I.B.Tauris

Alexander Sokurov's 'Russian Ark' is generally acclaimed as a milestone in cinematography. In this film Sokurov reversed the idea of montage, creating instead the sensation of an uninterrupted flow of time encompassing three centuries of Russia's cultural history through a single, 90-minute take. Yet this film is but one milestone in the work of this versatile director. Since the 1990s, Sokurov's films have had international recognition at film festivals and through foreign distribution. In this, the first English-language book to cover Sokurov's full oeuvre, leading scholars on Sokurov unravel his work on documentaries; his early films and literary adaptations; his trilogy on leaders focussing on the decaying body; his films on passing youth and approaching age; and, of course, 'Russian Ark'. The book also provides samples of the major Russian-language studies of Sokurov's films to provide the reader with an insight into Russian approaches to Sokurov.

The Hollywood family film is one of the most popular, commercially-successful and culturally significant forms of mass entertainment. This book is the first in-depth history of the Hollywood family film, tracing its development from its beginnings in the 1930s to its global box-office dominance today. Noel Brown shows how, far from being an innocuous amusement for children, the family film has always been intended for audiences of all ages and backgrounds. He tells the story of how Hollywood's ongoing preoccupation with breaking down the barriers that divide audiences has resulted in some of the most successful and enduring films in the history of popular cinema. Drawing on multiple sources and with close analysis of a broad range of films, from such classics as Little Women, Meet me in St Louis, King Kong and Mary Poppins to such modern family blockbusters as Star Wars, Indiana Jones and Toy Story, this timely book underlines the immense cultural and commercial importance of this neglected genre.

'Even the smallest person can change the course of the future'. The prophetic words of Galadriel, addressed to Frodo as he prepared to travel from Lothlorien to Mordor to destroy the One Ring, are just as pertinent to J R R Tolkien's own fiction. For decades, hobbits and the other fantastical creatures of Middle-earth have captured the imaginations of a fiercely loyal tribe of readers, all enhanced by the immense success of Peter Jackson's films: first The Lord of the Rings, and now his new The Hobbit. But for all Tolkien's global fame and the familiarity of modern culture with Gandalf, Bilbo, Frodo and Sam, the sources of the great mythmaker's own myth-making have been neglected. Mark Atherton here explores the chief influences on Tolkien's work: his boyhood in the West Midlands; the landscapes and seascapes which shaped his mythologies; his experiences in World War I; his interest in Scandinavian myth; his friendships, especially with the other Oxford-based Inklings; and the relevance of his themes, especially ecological themes, to the present-day. There and Back Again offers a unique guide to the varied inspirations behind Tolkien's life and work, and sheds new light on how a legend is born.

The Ionian islands are a hugely popular holiday destination, attracting thousands of visitors each year. Corfu, Kefalonia, Zakynthos and the other Ionian islands are home to one of the finest cuisines of the Mediterranean. The stamping-ground of Captain Corelli and Lawrence Durrell, the Ionians have always held a particular, almost mystical, fascination for visitors, and, for many of the thousands who travel to the region each year, it is the special nature of Ionian cooking that forms an essential and unforgettable part of their experience. The recipes in Prospero's Kitchen come mostly from family notebooks handed down through the generations and reflect the cosmopolitan nature of Ionian cuisine. Together, they provide a unique and tantalising taste of the variety of Ionian cuisine. Featuring over 150 easy-to-follow recipes as well as fascinating information on Ionian cooking and customs, beautiful photographs and original illustrations, Prospero's Kitchen is an essential kitchen addition for anyone with a passion for the beautiful and lyrical Ionian islands.

