Laurence King Publishing

Pictures and Words collects together the most outstanding contemporary examples of pictorial storytelling. Celebrating illustration that stands on its own to tell a story rather than simply accompanying or adorning another medium, the book includes extracts from graphic novels, comic strips and books, as well as single-panel cartoons and drawings. Words are present in the form of character dialogue or narration, or sometimes a story emerges from a series of illustrated panels that contain no text at all. With or without words, this is a highly expressive medium, dealing with a vast range of subjects from political issues to the most complex of human emotions. Comics and graphic novels are currently enjoying huge popularity in mainstream culture. This timely book brings together work by 30 key artists from around the world, including Paul Davis, Benoit Jacques and Andrzej Klimowski.

There are books on the nuts and bolts of web design and there are books about website aesthetics, showcasing examples of good design. How to Design Websites contains the essentials of both, addressing the skillsets required to produce websites that are functional and elegant — but from a graphic designer's perspective. It demonstrates that you can design a working website in minutes without the need for expensive programs. Chapters include Code, Layout, Text and Typography, and Images and Colour Schemes. Useful 'tips and tricks' panels are included, as well as step-by-step projects — such as how to produce a portfolio site — that will be of interest to design students and to graduates of all disciplines. Inspirational 'Trailblazer' case studies showcase the best of contemporary designers and their work. Blogs, Facebook, Flickr and HTML5, and new ways of using the web, such as mobile phones and netbooks, are also discussed.

Construction and detailing are vital skills for all students studying interior design and architecture. This accessible, up-to-date text explains the principles of sound construction for interiors, and provides the means to create successful variations on standard types of detailing. It also covers the relation of existing building shells to the construction and detailing of new elements. Practical tips are given throughout the book, which is packed with over 300 images, including comprehensive and professional annotated drawings together with explanatory photographs of techniques, materials, and tools.

This book covers all stages of visual presentation as part of the interior design process, from early concept sketches and more evolved technical drawings to complex computer renderings, models for client presentation, and production drawings for contractors. Step-by-step sequences and special tips show students how to make the most of the available media, while practical advice on everything from communicating with clients and contractors to the legal implications of production drawings are covered. A comprehensive and varied selection of drawings from practitioners and student designers will wet readers appetites, encourage enthusiasm and suggest possibilities. This book will be an invaluable inspirational and practical resource for interior design and architecture students and practising interior designers alike.

There is a dearth of books covering drawing and product design. Drawing for Designers fills this gap, offering a comprehensive guide to drawing for product/industrial designers and students. As well as industrial product design, the book encompasses automotive design and the design of other 3D artefacts such as jewellery and furniture. Covering both manual and computer drawing methods, the book follows the design process: from initial concept sketches; through presentation drawings and visualizations; general arrangement and detail drafting; to fully dimensioned production drawings; and beyond to technical illustrations and exploded/assembly diagrams used for publicity and instructing the end user in the product's assembly, operation and maintenance. Interspersed with the chapters, there are Case Study spreads featuring famous designer products shown both as drawn concepts and as finished objects. There are also several 'how-to-do-it' Step-by-Step sequences.

Graphic designers constantly complain that there is no career manual to guide them through the profession. Design consultant and writer Adrian Shaughnessy draws on a wealth of experience to provide just such a handbook. Aimed at the independent-minded, it addresses the concerns of young designers who want to earn a living by doing expressive and meaningful work and avoid becoming a hired drone working on soulless projects. It offers straight-talking advice on how to establish your design career and suggestions — that you won't have been taught at college — for running a successful business. This revised, extended edition includes all-new chapters covering professional skills, the creative process, and global trends, including green issues, ethics and the rise of digital culture. The book contains all-new imagery, and the previous interviews have been replaced with new ones, each focusing on a specific issue of importance to graphic designers.

Explores a range of ways to represent the city, from freehand sketching to the sophisticated interactive computer model of the city of the future. This book provides an introduction to the techniques while explaining the processes associated with describing and designing urban environments.

In order to understand architecture in all its cultural complexity it is necessary to grasp certain basic concepts such as representation, form and space. The aim of this book is to provide teachers, students, practising architects and curious general readers with a set of ideas that will enrich their conversation, their writing, and above all their thinking about architecture. The book is divided into eight chapters, each covering a particular aspect of architecture, and introduces difficult concepts gradually. Architectural theorists and philosophers are mentioned in passing and their works are listed in the bibliography, but they are not the subject of the book. Architecture, rather than philosophy, is at the centre of the picture. The aim is to enable the reader to understand architecture in all its aspects, rather than to learn the names of particular theorists. Written in a conversational style, Thinking about Architecture is an invaluable and accessible standard introduction to architectural theory.

