Oxford University Press

This volume contains English translations of: «Ivanov», «The Seagull», «Uncle Vanya», «Three Sisters», and «The Cherry Orchard», with a new Introduction by Ronald Hingley.

»Frankenstein» was Mary Shelley's immensely powerful contribution to the ghost stories which she, Percy Shelley, and Byron wrote one wet summer in Switzerland. Its protagonist is a young student of natural philosophy, who learns the secret of imparting life to a creature constructed from relics of the dead, with horrific consequences. «Frankenstein» confronts some of the most feared innovations of evolutionism: topics such as degeneracy, hereditary disease, and mankind's status as a species of animal. The text used here is from the 1818 edition, which is a mocking exposé of leaders and achievers who leave desolation in their wake, showing mankind its choice — to live cooperatively or to die of selfishness. It is also a black comedy, and harder and wittier than the 1831 version with which we are more familiar. Drawing on new research, Marilyn Butler examines the novel in the context of the radical sciences, which were developing among much controversy in the years following the Napoleonic Wars, and shows how Frankenstein's experiment relates to a contemporary debate between the champions of materialist science and of received religion.

»He talked a lot about the past and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was...» «The Great Gatsby» (1925), F. Scott Fitzgerald's masterpiece, stands among the greatest of all American fiction. Jay Gatsby's lavish lifestyle in a mansion on Long Island's gold coast encapsulates the spirit, excitement, and violence of the era Fitzgerald named `the Jazz Age'. Impelled by his love for Daisy Buchanan, Gatsby seeks nothing less than to recapture the moment five years earlier when his best and brightest dreams — his `unutterable visions' — seemed to be incarnated in her kiss. A moving portrayal of the power of romantic imagination, as well as the pathos and courage entailed in the pusuit of an unattainable dream, The Great Gatsby is a classic fiction of hope and disillusion. This edition is fully annotated with a fine Introduction incorporating new interpretation and detailing Fitzgerald's struggle to write the novel, its critical reception and its significance for future generations.

»Jacob's Room» is Virginia Woolf's first truly experimental novel. It is a portrait of a young man, who is both representative and victim of the social values which led Edwardian society into war. Jacob's life is traced from the time he is a small boy playing on the beach, through his years in Cambridge, then in artistic London, and finally making a trip to Greece, but this is no orthodox Bildungsroman. Jacob is presented in glimpses, in fragments, as Woolf breaks down traditional ways of representing character and experience. The novel's composition coincided with the consolidation of Woolf's interest in feminism, and she criticizes the privilege thoughtless smugness of patriarchy, `the other side', `the men in clubs and Cabinets'. Her stylistic innovations are conscious attempts to realize and develop women's writing and the novel dramatizes her interest in the ways both language and social environments shape differently the lives of men and women.

»The Jungle Books» can be regarded as classic stories told by an adult to children. But they also constitute a complex literary work of art in which the whole of Kipling's philosophy of life is expressed in miniature. They are best known for the 'Mowgli' stories; the tale of a baby abandoned and brought up by wolves, educated in the ways and secrets of the jungle by Kaa the python, Baloo the bear, and Bagheera the black panther. The stories, a mixture of fantasy, myth, and magic, are underpinned by Kipling's abiding preoccupation with the theme of self-discovery, and the nature of the 'Law'.

The complex moral ambiguities of seduction and revenge make «Les Liaisons dangereuses» (1782) one of the most scandalous and controversial novels in European literature. The subject of major film and stage adaptations, the novel's prime movers, the Vicomte de Valmont and the Marquise de Merteuil, form an unholy alliance and turn seduction into a game — a game which they must win. This new translation gives Laclos a modern voice, and readers will be able a judge whether the novel is as `diabolical' and `infamous' as its critics have claimed, or whether it has much to tell us about the kind of world we ourselves live in. David Coward's introduction explodes myths about Laclos's own life and puts the book in its literary and cultural context.

'I doubt whether it would be possible to mention any author of note, whose personal obscurity was so complete.' James Edward Austen-Leigh's «Memoir» of his aunt Jane Austen was published in 1870, over fifty years after her death. Together with the shorter recollections of James Edward's two sisters, Anna Lefroy and Caroline Austen, the «Memoir» remains the prime authority for her life and continues to inform all subsequent accounts. These are family memories, the record of Jane Austen's life shaped and limited by the loyalties, reserve, and affection of nieces and nephews recovering in old age the outlines of the young aunt they had each known. They still remembered the shape of her bonnet and the tone of her voice, and their first-hand accounts bring her vividly before us. Their declared partiality also raises fascinating issues concerning biographical truth, and the terms in which all biography functions. This edition brings together for the first time these three memoirs, and also includes Jane's brother Henry Austen's 'Biographical Notice' of 1818 and his lesser known 'Memoir' of 1833, making a unique biographical record.