Oil and natural gas are now acknowledged to be the driving forces of international politics. What has not yet been fully explored is how their delivery affects the geopolitics of the world. Pipelines, once built, create new diplomatic realities — some states are newly connected, others isolated. Some states benefit economically, others lose out. Often new energy supply routes fall across political fault-lines, as in the case of India and Pakistan. In the case of the former Soviet Union, the existing pipeline network reflects an old political reality, and causes tension between the newly independent states and their former Russian master. With energy demand soaring in industrialising Asia, and the resurgence of great power rivalry, the politics and practicalities of pipelines become central to a proper understanding of world affairs. In this groundbreaking book, Rafael Kandiyoti takes us along the pipeline networks, from Kandahar to the Caspian basin, from Ceyhan to China, and shows us how they form the foundation of the new geopolitical order. In the process, he demonstrates that the issue of energy supply revolves not only on hydrocarbon resources but also on their delivery. This is an entirely new way to view the international politics of oil and natural gas and therefore crucial to any explanation of the tensions involving Central Asia, the Middle East, Russia, China and Europe.

Churchill continues to dominate the history of the 20th century and this stimulating and original new work by David Dilks, the eminent historian of modern Britain and Churchill scholar, is a fascinating source of new discoveries and insights. Dilks shows Churchill, not only as a war leader and international statesman, but also as a private person — with a rich variety of interests, enthusiasms, friendships and rivalries. New and penetrating light is directed on Churchill in the lead-up to World War, his relations with Ramsey MacDonald and Neville Chamberlain's appeasement policy. There is the dramatic and troubled relationship with de Gaulle — but here political problems are softened by Churchill's 'love affair' with France. The aftermath of World War II, relations with Stalin, the Soviet Union and the Cold War all dominated Churchill's post-war career. Whether in or out of office, Churchill's influence was felt in all areas of British politics and national life and his imperial enthusiasm, never dimmed, found expression as a British Commonwealth elder statesman. David Dilks brings Churchill to life for all those interested modern British and international history whether student, specialist or general reader.

The squares of London are amongst its most famous and best loved features. Berkeley Square, Eaton Square, St James' Square — the names are inextricably linked with the history of London itself. And the great houses of the capital — Buckingham House, Apsley House, Spencer House, to mention but a few — are intimately bound with the story not just of London but of the great families of the land. Edwin Beresford Chancellor's two volumes form an absorbing and informative account of the history of two of London's defining features. First published almost a century ago, these rare volumes still provide the most comprehensive accounts of their subject in a single volume. Attractively illustrated, with a new Introduction by Simon Jenkins, and handsomely produced in large format, they will be welcomed by all those with an interest in London's architectural and cultural history.

One of the most famous and tortured romances in history — between Elizabeth I, Queen of England, and Robert Devereux, Earl of Essex — began in 1587, when she was 53 and he was 19. Their passionate affair continued for five years, until Essex was beheaded for treason in 1601. In a fast-paced succession of brilliantly-rendered scenes, Lytton Strachey portrays Elizabeth and Essex's compelling attraction for each other, their impassioned disagreements, and their mutual struggle for power, which culminated so tragically — for both of them. Alongside the doomed love affair, Strachey pins colorful portraits of the leading characters and influential figures of the time: Francis Bacon, Walter Raleigh, Robert Cecil, and other members of her glittering court who fought to assert themselves in a kingdom and a country defined by Elizabeth's incomparable reign. Strachey here illuminates, in spellbinding prose, one of the most poignant affairs in history alongside the glamor and intrigue of the Elizabethan era.

In 2012, Britain and the Commonwealth celebrate the 60th anniversary of Elizabeth II's accession to the throne. The royal family have overcome a number of obstacles in its recent history, yet today it appears to be riding on a wave of popular affection. But has Elizabeth II's reign been a good thing for the UK? Or have the style, rituals and underlying culture of the modern monarchy held Britain back from its potential in the 21st century world? In this groundbreaking and thought-provoking new book, Stephen Haseler argues that the class structure which the monarchy has continued to encourage has retained outdated, yet seemingly entrenched, attitudes which have negatively affected Britain's economy, capacity to innovate and international stature. He provides an alternative political and social history of modern Britain which will be a provocative yet entertaining and informative read in the Queen's anniversary year.

