Orion Books

Escaping from the attentions of the Bondsmagi Locke Lamora, the estwhile Thorn of Camorr and Jean Tannen have fled their home city. Taking ship they arrive in the city state of Tal Varrar where they are soon planning their most spectacular heist yet; they will take the luxurious gaming house, The Sinspire, for all of its countless riches. No-one has ever taken even a single coin from the Sinspire that wasn't won on the tables or in the other games of chance on offer there. But, as ever, the path of true crime rarely runs smooth and Locke and Jean soon find themselves co-opted into an attempt to bring the pirate fleet of the notorious Zamira Drakasha to justice. Fine work for thieves who don't know one end of galley from another. And all the while the Bondsmagi are plotting their very necessary revenge against the one man who believes e has humiliated them and lived; Locke Lamora.

They say that the Thorn of Camorr can beat anyone in a fight. They say he steals from the rich and gives to the poor. They say he's part man, part myth, and mostly street-corner rumor. And they are wrong on every count. Only averagely tall, slender, and god-awful with a sword, Locke Lamora is the fabled Thorn, and the greatest weapons at his disposal are his wit and cunning. He steals from the rich — they're the only ones worth stealing from — but the poor can go steal for themselves. What Locke cons, wheedles and tricks into his possession is strictly for him and his band of fellow con-artists and thieves: the Gentleman Bastards. Together their domain is the city of Camorr. Built of Elderglass by a race no-one remembers, it's a city of shifting revels, filthy canals, baroque palaces and crowded cemeteries. Home to Dons, merchants, soldiers, beggars, cripples, and feral children. And to Capa Barsavi, the criminal mastermind who runs the city. But there are whispers of a challenge to the Capa's power. A challenge from a man no one has ever seen, a man no blade can touch. The Grey King is coming. A man would be well advised not to be caught between Capa Barsavi and The Grey King. Even such a master of the sword as the Thorn of Camorr. As for Locke Lamora...

Inquisitor Glokta, a crippled and increasingly bitter relic of the last war, former fencing champion turned torturer extraordinaire, is trapped in a twisted and broken body — not that he allows it to distract him from his daily routine of torturing smugglers. Nobleman, dashing officer and would-be fencing champion Captain Jezal dan Luthar is living a life of ease by cheating his friends at cards. Vain, shallow, selfish and self-obsessed, the biggest blot on his horizon is having to get out of bed in the morning to train with obsessive and boring old men. And Logen Ninefingers, an infamous warrior with a bloody past, is about to wake up in a hole in the snow with plans to settle a blood feud with Bethod, the new King of the Northmen, once and for all — ideally by running away from it. But as he's discovering, old habits die really, really hard indeed... especially when Bayaz gets involved. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Glotka, Jezal and Logen a whole lot more difficult...

Seven years after the day of the bombs, Point Reyes was luckier than most places. Its people were reasonably normal — except for the girl with her twin brother growing inside her, and talking to her. Their barter economy was working. Their resident genius could fix almost anything that broke down. But they didn't know they were harbouring the one man who almost everyone left alive wanted killed ...

Hogswatchnight is fast approaching, and the Hogfather (that jolly fat man who delivers presents to the kiddies) is missing. But it's vital that all the presents are delivered, otherwise the sun won't rise tomorrow. However, there is another supernatural entity who can be everywhere at once and, most importantly, knows where everybody lives. And Death reckons that with a false beard and a few cushions, it might just work. And while Death is busy working out the mysteries of climbing down chimneys and drinking sherry, it's up to Susan to track down the real Hogfather. It's a dark time of the year. There are monsters afoot. And some of them look just like us. HO HO HO. You'd better watch out ...Terry Pratchett's bestseller, adapted and directed by Vadim Jean, is a BAFTA-winning two-part live-action/CGI film starring David Jason for Sky One.

It begins with the death of the last Roman and ends with the crowning of a king, the birth of a new order. As the centuries between these two events pass, as Britain emerges from the ruins of Roman rule to become a vibrant, rich power in its own right, as invasions ebb and flow and Kings rule and die, a single thread is spun and stretched. A prophecy found in the shadow of Hadrians crumbling wall, a prophecy preserved by the monks at Lindisfarne. A prophecy remembered, a prophecy handed down. A prophecy that speaks of the cross, of dragons from the north. Of a new world and of a new empire. A prophecy fulfilled in one remarkable year: 1066. «Conqueror» is a fast moving historical thriller that casts a bright light onto a shadowy period of British history and brings it to vibrant life. Steeped in blood and violence this was also a time of artistic endeavour, a time of nation building and law-giving. And it is a time of chance, where history can be shaped by the Weaver ...