In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation — the rampages of a pyschopath, the brief serence interlude of Christmas Day — are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.

The name of the Marquis de Sade is synonymous with the blackest corners of the human soul, a byword for all that is foulest in human conduct. In his bleak, claustrophobic universe, there is no God, no morality, no human affection, and no hope. Power is given to the strong, and the strong are murderers, torturers, and tyrants. No quarter is given; compassion is the virtue of the weak. Yet Sade was a man of savage intelligence who carried the philosophy of the French Enlightenment to its logical extreme. His writings effectively release the individual from all social and moral constraint: for many, Sade is the Great Libertarian. The Victorians considered him `Divine' and Apollinaire called him `the freest spirit'; the Surrealists recognised him as a founding father, and he is a key figure in the history of modernism and post-modernism. With Freud and Marx, Sade has been one of the crucial shaping influences on this century, and reactions to him continue to be extreme. But he has always been more talked about than read. This selection of his early writings, some making their first appearance in this new translation, reveals the full range of Sade's sobering moods and considerable talents.

»Notes from the Underground» (1864) is one of the most profound works of nineteenth-century literature. A probing, speculative book, often regarded as a forerunner of the Existentialist movement, it examines the important political and philosophical questions that were current in Russia and Europe at the time. «The Gambler» (1866), set in the fictional town of Roulettenberg, explores the compulsive nature of gambling, one of the author's own vices and a subject he describes with extraordinary acumen and drama. Specially commissioned for the World's Classics, this new translation includes a full editorial apparatus.

Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J. M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles with Red Indians and pirates by the motherly and resourceful Wendy Darling. With their contrary lures of home and escape, childhood and maturity, safety and high adventure, these unforgettable tales are equally popular with children and adults.

The collection of Norse-Icelandic mythological and heroic poetry known as the «Poetic Edda» contains the great narratives of the creation of the world and the coming of Ragnarok, the Doom of the Gods. The mythological poems explore the wisdom of the gods and giants, narrating the adventures of the god Thor against the hostile giants and the gods' rivalries amongst themselves. The heroic poems trace the exploits of the hero Helgi and his valkyrie bride, the tragic tale of Sigurd and Brynhild's doomed love, and the terrible drama of Sigurd's widow Gudrun and her children. Many of the poems predate the conversion of Scandinavia to Christianity, allowing us to glimpse the pagan beliefs of the North. Since the rediscovery of the «Poetic Edda» in the seventeenth century, its poetry has fascinated artists as diverse as Thomas Gray, Richard Wagner, and Jorge Luis Borges. This is the first complete translation to be published in Britain for fifty years, and it includes a scholarly introduction, notes, a genealogy of the gods and giants, and an index of names.

William Blake (1757-1827) was a poet of striking originality, whose poetic world of myth and mysticism continues to fascinate. By turns a haunting lyricist, an apocalyptic visionary, and an unorthodox thinker, Blake was for years ignored or derided. Sustained by his belief in the artistic imagination, he drafted poetry, prose visions, and epigrams, and manufactured beautiful illustrated volumes of his lyrics and verse narratives. Towards the end of his life, Blake's unique and irreducible talent was recognized by a group of younger artists, who rescued much of his achievement from oblivion. This selection represents the full range of Blake's accomplishment as a poet, ranging from early «Poetical Sketches» to late lyrics, and including such major works as «The Book of Thel», «Songs of Innocence», «The Marriage of Heaven and Hell», «Visions of the Daughters of Albion», «America», «Songs of Experience», and «Europe». The collection is chosen from the Oxford Authors critical edition, with Michael Mason's introduction and notes providing the ideal guide to a remarkable oeuvre.

Byron was a legend in his own lifetime and the dominant influence on the Romantic movement. The most European of the English writers in an age of revolution, Byron was deeply involved in contemporary events, and a passionate supporter of the struggle for Greek independence. Describing himself as `born for opposition', his work was largely directed against what he called the `cant political, cant poetical, and cant moral' of the English and European worlds. He was rocketed to fame by the publication of «Childe Harold» in 1812, and lionized by society until his departure from England amid a whirlpool of private gossip and newspaper scandal in 1816. His is, in every sense, a poetry of experience, and a Romantic emphasis on the personality of the poet is the hallmark of all his verse. Relishing humour and irony, daring and flamboyant, sardonic yet idealistic, his work encompasses a sweeping range of topics, subjects, and models, embracing the most traditional and the most experimental poetic forms. This selection of the poetical works, chosen from the Oxford Authors critical edition, includes such masterpieces as «The Corsair», «Manfred», «Bebbo», and «Don Juan». There are many other less familiar works and shorter lyrics, and Jerome J. McGann's introduction and notes give fascinating insight into Byron's world.

