Oxford University Press

This activities book is part of a two-level English course for children aged 6-8 that takes an aural/oral approach to learning English. The language arises naturally from the original chants, songs, and stories. Games, puzzles, cutting and pasting activities, and mini-projects are presented in a lively and colourful way. The action centres around a family, the children's imaginary friend, their teddy, and their dog.

Toddlers and parents everywhere will recognize Small Rabbit's lack of enthusiasm as the story opens. He just doesn't want to go for a walk and he comes up with all sorts of excuses to stay indoors. But Big Rabbit is having none of it. She bundles him into his coat and out they go, with Small Rabbit shivering and grumbling as he shuffles along. Perhaps it's because he's too far behind Big Rabbit, perhaps it's because the wind is howling, but when Big Rabbit says, 'Try to keep up!' what Small Rabbit hears is 'Jump in the mud!' And so he does. In fact everything Big Rabbit says-thanks to the wind-turns from a rather humdrum instruction into something much more exciting and Small Rabbit finds himself having a really wild time. Becoming muddier by the moment, and causing more and more mayhem, Small Rabbit romps ahead. Big Rabbit's last instruction, as Small Rabbit bounds home to their burrow is, 'Please don't go inside!' (she's worried about muddy footprints and leaves all over her lovely clean burrow). But Small Rabbit thinks she's asking him to find somewhere to hide and the story ends with a resounding 'Boo!' from Small Rabbit as he jumps from his hiding place into Big Rabbit's arms, declaring 'Windy walks are lots of fun!'

The best material I've seen at this level: — Motivating, real-world text. — Grammar bank with rules and exercises. — Illustrated Vocabulary Bank and Sound Bank. — Practical English focus on everyday language.

Fun, motivating lessons that work. The perfect balance of grammar, vocabulary, pronunciation, and skills to help your students use English really effectively. A complete package for teachers and students. The Teacher's Book gives you the support you need, and all the components work together for more effective learning.

Drawing on a wide range of case studies, Richard English argues that we have as yet failed to understand terrorism properly, and that this is at the root of our disastrous failure to respond effectively to terrorism in the post-9/11 crisis.

This book provides all the information a student of Britain and British culture needs to know. What's it like living in Britain today? Find out about the country and its people in this new edition of Britain. All the information is completely up-to-date and illustrated with new colour photographs. • Understand the attitudes and beliefs that shape Britain's character. • Discover the history and cultural background to British society and institutions such as the NHS and the BBC. • Find out about people's daily lives from charts, graphs, and extracts from popular fiction and newspapers. • Use the questions at the end of each chapter to consider what you have read and to make comparisons with your own culture. • NEW Workbook Pack with activities that make you consider cultural issues you have read about and test your knowledge of the content of the book. • NEW website at www.oup.com/elt/britain, regularly updated with new information and useful links. Suitable for Intermediate, Upper-Intermediate, and Advanced students.

A new edition of the best-selling, story-based course for children starting English at the beginning of the school system. Happy House introduces children to English through the adventures of a lively family with their three children, their cat, Otto, and the mouse characters who live under the floor. The Activity Book contains: • One page of practice activities per Class Book lesson. • Take-home English: activities to involve parents in children's learning. • A MultiROM, with interactive language games, songs and stories.

A new edition of the best-selling, story-based course for children starting English at the beginning of the school system. Happy House introduces children to English through the adventures of a lively family with their three children, their cat, Otto, and two mice. Spike and Ruby, who live under the floor. For the pupil: • Class Book, with new cross-curricular and culture pages and motivating Take-home English projects. • Activity Book, with stickers for children to keep a record of their learning, cut-outs and a MultiROM, with games, songs and stories. For the teacher: • Teacher's Book. • Class AudioCDs, with karaoke songs. • Happy House iTools: digital classroom resources, DVD clips, make-your-own worksheets and much more. • Teacher's Resource Pack containing puppets, 40 storycards, masks, a poster, flashcards, Teacher's Resource Book and Evaluation Book.