Shakespeare is a towering presence in English and indeed global culture. Most readers in the English-speaking world, and many beyond, know his name and have at least a passing familiarity with his work. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media — popular drama, and print — were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civil pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Shakespeare, Marlowe and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors. The book places Renaissance drama in the exciting and vibrant cosmopolitanism of sixteenth-century London.

The Wars of the Roses (c. 1450-85) are renowned as an infamously savage and tangled slice of English history. A bloody thirty-year struggle between the dynastic houses of Lancaster and York, they embraced localised vendetta (such as the bitter northern feud between the Percies and Nevilles) as well as the formal clash of royalist and rebel armies at St Albans, Ludford Bridge, Mortimer's Cross, Towton, Tewkesbury and finally Bosworth, when the usurping Yorkist king Richard was crushed by Henry Tudor. Powerful personalities dominate the period: the charismatic and enigmatic Richard III, immortalized by Shakespeare; the slippery Warwick, 'the kingmaker', who finally over-reached ambition to be cut down at the battle of Barnet; and guileful women like Elizabeth Woodville and Margaret of Anjou, who for a time ruled the kingdom in her husband's stead. David Grummitt places the violent events of this complex time in the wider context of fifteenth-century kingship and the development of English political culture. Never losing sight of the traumatic impact of war on the lives of those who either fought in or were touched by battle, this captivating new history will make compelling reading for students of the late medieval period and Tudor England, as well as for general readers.

The years of the Spanish Civil War filled twentieth-century Spain with hope, frustration and drama. Not only did it pit countryman against countryman, and neighbour against neighbour, but from 1936-39 this bitterly contended struggle sucked in competing and seemingly atavistic forces that were soon to rage across the face of Europe, and then the rest of the world: nationalism and republicanism; communism and fascism; anarchism and monarchism; anti-clerical reformism and aristocratic Catholic conservatism. The Guerra Civil is of enduring interest precisely because it represents much more than just a regional contest for power and governmental legitimacy. It has come to be seen as a seedbed for the titanic political struggles and larger social upheavals that scarred the entire twentieth century. In elegant and accessible prose, Julian Casanova tells the gripping story of these years of anguish and trauma, which hit the country with a force hitherto unknown at any time in Spain's history. Charting the most significant events and battles alongside the main players in the tragedy, he provides answers to some of the pressing questions (such as the roots and extent of anti-clerical violence) that have been asked in the seventy years that have passed since the painful defeat of the Second Republic.

This book provides an original perspective on the West's most enduring social and cultural institution. The author covers all the vital themes contributing to the modern Christmas: its Anglo-German origins and the idea of the bourgeois Christmas expressing family virtues; the need for a touchstone with the past in an age of rapid expansion and thus the myth of Merrie England; and the revival of English music: in short, all the elements making up the modern Christmas.

Practical Aesthetics brings a pursuit, long seen as rarefied and indulgent, out of the ivory tower and down to Ground Zero. Theoretically ambitious, fiercely original, it is a radical new account of art's rootedness in the social world and of the value of aesthetics to contemporary society. Beginning with the cultural watershed of 9/11, internationally-renowned scholar Jill Bennett explores artistic developments in relation to current events to argue that understanding aesthetics is as vital to social and political theory as it is to the arts. Taking as its starting-point a definition of art as the critical, self-conscious manipulation of media, Bennett examines a wide range of events from the War on Terror to the football World Cup to elucidate how aesthetic perception works in a social field, a process that begins with the rich emotional content of the visual imagery with which we are constantly bombarded. Now more than ever, Bennett argues, understanding how what we see informs what we do is not merely an artistic endeavour but one which is fundamental to our very being. Part of the Radical Aesthetics, Radical Art series, this book challenges the notion that art and 'real life' are somehow opposed. Practical Aesthetics proposes a new way of reading contemporary artworks — and a new understanding of how fundamental art is to our social survival.