John Donne (1572-1631) is perhaps the most important poet of the seventeenth century. In his day it seemed to his admirers that Donne had changed the literary universe, and he is now widely regarded as the founder of the metaphysical `school'. Donne's poetry is highly distinctive and individual, adopting a multitude of rhythms, images, forms, and personae, from irresistible seducer to devout believer. His greatness stems from the subtleties and ambivalences of tone that convey his remarkably modern awareness of the instability of the self. This collection of Donne's verse is chosen from the Oxford Authors critical edition of his major works. It includes a wide selection from his secular and divine poems, such as the rebellious and libertine satires and love elegies, the virtuoso «Songs and Sonnets», and the desperate, passionate «Holy Sonnets». John Carey's introduction and extensive notes provide valuable insights into Donne's poetic genius.

'Love is nothing without feeling. And feeling is still less without love.' Celebrated in its own day as the progenitor of 'a school of sentimental writers', «A Sentimental Journey» (1768) has outlasted its many imitators because of the humour and mischievous eroticism that inform Mr Yorick's travels. Setting out to journey to France and Italy he gets little further than Lyons but finds much to appreciate, in contrast to contemporary travel writers whom Sterne satirizes in the figures of Smelfungus and Mundungus. A master of ambiguity and double entendre, Sterne is nevertheless as concerned as his peers with exploring the nature of virtue; unlike other writers of sentimental fiction Sterne insists on the inseparability of desire and feeling. This new edition includes a selection from «The Sermons of Mr Yorick», which shed light on the concerns of the «Journey», «The Journal to Eliza», which records Sterne's feelings as he languishes for the company of Eliza Draper, and «A Political Romance», the satire on a local ecclesiastical squabble that was the catalyst for Sterne's literary career.

»Sir Gawain and The Green Knight», with its intricate plot of enchantment and betrayal is probably the most skilfully told story in the whole of the English Arthurian cycle. Originating from the north-west midlands of England, it is based on two separate and very ancient Celtic motifs of the Beheading and the Exchange of Winnings, brought together by the anonymous 14th century poet. His telling comprehends a great variety of moods and modes — from the stark realism of the hunt-scenes to the delicious and dangerous bedroom encounters between Lady Bercilak and Gawain, from moments of pure lyric beauty when he evokes the English countryside in all its seasons, to authorial asides that are full of irony and puckish humour. This new verse translation uses a modern alliterative pattern which subtly echoes the music of the original at the same time as it strives for fidelity.

The literary world was shocked when in 1889, at the height of his career, Robert Louis Stevenson announced his intention to settle permanently on the Pacific island of Samoa. His readers were equally shocked when he began to use the subject material offered by his new environment, not to promote a romance of empire, but to produce some of the most ironic and critical treatments of imperialism in nineteenth-century fiction. In these stories, as in his work generally, Stevenson shows himself to be a virtuoso of narrative styles: his Pacific fiction includes the domestic realism of `The Beach at Falesé, the folktale plots of `The Bottle Imp' and `The Isle of Voices', and the modernist blending of naturalism and symbolism in «The Ebb-Tide». But beyond their generic diversity the stories are linked by their concern with representing the multiracial society of which their author had become a member. In this collection — the first to bring together all his shorter Pacific fiction in one volume — Stevenson emerges as a witness both to the cross-cultural encounters of nineteenth-century imperialism and to the creation of the global culture which characterizes the post-colonial world.

»Twenty Years After» (1845), the sequel to «The Three Musketeers», is a supreme creation of suspense and heroic adventure. Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil. In his Introduction to this edition David Coward sets both the author and his exciting tale in their historical and cultural contexts.

»Typhoon», «Falk», «Amy Foster», «The Secret Sharer» The four tales in this volume share autobiographical origins in Conrad's experience at sea and his exile from Poland, the country of his birth. 'Typhoon' is the story of a steamship and her crew beset by tempest, and of the stolid captain whose dogged courage is tested to the limit. In 'Falk' a taciturn young woman is bizarrely courted by a tug-boat master who is haunted by a terrible secret. 'Amy Foster' tells of an emigrant Pole struggling to overcome isolation and prejudice in England. The final tale, 'The Secret Sharer', is Conrad's most famous short story, a masterpiece of suspense and ambiguity. Giving sanctuary to a fugitive sailor, a young sea-captain risks his ship and his command in order to save him. This revised edition uses the English first edition texts and has a new chronology and bibliography.

