to explain the tales they illustrate and the sources of these tales, from literature and printed picture books. The range of subjects is wide and includes religious images, scenes from festivals, the theatre, historical incidents, folktales, classical literature and themes from nature. An introduction will include an essay on the history, uses and the collecting of manju in which the techniques of carving will be described and materials will be discussed. Artists biographies, a glossary and bibliography will be included. The catalogue will accompany an exhibition of many of the pieces in this collection alongside woodblock prints from the Ashmolean Museum's collection which illustrate the same legends and subjects. This will take place in the Eastern Art Paintings Gallery.

The fresco The School of Athens in the Vatican stages a scene with 58 characters, among whom, grouped around the central figures, Plato and Aristole, the ancient world's most famous thinkers can be identfied. Raphael masterfully synthesises the history of thought and human wisdom, not only in the space he creates (a virtual 'temple of philosophy', humanistically speaking), but also in time, lending these ancient philosophers the facial features of some of his most talented contemporaries, including himself, naturally. In any case, above and beyond the variety of at times quite subtle theories as to who is who in the fresco, many of which we shall examine here, the most exciting discovery surely when we grasp the astonishing quality of an undisputed masterpiece; a paean to the virtually 'divine' nature of human thought, retrieved from a mythical past, relaunched and turned into concrete action thanks to the new awareness of the Renaissance man.

What makes The Arnolfini Portrait by Jan van Eyck one of the best-known and reproduced works of art in the world? Exactly what mystery do we happen upon when we tiptoe into a houses's most private room, the bridal chamber? One by one, we stumble across hidden, unexpected details, meticulously reproduced thanks to the sensational realism of the painter's lens. Within the modest dimensions of an «intimate» scene, the artist manages to condense a microcosm of the universe and a study of daylight, and invites us almost physically into the room. The convex mirror painted on the back wall, a marvellous contrivance that enlarges the space and the figures, turns us into actors instead of spectators, magically transported into that timeless room. Finally, who are the personages portrayed? Are they really the Arnolfini couple?

This new series examines several highly regarded masterpieces in an attempt to unravel the mysteries that surround them. Through an innovative concept and a fresh approach, Art Mysteries, edited by Carminati and Stefano Zuffi, presents an up to date and spectacular reading of famous paintings, investigating key clues that suggest previously unknown background information. Velazquez's 'Las Meninas', now at the Prado in Madrid, is one of the most famous paintings ever. It was executed in 1656 in Madrid and depicts the Infanta Margaret Theresa of Spain surrounded by ladies-in-waiting (Las Meninas) and in the company of the painter, who portrays himself at work. But is this really the subject of the painting? A journey through the historical events of the painting and a meticulous analysis of all the figures present on the scene will allow the reader to in part resolve the many puzzles that still shroud this supreme masterpiece of the European Baroque.

Inspired by the story of Christ's first miracle as recounted in the Gospel of St. John, Paolo Veronese's dazzling, monumental painting The Wedding at Cana was comissioned to be hung in the refectory of the Benedictine monastery of San Giorgio Maggiore in Venice. The artist stages a sumptuous banquet for the wedding guests at Cana, packed with intriguing details: a seemingly endless parade of precious drinking vessels, platters and cake stands containing mouth-watering desserts. Veronese transforms a religious scene into a wordly event, a glamorous ceremony whose participants include not only a colourful bevy of cosmopolitan Venetians of the artist's day, but also a generous sampling of servants, jesters and animals, all of this against the backdrop of magnificent architectural perspectives and luminous skies. Veering from realism to the fantastical, in a virtuoso display of his own vision of art and life, Veronese's masterpiece reserves at least two remarkable surprises, once the true identity of a number of personages is revealed: the bride and groom, and especially the musicians who perform for them.

Witches & Wicked Bodies provides an innovative, rich survey of images of European witchcraft covering from the sixteenth century to the present day. It focuses on the representation of female witches and the enduring stereotypes they embody, ranging from hideous old crones to beautiful young seductresses. Such imagery has ancient precedents and has been repeatedly re-invented by artists over the centuries, to include scenes with corpses and cauldrons, caverns and kitchens, and the dead being raised through demonic or satanic rites — all inversions of an ordered and religious social world. Petherbridge introduces this fascinating subject and includes catalogue entries on each of the exhibited works. The illustrations primarily feature drawings and prints as well as a group of important paintings. A wide range of artists is represented including Durer, Goya, Fuseli, Blake, Burra and Rego.