Many designers use folding techniques in their work to make three-dimensional forms from two-dimensional sheets of fabric, cardboard, plastic, metal and many other materials. This unique book explains the key techniques of folding, such as pleated surfaces, curved folding and crumpling. An elegant, practical handbook, it covers over 70 techniques explained by clear step-by-step drawings, crease pattern drawings, and specially commissioned photography.

At last! Here is real practical help for budding freelance illustrators. This book helps you avoid the pitfalls that can ruin a career, with advice on crucial first impressions, how to create a portfolio and approach clients, how to negotiate contracts, and how to handle, deliver and bill the first job. It discusses setting up a studio, maintaining a steady flow of work and managing time and money, and also provides information on successful self-promotion, self-publishing, and the pros and cons of agents. Packed with useful tips gleaned from the authors own career and his work as an agent handling major artists in the US and UK, the book includes interviews with 9 big-name illustrators. The reader benefits from their experience of starting out; what they learnt or noticed during the metamorphosis from student to professional; what their expectations and experiences have been. In addition, art directors and commissioners describe how they like being approached and what they really dislike.

Printmaking is a comprehensive and up to date introduction to fundamental printmaking techniques including relief, intaglio, collagraph, lithography, screen print and monoprint. It shows how some of the latest and most experimental prints have been made using these techniques. It also shows how to use the computer as an image-making tool and how to translate digital images into tangible works of art. Each chapter has clear, step-by-step illustrations with extensive case studies, which help the student understand the technical aspects of each printmaking technique. Each chapter profiles a leading contemporary printmaker, with an interview and examples of their work. The appendices include many useful troubleshooting charts, indicating the problems that are likely to arise with different techniques, and what can be done to solve them. There is also a useful glossary of technical terms.

Womenswear progresses in leaps and bounds, fuelled by the readiness of women to wear what may at the time be perceived as the radical or outrageous. Not so with menswear evolves, slowly. But from what? Behind nearly every item in the modern male wardrobe is a first of its kind the definitive item, often designed by a single company or brand for specialist use, on which all subsequent versions have been based (and originals of which are now collector items in the booming vintage market). The T-shirt, for example, may now be an innocuous, everyday item, but was created by American company Hanes for US Navy personnel at the turn of the 20th century and was subsequently adopted by sportsmen and bikers. Other items have been designed for sport, farm work, protection and made their way into everyday usage. Icons of Men's Style examines, garment by garment, the most important and famous of these products their provenance and history, the stories of their design, the brand/company that started it all and how the item shaped the way men dress today.

Ideally (though not exclusively) suited for designers, graphic designers, illustrators, art directors and anyone working within the creative industries, or studying these disciplines, or simply interested in exploring his or her creativity. Artists have always relied on their sketchbooks. But art has changed: new visual styles tend to be not exclusively the product of painting and drawing but will often come out of illustration, graphics, film and animation, fashion, advertising, art direction and a number of creative activities. This new line addresses the needs of contemporary practitioners, trying to update that format. Helpful and user-friendly, these sketchbooks tread that fine line between giving users practical tools and information while not interfering with their creative freedom. As part of this updating process, this sketchbook has been made entirely out of eco-friendly materials.

Ideally (though not exclusively) suited for stylists, editors, fashion designers, illustrators and anyone working within the creative industries, or studying these disciplines, or simply interested in drawing beautiful clothes. Artists have always relied on their sketchbooks. But art has changed: new visual styles tend to be not exclusively the product of painting and drawing but will often come out of illustration, graphics, film and animation, fashion, advertising, art direction and a number of creative activities. This new line addresses the needs of contemporary practitioners, trying to update that format. Helpful and user-friendly, these sketchbooks tread that fine line between giving users practical tools and information while not interfering with their creative freedom. As part of this updating process, this sketchbook has been made entirely out of eco-friendly materials.

This thought-provoking and practical book for graphic designers and students explores creative practice in graphic design. The book looks at the essential elements of the creative process through a series of in-depth studies of a range of real-life graphic design projectsfrom the art direction of a magazine issue and the development of a logo, to the design of a poster, a font and a signage system. In each case, the designers are interviewed and their working process documented in detail.