Nigeria is a country where petroleum prices and polio are both booming, where small villages challenge giant oil companies, and scooter drivers run their own mini-state. The oil-rich Delta region at the heart of it all is, as Peel shows us, a troublespot as hot as the local pepper soup. Through a host of characters, from the prostitutes of Port Harcourt to the Area Boys of Lagos, from the militants in their swamp forest hideouts to the oil company executives in London, Peel tells the story of this extraordinary country, which grows ever more wild and lawless by the day as its crude oil pumps through our cities.

'Spring was already in the air, in the town; there was no rain but there was still less sun — one wondered what had become of it, on this side of the world — and the grey mildness, shading away into black at any pretext, appeared in itself a promise.' Henry James left America for England in 1876 and remained in his adopted country for the next three decades. Arriving in Liverpool, he made his way first to London, the 'dreadful, delightful city', which he would come to both love and hate. James revelled in the exoticism and immensity of all that was unknown to him and his writing spills over with youthful excitement, humour and vivid descriptions of the people, landscapes, towns and cities he encountered. In London, he marvelled at the architecture of Christopher Wren and the glamour of the Strand and observed with equal pleasure the seedier parts of the city, where gin shops glowed on the corners of dark alleys. He later set out to explore the English countryside: Chester, Warwick, Devon, Wells, Salisbury, Suffolk and Rye, where he eventually settled, bought Lamb House and wrote prolifically — producing some of his finest works, including What Maisie Knew, The Wings of the Dove, The Golden Bowl and The Middle Years. First published in 1905, English Hours is one of Henry James' most loved works of travel and a now-classic portrait of England by one of the great masters of 19th century literature.

Albert: Prince Consort to Queen Victoria, social and cultural visionary in his own right, was born in the Saxon duchy of Saxe-Coburg-Saalfeld but defined the culture and direction of 19th century Britain — a superpower at the zenith of its influence — more than any other British royal or politician. Although he pleaded with his wife that no monument to his memory should be left (a plea that was to go unheeded by his grieving widow) the role he played in shaping Victorian culture stands today as indisputable proof of the enduring legacy of a man who spent just two decades of his short life in England. Though overshadowed in history by his adoring wife, and at times even mocked by her subjects, it was arguably Albert that gave form and substance to the Victorian Age. From the outset, he strove to win 'the respect, the love and the confidence of the Queen and of the nation', pursuing an extraordinary social and cultural crusade that has become his greatest legacy. From the Great Exhibition and the construction of many of London's great museums to his social campaigns against slavery and the Corn Laws, Albert's achievements were truly remarkable — in fact, very few have made such a permanent mark on British society. This is the life story of Albert of Saxe-Coburg: Prince Consort and beloved husband of Queen Victoria — and one of the most influential figures of modern Europe.

In 1928, Winston Churchill was at the height of his career. Chancellor of the Exchequer and a powerful and popular orator, leadership of the Conservative Party seemed within his grasp. A year later, all had changed. The Conservatives were defeated and, when a National Government was formed in 1931, Churchill was not asked to join it. Though he was a lone figure from this point, his acute political sense, foresight and courage were undiminished. Fed with secret inside information, Churchill consistently warned of the Nazi danger, even before the rise of Hitler. The British government, led by Stanley Baldwin and later Neville Chamberlain, fought him at every turn, even refusing him the right to broadcast. But he never gave up. It was as a direct result of his dogged perseverance that the British public came to realise the truth of his warnings — and a bond was formed that would be so vital in the years to come.

Seeks to uncover the historical figure of Jesus, and explore what it was about his teaching that created a dedicated following that propagated a religion in his name. This book suggests that there may have been a conspiracy between Paul and Peter to disseminate a distorted image of Christ.

This is a new, revised edition of the universally acclaimed and best-selling account of the Islamic fundamentalist Taliban movement — the most radical and extreme Islamic movement the world has seen.