'I've never met anyone who made it with a chick because they owned a Tom Waits album. I've got all three, and it's never helped me', Tom Waits. Born, seemingly, in the back of a taxi cab outside a hospital in California, in December 1949, the young Tom Waits graduated through the jobs of janitor, dishwasher and cook to the position of doorman at a small L.A. club. Existing on a diet of whiskey, cigarettes and beat writing, he now added folk and jazz to his formative influences. In 1969, Captain Beefheart manager Herb Cohen discovered him — and five years later he released his first album, Closing Time, a record soaked in equal parts bourbon and melancholy. His drunken bohemian persona kicked in after this ('The Piano Has Been Drinking, Not Me'), and his familiar hoary rasp ('a voice that could guide ships through dense fog'), tales of losers, outsiders, hobos, dingy bar-room joints and seedy diners became the stuff of cult legend, covered by the likes of the Eagles, championed by Elton John, and instantly recognisable from a thirty-year career that has seeped through music (over 20 albums), theatre and film. Waits has never written an autobiography, has notoriously played fast and loose with the truth, but this collection of interviews is practically Tom Waits in his own words. Witty, enigmatic and currently fired up about the state of America (his latest album 'Real Gone' has been his most successful yet), Innocent When You Dream is a must-have for any Waits fan.

Building a snowman brings out Henry's competitive streak; he sets up his Monstrous Makeovers business to rival Moody Margaret's Miraculous Makeovers; things go badly wrong when a famous author comes to school; and he thinks 'You'll all be sorry when I'm dead' and spends a rainy day writing his will.

Michael Palin has kept a diary since newly married in the late 1960s, when he was beginning to make a name for himself as a TV scriptwriter (for the Two Ronnies, David Frost etc). Monty Python was just around the corner. This first volume of his diaries reveals how Python emerged and triumphed, how he, John Cleese, Graham Chapman, the two Terrys — Jones and Gilliam — and Eric Idle, came together and changed the face of British comedy. But this is but only part of Palin's story. Here is his growing family, his home in a north London Victorian terrace; here, too, is his solo work — as an actor, in Three Men in a Boat, his writing endeavours (often in partnership with Terry Jones) that produces Ripping Yarns and even a pantomime. Meanwhile Monty Python refuses to go away: the hugely successful movies that follow the TV (his account of the making of both The Holy Grail and The Life of Brian movies are pager-turners), the at times extraordinary goings on of the many powerful personalities who coalesced to form the Python team, and much more — all this makes perceptive, funny and riveting reading.

Oliver Cromwell was an undistinguished backbench MP in his forties when the English Civil War began. Like many other gentleman farmers, he recruited a regiment and led it to war. However, unlike most of the amateur leaders, he demonstrated a remarkable apptitude for soldiering and rose to become one of Parliament's leading generals. Ultimately he would use his power-base within the army to seize power and rule all Britain. General Sir Frank Kitson's concise military biography reveals how and why Cromwell proved so successful. His accessible narrative provides an excellent potted history of the Civil War, peppered with asides on the practicalities of soldiering in the 17th century.

… But it feels like another war is still being fought here… a war against women. They are trafficked like cargo, and traded like stock; the price for each calculated according to how much profit can be extracted from her afterwards.' Louisa Waugh has spent three years researching and writing this vivid, unflinching investigation into human trafficking across Europe. She journeys to some of the places most infested with trafficking; talking to women who have been trafficked, and the people who support them in defiance of personal risk. She visits Bosnia and Kosovo, where, more than a decade after civil war first erupted across former Yugoslavia, women are still sold in bars and confined inside private apartments; and where the UN and NATO are both finally attempting to address the ugly complicity of their own peacekeepers. She travels to northern Albania, where chronic poverty coerces women into sex work. In Moldova she meets Olga, who tells her own story in angry, heartbreaking detail. But trafficking is not confined to the Balkans. In Sicily she spends time with Nigerian women who were trafficked by other women, and who are now fighting back. These journeys are courageous attempts to understand trafficking in situ; and to investigate why, in spite of global awareness, relentless anti-trafficking campaigns, and increasing numbers of traffickers being imprisoned, this is still the world's fastest-growing organised crime. She also explores human trafficking in Britain; what happens to women sold into our sex industry, and to migrants trapped in other forms of forced labour within our 'ultra flexible labour market'. Finally, Louisa Waugh puts forward a passionate case for why, in spite of everything, there is genuine hope of change.