• A sourcebook of typographic inspiration that explores the custom lettering of the 60s and 70s «A labour of loving typographic archaeology byt he type designer and illustrator Rian Hughes» Eye, Winter 2010/2011 Custom Lettering of the 60s & 70s is a celebration of the beautiful and stylistically diverse hand-drawn lettering that was a unique feature of headline type before the advent of Letraset and the computer. Custom lettering gave designers' imaginations full rein to develop individualistic solutions unconstrained by typographic practicalities. This unique publication features over 4,500 examples of custom lettering — from craggy fonts that look like they're hewn from rock, to type with bullet holes, type made of rope, type on curved baselines, type with drop shadows, inlines, outlines, dramatic flourishes and feminine curlicues — it is all here! Custom Lettering of the 60s & 70s is an essential handbook for typographers, graphic designers, art directors, design students and just about anyone interested in the art of type or seeking typographic inspiration. Text in English, German & French.

»This volume, based on rarely seen Russian archives, traces the history of the silent film poster in Russia, starting with a poster designed by Paul Assaturov («Stenka Razin», 1908) in the style of ancient naïve Russian imagery to the latest advertise- ment for a silent movie by Yuri Pimenov from 1934. Full-page reproductions of 161 Russian silent film posters are presented here in chronological order — from the very beginning of the 20th century until the 1930s. These film posters are unique in their approach to representing films, creating new and original images — more evocative than descriptive. The movie is depicted through the use of expressive typography, geometric forms, minimalist illustrations and their distinctive technique of recreating photographs by hand. Works by famous artists of the time such as Alexander Rodchenko, the Stenberg Brothers, Yakov Ruklevsky, Nikolai Prusakov, Alexander Naumov and others are featured. After the Russian revolution in 1917 and the establishment of the Soviet Union in 1922, cinema played an important role in the dissemination of propaganda for the new regime. A large number of Russian movies were produced during the 1920s and early 1930s, and there was also an increase in films imported from other countries. Advertising posters played a major role to attract large audiences. The book reveals the strong influence of modernist art movements such as constructivism and Dadaism on these art works.»

»Wearable Vintage Fashion presents desirable, affordable and accessible vintage clothing and accessories in a new and fun format. Covering the looks of the twentieth century from the 20s to the 80s, this insider's guide will feature the clothing, accessories and styling to recreate the looks of each decade. By presenting timeless, classic vintage pieces, the items will always be stylish regardless of the era they came from or the fashion trend of the moment. The book will, therefore, serve as a visual reference guide to collecting as well as to wearing classic vintage clothing. Vintage dressing is very much a current fashion trend with lots of people shopping for affordable vintage clothing and trying to recreate vintage looks by mixing new and old. The authors show the reader how to put the clothing and accessories together to create that period look whether for daywear or eveningwear. In addition to interviews with collectors and the story behind their collections, the authors look at vintage street fashion from around the world: showing members of the public combining vintage with, and as, their everyday fashion.»

Philippe Starck is one of the world's most prolific and famous designers. Well known for his luxurious hotels and restaurants, he is equally celebrated for his inspirational reworkings of everyday household items. Whether it be his iconic lemon squeezer, dubbed the 'Juicy Salif', or his colourful stylized toothbrushes, Stark's works are some of the earliest examples of 'democratic design'. This idea, that exceptional products should not be exclusive and elite, but be accessible and affordable, would eventually revolutionise modern design. Starck has worked privately for French president Francois Mitterand, decorating a suite in the Palais d'Elysee in Paris in 1982. He has designed products for a number of internationally renowned organisations including Microsoft, Lacie, Eurostar, Alessi and Fossil. Published in the same style as the successful 'Minimum Architects' series, the 'Minimum Design' series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind to be discovered. These volumes will introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summariing the most significant reviews published in magazines and newspapers will complete the subject.

Buckingham Palace is one of the most readily recognised buildings in the world and one of the few working royal palaces remaining. This official guide to Buckingham Palace provides an illustrated account of the history of the royal palace that serves as Her Majesty The Queen's office and London residence, as well as the administrative headquarters of the Royal Household. It contains an introduction to the Palace today; a history of the building and architecture of the Palace; fascinating stories about the Palace's occupants, from George III to Her Majesty Queen Elizabeth II; a visitor's map of the State Rooms and an illustrated tour of the State Rooms and their contents.