Peter Fleming, brother of James Bond author Ian Fleming, was one of the greatest adventurers and travel writers of the 20th century and author of several classic and bestselling books. This is the first paperback edition. It presents an exciting adventure that could never be made today — it will appeal to all interested in the region. When in 1934 at the age of twenty-seven, Peter Fleming set out for the Far East, his ultimate goal was to return from China to India overland — a journey he later described in the classic News from Tartary. On his outward journey Fleming travelled through regions which remain some of the most remote and least-visited in Asia and which, soon after his journey, became closed entirely to westerners. From Moscow, through the Caucasus to the Caspian, on to Samarkand and Tashkent, skirting the edge of Outer Mongolia to Vladivostok and winding his way down to Peking, Fleming tells of people encountered, places explored and of ways of life that have since been lost through revolution, war and the passage of time. Along the way he kept a diary that he never intended to publish and that lay forgotten 'in the box-room' of his mind for fifteen years. To Peking is an unassuming classic of travel literature. Subtle yet sparkling with intelligence and humour, simple yet beautifully told, it illuminates a world that travellers — armchair or otherwise — can only dream of today.

Over half a century after the defeat of the Third Reich the complexities of Nazi ideology are still being unravelled. This text is a serious attempt to identify these ideological origins. It demonstrates the way in which Nazism was influenced by powerful occult and millenarian sects that thrived in Germany and Austria at the turn of the century. Their ideas and symbols filtered through to nationalist-racist groups associated with the infant Nazi party and their fantasies were played out with terrifying consequences in the Third Reich: Auschwitz, Sobibor and Treblinka are the hellish museums of the Nazi apocalypse. This bizarre and fascinating story contains lessons we cannot afford to ignore.

The cultural impulse to try to anticipate the future, and make sense of apparently random events, is irrepressible. Perhaps the most famous of all sites of prediction is the Oracle at Delphi. And how the world of antiquity, and particularly the ancient Greeks, tried to foretell the outcome of the present, serves as Esther Eidinow's starting-point for an appraisal of that legacy of forecasting in our own era. Delphi is still invoked when business people discuss future strategy and risk; there is even a strategic planning technique called the 'Delphi Method'. But the Delphic Oracle is only the best known example of a physical landscape covered by oracular sanctuaries; while across classical literary genres, there are myriad tales — such as that of doomed Oedipus — which wrestle with the cruel vicissitudes of fate and fortune. Exploring notions of destiny related by writers like Homer, Herodotus and Sophocles, Esther Eidinow discusses ancient augurial theories and methods, including sacrifice, cleromancy (dicing) and astromancy (telling of the stars). She then turns to ideas about moral luck and later Roman use of prophecy for maintenance of the 'pax deorum'. Drawing on modern texts as diverse as the Terminator films and Solitaire's tarot reading in Live and Let Die, the author shows how the recurring questions 'what if?' and 'why me?' are a fundamental part of what it means to be human, whether in the ancient past or the present day.

Who were the men who helped Hitler establish the Third Reich and then carry out some of the worst atrocities in modern history? In fifteen chilling profiles, Joachim Fest examines the lives of the most infamous Nazi leaders. They include Hermann Goering: the self-styled 'Iron Man', who directly issued orders for the Final Solution; Joseph Goebbels: the mastermind behind Kristallnacht; Heinrich Himmler: Reichsfuhrer of the SS, responsible for the deaths of over six million Jews and the most powerful man in Nazi Germany after Hitler; Martin Bormann: Hitler's private secretary, who wielded power by controlling access to the Fuhrer; Rudolph Hess: Deputy of the Nazi Party who was tried at Nuremberg; Albert Speer: 'the Nazi who said sorry', and of course Hitler himself. In this compelling account, Joachim Fest — one of the greatest authorities on the Third Reich and an icon of post-war Germany — shows how it was these individual personalities and their vicious power struggles that combined to give form to Hitler's terrifying vision.