The Hungarian Revolution in 1956 is a story of extraordinary bravery in a fight for freedom, and of ruthless cruelty in suppressing a popular dream. A small nation, its people armed with a few rifles and petrol bombs, had the will and courage to rise up against one of the world's superpowers. The determination of the Hungarians to resist the Russians astonished the West. People of all kinds, throughout the free world, became involved in the cause. For 12 days it looked, miraculously, as though the Soviets might be humbled. Then reality hit back. The Hungarians were brutally crushed. Their capital was devastated, thousands of people were killed and their country was occupied for a further three decades. The uprising was the defining moment of the Cold War: the USSR showed that it was determined to hold on to its European empire, but it would never do so without resistance. From the Prague Spring to Lech Walesa's Solidarity and the fall of the Berlin Wall, the tighter the grip of the communist bloc, the more irresistible the popular demand for freedom.

Francis Walsingham was the first 'spymaster' in the modern sense. His methods anticipated those of MI5 and MI6 and even those of the KGB. He maintained a network of spies across Europe, including double-agents at the highest level in Rome and Spain — the sworn enemies of Queen Elizabeth and her Protestant regime. His entrapment of Mary Queen of Scots is a classic intelligence operation that resulted in her execution. As Robert Hutchinson reveals, his cypher expert's ability to intercept other peoples' secret messages and his brilliant forged letters made him a fearsome champion of the young Elizabeth. Yet even this machiavellian schemer eventually fell foul of Elizabeth as her confidence grew (and judgement faded). The rise and fall of Sir Francis Walsingham is a Tudor epic, vividly narrated by a historian with unique access to the surviving documentary evidence.

Like the bestselling Freakonomics or Blink, here is a book that combines a professor's expertise with stories from everyday life to provide a striking new view of how our world works. Ever since Einstein's study of Brownian Motion, scientists have understood that a little disorder actually makes systems more effective. But most people still shun disorder, or suffer guilt over the mess they can't avoid. No longer! With a spectacular array of anecdotes and case studies of the useful role mess can play, here is an antidote to the accepted wisdom that tight schedules, neatness and consistency are the keys to success. Drawing on examples from business, parenting, cooking, the war on terrorism, retail and even the meteoric career of Arnold Schwarzenegger, co-authors Abrahamson and Freedman demonstrate that moderately messy systems use resources more efficiently, yield better solutions and are harder to break than neat ones. A PERFECT MESS will help readers assess what the right amount of disorder is for a given system, and how to apply these ideas on to a large scale — government or society — and on a small scale — (in your attic, kitchen or office). A PERFECT MESS will forever change the way we think about those unruly heaps of paper on our desks.

Just over a century ago, Our Island Story entranced a nation's children by telling their history in stories. Short, simply written chapters, packed with living characters and thrilling action — and illustrated with vivid colour pictures — illuminate all the main events from Britain's earliest days to the end of Victoria's reign. And its glorious fusion of myth and legend with sober fact — Canute and King Arthur with Cromwell and the Indian Mutiny — is as seductive now as it ever was.

Jason Taverner is a Six, the result of top secret government experiments forty years before which produced a handful of unnaturally bright and beautiful people — and he's the prime-time idol of millions until, inexplicably, all record of him is wiped from the data banks of Earth. Suddenly he's a nobody in a police state where nobody is allowed to be a nobody. Will he ever be rich and famous again? Was he, in fact, ever rich and famous?

Drawn from the five volumes of his complete short stories (also published by Gollancz) this volume represents the very cream of Philip K. Dick's output. It serves both as a celebration of his work, in the 25th year since his death, and as the ideal introduction to his unique take on the world for new readers. As our culture becomes ever more fluid, as fact is fictionalised, as documentary gives way to reality-TV, as our identities are digitised, as globalism runs wild, as drugs become ever more ubiquitous the world is finally catching up with even the most bizarre of Philip K. Dick's imaginings. 25 years after his death we are living in Philip K. Dick's world, this new authoratitive collection of his best short fiction shows us why.

Ever since their first date, when they discovered neither of them wanted children, Claudia and Ben's relationship seemed destined to succeed. They envisaged a life filled with freedom, possibility and exploration and their married life starts out exactly that way. But things don't always stay the same. When Ben's best friend and his wife announce they are having a baby, suddenly Ben changes his mind. He realises he does want children after all. But Claudia hasn't changed — and now she finds herself facing the most difficult decision of her life...

St Giles, London, 1829: three people have been brutally murdered and the city simmers with anger and political unrest. Pyke, sometime Bow Street Runner, sometime crook, finds himself accidentally embroiled in the murder investigation but quickly realises that he has stumbled into something more sinister and far-reaching. In his pursuit of the murderer, Pyke ruffles the feathers of some powerful people, and, falsely accused of murder himself, he soon faces a death sentence, and the gallows of Old Bailey. Imprisoned, and with only his uncle and the headstrong, aristocratic daughter of his greatest enemy who believe in him, Pyke must engineer his escape, find the real killer and untangle the web of politics that has been spun around him. From the gutters of Seven Dials, to the cells of Newgate prison; from the turmoil of 1800s Belfast to the highest levels of murky, pre-Victorian politics, The Last Days of Newgate is a gripping, darkly atmospheric story with a fantastic, pragmatic — and reluctantly heroic — hero.