First Friends is a two-year beginner's course that develops vocabulary, practices phonics, and teaches family values. The Numbers Book provides additional numeracy practice. It combines traditional numbers activities, such as counting and writing numbers, with engaging puzzles, games, and fun activities. By the end of Level 1, children will be able to: • Write the numbers from 1-10. • Count objects to 10. • Carry out simple picture additions and sums. • Group objects to 10. • Identify number sequences. By the end of Level 2, children will be able to: • Write the numbers from 11-20. • Write the words for numbers from 1-20. • Count objects to 20. • Group objects to 20. • Carry out sums. • Identify more complex number sequences. The Numbers Book is a flexible and easy-to-use component of First Friends. Its lessons may be done at the end of each unit or at any time after Lesson 4 of the Class Book, since Lesson 4 always presents the unit's new numbers (see page 7 for the structure of the Class Book). The Numbers Book is also based on the premiss that all children can succeed, and therefore offers easy-to-do activities that can be completed in class or at home. No new vocabulary is presented through the Numbers Book. All counting and number work is done through known vocabulary, with a special emphasis on the vocabulary presented in the corresponding unit of the Class Book. There are complete notes for each Numbers Book activity at the end of the main notes for each unit in the Teacher's Book.

Read at Home First Skills are fun early learning books, which use your favorite Oxford Reading Tree characters to introduce important first skills to your child. The books are ideal for reading together and sharing. They accompany all your Read at Home storybooks. Wilf's Shapes helps your child to: — learn the names of a variety of 2D and 3D shapes. — recognize properties of these shapes. — consolidate their learning with fun activities and questions.

This fantastic book about snakes covers a wide range of topics. From the emerald tree boa to the orange sand viper, find out how snakes hunt, eat and survive. Did you know for instance that big snakes can eat almost any animal — even crocodiles?! Or learn how to avoid a deadly snake bite in a dessert or a steamy rainforest. For real snake enthusiasts this book also suggests websites and places to visit to find out even more! Other titles in this series: Big Cats, Spiders, Elephants, Bees, Dinosaurs, Wolves, Sharks, Rats, Frogs and Toads, Whales and Crocodiles.

An Infinity of Things tells the story of one of the largest private collections ever created, and the life of the man behind it. Wellcome planned a great museum filled with treasures from all corners of the globe, charting the history of human health from prehistory to the present day. The breadth of his vision was matched only by the depth of his pockets. During the opening decades of the twentieth century he acquired a collection so large that later generations of staff took to describing its contents by the ton. But Wellcome's museum was never finished, and his collection was still stored in vast warehouses when he died, unseen and incomplete. Today, after decades of work by his successors, artefacts from the collection can be seen in museums and libraries throughout the world. Demonstrating what can happen when a collector's aspirations are left unconstrained by wealth, Frances Larson explores Wellcome's life through his possessions, revealing the many tensions in his character: between his talents as a businessman and his desire for scholarly recognition; his curiosity and his perfectionism; and his philanthropic aspirations and his drive for personal glory.

Families and friends come together at Christmas and, as they do, there are stories to be told. Stories about love, secrets, friendship, bravery, conflict, and compassion. This collection includes stories by Charles Dickens, Laurie Lee, Philippa Pearce, Geraldine McCaughrean, Jacqueline Wilson, Nicholas Fisk, and many, many more. So whether you want to slide with Mr Pickwick on the ice or find out what's on Adrian Mole's Christmas list, there are delights and surprises to be discovered in this wonderfully varied anthology of stories illustrated in both colour and black and white.

Whether your child is learning English or Italian, Oxford First Italian Words gives your child a head start in learning another language by taking a picture-book journey through a day, with familiar settings, everyday things, and cute little dinosaurs. There is a bird's eye view of getting ready for school in the morning, the journey to school, inside the classroom, a birthday party, and even a trip to the seaside. Over 400 Italian words and their English translations are given next to their illustrations, on every page. There is also an expertly-levelled supplementary section at the back — a picture/word matching game, counting the ladybirds up to twenty, shapes, opposites, weather, time, and a comprehensive index. The David Melling (The Kiss that Missed, Fidget and Quilly) illustrations make this an adorable first bilingual word book.