If Justin Bishop claimed to be an authority on any particular interior design style it would be the style that is Country. A book featuring beautiful country interiors, exteriors and gardens is the perfect vehicle for his knowledge, experience and design ethic. Based on traditional country style with clean, modern influences, his first book is a collection of beautiful images, clever style notes and personal sentiment. He presents a stunning book for those wishing to emulate this style of design; be it that they live in the country or the city, in a mansion or an apartment. They may be relocating, renovating, or simply looking to be taken on a journey through a book on a style that they love. Justin has travelled and researched, written and photographed. He has discovered visions, places, stories and things that represent the stunning country style that he knows and loves.

Windsor Castle, the largest and oldest occupied castle in the world, is one of the official residences of Her Majesty The Queen. The Castle's dramatic site encapsulates over 900 years of British history. It covers an area of 26 acres and contains, as well as a royal palace, the magnificent St George's Chapel and the homes and workplaces of a large number of people. This fully illustrated official souvenir guide details the history of the Castle from its founder, William the Conqueror, to the present day, including the fire of 1992 and the superb restoration of the damaged rooms, and presents a beautifully illustrated tour of the Castle, including the State Apartments and Semi-State Apartments and their treasures.

Marcel Vrignaud is the founder and permanent professor of the Ikebana Floral Art Centre, an association he set up in 1966 after spending three and a half years in Nagoya (Japan), devoted to the specific art of Ikebana. Being a genuine pioneer in the art of Ohara, Marcel Vrignaud trained teachers all over Europe. My Ikebana offers an overview of his fantastic output. Readers can discover many original combinations of plants, gathered during different seasons, and displayed in the most unusual containers, reflecting all the categories of bouquets of the Ohara School: moribana, heika, landscapes, rimpa, bunjin, morimono, free style, ikebana sculpture, micro ikebana, transparencies etc.

In effect, this book, which features numerous pictures, has remained an essential work of reference for the study of Spanish jewellery during the reign of the Hapsburg and Bourbon Dynasties, extending as far as the rule of Charles IV. However, in spite of its importance, the work is only now being published in English. Forty years have passed since Dr. Muller completed the book and, in all this time, her monographic work has lost none of its relevance, continuing to be an excellent basic guide for the study of a fundamental aspect of Spanish art. However, it is quite impossible to find 'Jewels in Spain: 1500-1800' today. For this reason, Ediciones El Viso has undertaken the task of carefully republishing the work, as revised and updated by the author, featuring new pictures based on photographs taken expressly for the purpose at hand and reproduced in full colour.

Alessandro Mendini, born in Milan in 1931, is a major theorist and a driving force behind avant-garde design in Italy. Aside from his artistic career, he was also editor of the architecture magazines Casabella and Modo and publisher of the famous 'Domus' magazine. Considered to be one of the most important contemporary designers in Europe, Mendini's work places an emphasis on cultural diversity and radical expression. He has also produced many collective projects, such as the museum in Groningen, Netherlands, built with Philippe Starck, Frank Stella, and Michele de Lucchi. He has also worked with important Italian and foreign firms as Zanotta, Alessi, Swatch, Philips, Venini, Bisazza and Cartier. Published in the same style as the successful 'Minimum Architects' series, the 'Minimum Design' series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind to be discovered. These volumes will introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarsing the most significant reviews published in magazines and newspapers will complete the subject.

Broadly divided into 19th and 20th Centuries and then arranged thematically, this beautifully designed and lavishly produced book celebrates the greatest jewels encountered by the authors.

Hardy Amies epitomised understated British couture, emphasising the cut of fine materials by tailored construction. Untrained in dress-making, he achieved Vogue 1937 headlines with his 'Panic' suit, a reconstructed design of a staple in every woman's wardrobe, wittily named to reflect current events. Evoking the glamour of pre-war London while meeting the demands of contemporary society's activities — town to country, morning to night — Amies designs drew a star-studded clientele. His war-time 'utility' designs revealed his design philosophy (and partly concealed his role as head of the Belgian Section of SOE), unveiling a needle-sharp intelligence and intuition for the changing world of fashion, his elegant execution of which was rewarded through the influential seal of approval by HM Queen Elizabeth II, as Princess Elizabeth, in 1950. The first post-war international designer to visit the USA, Amies's luxurious style produced lucrative global business opportunities, including ready-to-wear, menswear shown as couture, and wide-ranging merchandising options.