In Russia's struggle with Napoleon, Tolstoy saw a tragedy that involved all mankind. Greater than a historical chronicle, «War and Peace» is an affirmation of life itself, `a complete picture', as a contemporary reviewer put it, `of everything in which people find their happiness and greatness, their grief and humiliation'. Tolstoy gave his personal approval to this translation, published here in a new single volume edition, which includes an introduction by Henry Gifford, and Tolstoy's important essay `Some Words about War and Peace '.

• In-depth examination and updated information on computer related crime, including the national and international legal response • Further information on the internet, e-commerce, and the regulation of e-commerce • Detailed discussion of data protection and the clash with national security — 'the surveillance society' • Contents restructured into discrete 'Parts' and a list of the topics covered is now included at the start of each chapter to help aid reader navigation • More references to further reading on the subject are provided Are you a user of Facebook or Ebay? Do you download your music or shop online? Do you have an avatar on Second Life? Do you drive or use cash machines, and how did you book your last holiday? Aspects of information technology permeat every aspect of our lives. From websites such as Ebay and Facebook, to online music and shopping stores, to CCTV cameras, it is rare that a person is not touched by some form of IT every day. But how often do we stop and think about the legal dimension of these daily brushes with IT? Since the pioneering first publication of Internet Technology Law in 1993, both the book and the subject have become widely recognised and respected both academically and professionally. Focussing primarily on developments within the UK and EU, along with some comparative international aspects, this book provides a broad-ranging introduction and analysis of the frequently uneasy relationship between the law and IT. In this fifth edition: — the author provides an in-depth examination and update on computer related crime, including the national and international legal response — further information on the internet, e-commerce, and the regulation of e-commerce is provided — discussion of data protection and the clash with national security — 'the surveillance society' — is included This book is essential reading for undergraduates and postgraduates on law courses covering the law relating to IT, including IT law, criminal law, intellectual property, and contract law. It will also be highly valuable to business and management students, practitioners, and professionals working in the area.

- A hardback dictionary, ideal for everyday reference at home, school, or work — Contains over 150,000 words, phrases, and definitions — Two-colour layout and accessible design help you find the information you need quickly and easily — Features all the words you need, with extensive coverage of essential vocabulary, plus the most-used technical and specialist terms — Effective English centre section, full of practical advice, helps you use language more effectively Its excellent coverage of essential English vocabulary and clear, accessible style make this revised edition of the Compact Oxford English Dictionary of Current English ideal for general everyday use. Straightforward definitions are accompanied by plenty of example sentences to show how words behave in the language. Usage notes on tricky parts of English help you distinguish between commonly confused words, such as complementary and complimentary, or forbear and forebear, as well as giving advice on grammar. The Effective English section in the centre of the dictionary is packed with advice on how to use English in a variety of situations, such as writing CVs or letters of complaint. This revised edition has been completely redesigned and now contains even more practical help with correspondence. The clear layout and attractive two-colour design enable you to find the infromation you want quickly and easily, and the uncomplicated definitions give you the most accurate picture of the language possible.

• Over 240,000 words, phrases, and definitions, covering technical and scientific vocabulary as well as English from around the world • Award-winning design and layout helps you find the information you are looking for quickly • Updated with hundreds of new words and phrases, based on the latest research from the Oxford English Corpus • New centre section full of fascinating, browsable vocabulary • Hundreds of usage notes give advice on tricky vocabulary and pointers to help you improve your use of English • Selected markets only: free booklet presents the fascinating and sometimes odd stories of the origins of everyday English words and phrases The Concise Oxford English Dictionary is a world-famous bestseller, chosen by thousands of users for its up-to-date and authoritative coverage of the English language. It contains over 240,000 words, phrases, and definitions, providing meanings for everyday words including scientific and technical vocabulary, as well as English from around the world. This revised edition of the dictionary has been updated with hundreds of new words and phrases, including sub-prime, social networking, and carbon footprint. This edition also features a new centre section, with quick-reference word lists (containing, for example, lists of Unusual Words, and Onomatopoeic Words), and a revised and updated English Uncovered supplement, which presents interesting facts about the English language. The revised edition of the Concise Oxford English Dictionary also retains such popular features as the Word Histories and Usage Notes that can be found throughout the A-Z text of the dictionary. In selected markets, the Concise Oxford English Dictionary is available with a free, informative, and fun booklet about the origins of popular words and phrases.