It is sometimes said that the Bible is one of the most unread books in the world, yet has been a major force in the development of Western culture and continues to exert an enormous influence over many people's lives. This Very Short Introduction looks at the importance accorded to the Bible by different communities and cultures and attempts to explain why it has generated such a rich variety of uses and interpretations. It explores how the Bible was written, the development of the canon, the role of Biblical criticism, the appropriation of the Bible in high and popular culture, and its use for political ends.

The Voyage Out (1915) is the story of a rite of passage. When Rachel Vinrace embarks for South America on her father's ship she is launched on a course of self-discovery in a modern version of the mythic voyage. Virginia Woolf knew all too well the forms that she was supposed to follow when writing of a young lady's entrance into the world, and she struggled to subvert the conventions, wittily and assiduously, rewriting and revising the novel many times. The finished work is not, on the face of it, a 'portrait of the artist'. However, through The Voyage Out readers will discover Woolf as an emerging and original artist: not identified with the heroine, but present everywhere in the social satire and the lyricism and patterning of consciousness.

With these words, Washington Irving expresses the dilemma of every American artist in the nineteenth century. The Sketch-Book (1820-1) looks simultaneously towards audiences on both sides of the Atlantic, as Irving explores the uneasy relationship of an American writer to English literary traditions. He sketches a series of encounters with the cultural shrines of the parent nation, and in two brilliant experiments with tales transplanted from Europe creates the first classic American short stories, 'Rip Van Winkle' and 'The Legend of the Sleepy Hollow'. The result was not only a hugely successful travel book; it exerted a strong formative influence on American writers from Nathaniel Hawthorne and Edgar Allan Poe to Henry James, and is well worth rediscovery in its own right today. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader. In her introduction, Susan Manning suggests that the author forged a new idiom, the 'Literary Picturesque', to accommodate and turn to advantage his dilemma of dual literary allegiances.

In this vigorous and fast-moving novel of post-Napoleonic France, Julien Sorel's plans to reach the higher echelons of society through the priesthood are defelected by his realization that the attainment of happiness is of greater consequence than the pursuit of ambition. Subtitled 'A Chronicle of 1830', Stendhal's depiction of a nation of smug hypocrites scandalized contemporary readers, who recognized themselves or their peers and felt uncomfortable with the energy, imagination, and sincerity of a hero so patently inspired by their lately deposed Emperor. Julien's restless energy is fully captured in this specially commissioned translation of one of the world's great novels.

Katherine Hilbery, torn between past and present, is a figure reflecting Woolf's own struggle with history. Both have illustrious literary ancestors: in Katherine's case, her poet grandfather, and in Woolf's, her father Leslie Stephen, writer, philosopher, and editor. Both desire to break away from the demands of the previous generation without disowning it altogether. Katherine must decide whether or not she loves the iconoclastic Ralph Denham; Woolf seeks a way of experimenting with the novel for that still allows her to express her affection for the literature of the past. This is the most traditional of Woolf's novels, yet even here we can see her beginning to break free; in this, her second novel, with its strange mixture of comedy and high seriousness, Woolf had already found her own characteristic voice.

The Memoirs of Sherlock Holmes are overshadowed by the event with which they close — the meeting of the great detective and Moriarty, the Napoleon of Crime. Their struggle, seemingly to the death, was to leave many readers desolate at the loss of Holmes, but was also to lead to his immortality as a literary figure. However illogical as a detective story, 'The final Problem' has proved itself an unforgettable tale. The stories that precede it included two narratives from Holmes himself, on a mutiny at sea and a treasure hunt in a Sussex country house, as well as a meeting with his brilliant brother Mycroft, of whom Holmes says, 'If the art of the detective began and ended in reasoning from any armchair, my brother would be the greatest criminal agent that ever lived.'