In the bitter cold of an unrelenting winter Tomas and his son, Peter, arrive in Chust and despite the inhospitability of the villagers settle there as woodcutters. Tomas digs a channel of fast-flowing waters around their hut so they have their own little island kingdom. Peter doesn't understand why his father has done this, nor why his father carries a long battered box everywhere they go, and why he is forbidden to know its mysterious contents. But when a band of gypsies comes to the village Peter's drab existence is turned upside down. He is infatuated by the beautiful gypsy princess, Sofia, intoxicated by their love of life and drawn into their deadly quest. For these travellers are Vampire Slayers and Chust is a dying community — where the dead come back to wreak revenge on the living. Amidst the terrifying events that follow, Peter is stunned to see his father change from a disillusioned man to the warrior hero he once was. Marcus draws on his extensive research of the vampire legend which permeates traditions throughout the world and sets his story in the forbidding and remote landscapes of the 17th century. Written in his usual distinctive voice, this is also the story of a father and his son, of loss, redemption and resolution.

Memer is a child of rape; when the Alds took the beautiful city of Ansul, they descecrated or destroyed everything of beauty. The Waylord they imprisoned and tortured for years until finally he is freed to return to his home. Though crippled, he is not destroyed. His life still has purpose. Memer is the daughter of his House, the daughter of his heart. The Alds, a people who love war, cannot and will not read: they believe that in words lie demons that will destroy the world. All the city's libraries, the great treasure trove of knowledge of ages past, are burned, except for those few volumes secreted inthe Waylord's hidden room. But times are changing. Gry Barre of Roddmant and Orrec Caspro of Caspromant have arrived in the city. Orrec is a story-teller, the most famous of all: he has the gift of making. His wife Gry's gift is that of calling; she walks with a halflion who both frightens and fascinates the Alds. This is Memer's story, and Gry's and Orrec's, and it is the story of a conquered people craving freedom.

Angelfield House stands abandoned and forgotten. It was once home to the March family — fascinating, manipulative Isabelle, brutal, dangerous Charlie, and the wild, untamed twins, Emmeline and Adeline. But Angelfield House hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart... Now Margaret Lea is investigating Angelfield's past — and the mystery of the March family starts to unravel. What has Angelfield been hiding? What is its connection with the enigmatic writer Vida Winter? And what is the secret that strikes at the heart of Margaret's own, troubled life? As Margaret digs deeper, two parallel stories unfold, and the tale she uncovers sheds a disturbing light on her own life...

The Russian invasion of Finland in November 1939 was a critical turning point in world history. Only now, with the opening of the Russian archives can this extraordinary story be told in full. Two months after his cynical alliance with Hitler and their joint invasion of Poland, Stalin ordered the Red Army to crush the Finns. Everybody expected a walk-over: the odds were 10:1 in Stalin's favour. But the Finns fought bravely, and the Red Army — its high command decimated by Stalin's purges — fumbled to defeat after defeat. Tens of thousands of Russian soldiers died in the snow. Only after four months and the massing of over a million men and thousands of guns did the Russians break through and force the Finns to accept terms. The 'Winter War' revealed Stalin's army to be as badly led as it was poorly equipped. Hitler's generals, previously so nervous about their leader's plan to invade Russia that they contemplated a coup d'etat to remove him, were now convinced they could win. Stalin's blunder in Finland led directly to the Nazi invasion of Russia the following year. In Britain and France, the spectacle of Russia invading a neutral neighbour shattered the left-wing political parties (although the DAILY WORKER's headline on the opening day of the invasion was 'HEROIC RED ARMY SMASHES MARAUDING FINNS). Attlee expelled one pro-Russian MP and cleared the way for a coalition with the Conservatives. Paradoxically, the 'Winter War' also saved the Red Army and Stalin. With the results of the purges all too clear, Stalin promoted outspoken technocrats like Zhukov and accepted reforms that would enable the Russians to survive the German assault in 1941 and ultimately stop them at Stalingrad.

Building a snowman brings out Henry's competitive streak; he sets up his Monstrous Makeovers business to rival Moody Margaret's Miraculous Makeovers; things go badly wrong when a famous author comes to school; and he thinks 'You'll all be sorry when I'm dead' and spends a rainy day writing his will.