This visually-led book contains a global selection of the best graphic design studios' work for the fashion industry-from packaging and lookbooks to swing tags and invitations-with exclusive insights from both clients and designers. The book reflects the exciting graphic developments in the field of fashion.

Hatch showcases 114 architects who will define the physical fabric of our cities for the next 30 years, aswell as the theoretical and interpretive background of architectural practice worldwide. These are practitioners for whom the old categories do not hold, and for whom modernism is no longer the orthodoxy. As the role of architects in cities changes, young practitioners pursue a range of work as writers, critics, curators, teachers, fashion designers, computer programmers, club promoters, materials experts, engineers, installation artists, developers, and builders. Critically selected, the work of each architect, writer, and photographer in Hatch is examined in detail to uncover the approaches that will come to their full fruition in the coming years and decades. 800 photographs and drawings of projects give more than just eye candy. With this book you can decide for yourself how good these young stars really are.

One of the most ubiquitous pieces of printed matter, the business card presents a unique design conundrum. Constrained by budgetary and size restrictions, how do you present a persons or a business's identity and contact details, all in a very small space... and still have some fun? In an age dominated by digital media, the first two books in this series revealed the unique potential of the business card as an opportunity for creative greetings, firmly stamped with the user's personality. Business Cards 3 features over 200 innovative interpretations of the humble business card fromaround the world. Collected from designers and clients across the creative industries, highlighting materials, formats, and production methods that push the boundaries of this genre, the result is a book full of inspiring surprises.

Providing an essential grounding for readers of all levels, from students to professionals, this carefully structured text takes the reader through every aspect of typography, from the history of language and writing systems to the invention of movable type and the evolution of the digital systems of today. It provides an overview of the bewildering variety of typefaces available and is a practical guide to using type as a meaningful element of design in all media. In this revised edition, Chapter 3 ('Form') has been considerably extended with illustrations of 'part-alphabets' for 60 typefaces and detailed explanations of their visual features. There are also updated sections in Chapters 4 and 6 ('Manufacture & Design' and 'Conventions') and in Chapter 5 ('Structure') there is new material on the use of grids and design for the Web.

This is Farrell's story, embracing four decades of observation of our built environment. His anecdotes, recollections and musings take a nomadic journey through time and space — a walk down 1950s Broadway and along 1960s Charlotte Street; a visit to the Alhambra; tutorials with Louis Kahn in Pennsylvania — as well as his own projects.

Understanding the relationship between design and technology is critical to the understanding of architecture. Aimed clearly at architectural students, this book provides an accessible introduction to all aspects of architectural technology: structural physics, structural elements and forms, heating, lighting, environmental control and computer modelling. As well as providing a clear grounding in these topics, it will also help students to integrate their design thinking with appropriate structural and environmental solutions. The book sets out to explain the relationships between physical phenomena, materials, building elements and structural types using simple classification systems and real world examples. Photographs are used to familiarize the user with common construction technology, while historical examples are employed to chart significant moments in the history of architectural engineering. Every topic area is accompnied by a set of cross-references for further reading and research. In addition, this volume explores current computer techniques for assisting students to predict the structural and environmental behaviour of buildings. It also uses historical precedents to explain how the success of a technology is directly related to its cultural context.

Japanese style has long been admired for its grace and artistry. Add to that a sense of fun, and you have the Stylish Dress Book. Complete with stunning full-color photos, this book gives you instructions and pull-out patterns for 26 relaxed and comfortable yet elegant dresses and tops — pretty, timeless pieces that can be worn year after year, by women of all ages and sizes. The detailed diagrams and easy-to-follow instructions take you step-by-step from layout to finished garment. The no-rules looks pictured in this book are perfect for today's carefree fashion sensibility and will inspire you to have fun with fabric and style.

Andy Warhol, the iconic Pop artist, presented himself as the vacuous, dumb kid, famously saying, 'If you want to know all about Andy Warhol, just look at the surface of my paintingsand there I am. There's nothing behind it.' This book penetrates the surface and explores Warhols art from his beginnings as a commercial artist to his apotheosis as a society portrait painter. Vivid illustrations reveal Andys worlds: his childhood in Pittsburgh, his chaotic Manhattan mansion and the Silver Factory, where New Yorks bright new things hung out and had fun. Series writer Catherine Ingram brings her extensive knowledge to the book, while specially commissioned illustrations by Andrew Rae vividly portray the text.