'In the year of grace 1066, the Lord, the ruler, brought to fulfilment what He had long planned for the English people: He delivered them up to be destroyed by the violent and cunning Norman race.' Henry of Huntingdon's narrative covers one of the most exciting and bloody periods in English history: the Norman Conquest and its aftermath. He tells of the decline of the Old English kingdom, the victory of the Normans at the Battle of Hastings, and the establishment of Norman rule. His accounts pf the kings who reigned during his lifetime — William II, Henry I, and Stephen — contain unique descriptions of people and events. Henry tells how promiscuity, greed, treachery, and cruelty produced a series of disasters, rebellions, and wars. Interwoven with memorable and vivid battle-scenes are anecdotes of court life, the death and murder of nobles, and the first written record of Cnut and the waves and the death of Henry I from a surfeit of lampreys. Diana Greenway's translation of her definitive Latin text has been revised for this edition.

'Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword!' A powerful poem of universal guilt and a protest against capital punishment, The Ballad of Reading Gaol is Wilde's best-known poem, yet it is quite unlike the rest of his poetry. At Oxford Wilde discarded the passion and politics of his mother's Irish nationalistic anti-famine poetry and opted to follow an English Romantic tradition, paying tribute to Keats, Swinburne, and the Pre-Raphaelites. Admiration of French masters gradually led to his writing Impressionist, even decadent poems and his collection Poems (1881) brought accusations of obscenity and plagiarism as well as scathing reviews. Unabashed, Wilde revised and reprinted his final 'Author's Edition' in 1892, by which time he was the successful author of fiction, criticism, and Lady Windermere's Fan. This volume follows as closely as possible the chronological order of composition, highlighting autobiographical elements including the young Wilde's conflicting attitudes to Greece and Rome, pagan and Christian, and his fluctuating attraction to Roman Catholicism. The Appendix shows Wilde's original ordering, constructed with great care around a 'musical' arrangement of themes. The poems reveal unexpected aspects of a literary chameleon usually identified with sparkling wit and social comedy.

The differences that divide West from East go deeper than politics, deeper than religion, argues Anthony Pagden. To understand this volatile relationship, and how it has played out over the centuries, we need to go back before the Crusades, before the birth of Islam, before the birth of Christianity, to the fifth century BCE. Europe was born out of Asia and for centuries the two shared a single history. But when the Persian emperor Xerxes tried to conquer Greece, a struggle began which has never ceased. This book tells the story of that long conflict. First Alexander the Great and then the Romans tried to unite Europe and Asia into a single civilization. With the conversion of the West to Christianity and much of the East to Islam, a bitter war broke out between two universal religions, each claiming world dominance. By the seventeenth century, with the decline of the Church, the contest had shifted from religion to philosophy: the West's scientific rationality in contrast to those sought ultimate guidance it in the words of God. The eighteenth and nineteenth centuries witnessed the disintegration of the great Muslim empires — the Ottoman, the Mughal, and the Safavid in Iran — and the increasing Western domination of the whole of Asia. The resultant attempt to mix Islam and Western modernism sparked off a struggle in the Islamic world between reformers and traditionalists which persists to this day. The wars between East and West have not only been the longest and most costly in human history, they have also formed the West's vision of itself as independent, free, secular, and now democratic. They have shaped, and continue to shape, the nature of the modern world.

First published over thirty years ago, War in European History is a brilliantly written survey of the changing ways that war has been waged in Europe, from the Norse invasions to the present day. Far more than a simple military history, the book serves as a succinct and enlightening overview of the development of European society as a whole over the last millennium. From the Norsemen and the world of the medieval knights, through to the industrialized mass warfare of the twentieth century, Michael Howard illuminates the way in which warfare has shaped the history of the Continent, its effect on social and political institutions, and the ways in which technological and social change have in turn shaped the way in which wars are fought. This new edition includes a fully updated further reading and a new final chapter bringing the story into the twenty-first century, including the invasion of Iraq and the so-called 'War against Terror'.