Oxford University Press

Whitman is today regarded as America's Homer or Dante, and his work the touchstone for literary originality in the New World. In «Leaves of Grass», he abandoned the rules of traditional poetry — breaking the standard metred line, discarding the obligatory rhyming scheme, and using the vernacular. Emily Dickinson condemned his sexual and physiological allusions as `disgraceful', but Emerson saw the book as the `most extraordinary piece of wit and wisdom that America has yet contributed'. A century later it is his judgement of this autobiographical vision of the vigour of the American nation that has proved the more enduring. This is the most up-to-date edition for student use, with full critical apparatus.

The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature.

`The story I now commence is rich in vicissitudes, grim with warfare, torn by civil strife, a tale of horror even during times of peace'. Edward Gibbon called «The Histories» an `immortal work, every sentence of which is pregnant with the deepest observations and the most lively images'. Its author, Cornelius Tacitus, widely acknowledged as the greatest of all Roman historians, describes with cynical power the murderous `Year of the Four Emperors' — AD 69 — when in just a few months the whole of the Roman Empire was torn apart by civil war. The ultimate triumph of Vespasian and his sons Titus and Domitian was only the prelude to further conflicts and disasters, with revolts among the Germans and Jews challenging the very foundations of Roman authority. W. H. Fyfe's classic translation has been substantially revised to accord with modern scholarship, and supplied with extensive historical and literary notes. The Introduction provides an essential guide to understanding the subtleties of Tacitus' writing, and sets the historical scene with a succinct account of the political and social background to the Imperial Roman state. Maps of the Roman Empire and a Glossary of Place Names complete this valuable edition.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique selection from the full range of Swift's fifty-year career — prose, poetry, and letters — to give the essence of his work and thinking. Jonathan Swift (1667-1745) is best known as the author of «Gulliver's Travels», which alone would have secured his place in the history of English literature. But in addition to this classic fictional satire, Swift wrote numerous works concerning politics, religion, and Ireland, some savage (such as «A Modest Proposal»), others humorous, and all suffused with his tremendous wit, inventiveness, and vigour. This anthology includes satirical works such as «A Tale of a Tub» and «The Battle of the Books», political pamphlets, pieces for the popular press, poems, and a generous selection from Swift's correspondence. Presented chronologically, the anthology offers a new and clearer awareness of the unity as well as the complexity of Swift's vision, and the powerful bonds between disparate pieces.

This wide-ranging, jargon-free dictionary contains over 2,000 entries on all aspects of statistics, including terms used in computing, mathematics, and probability. It also includes biographical information on over 200 key figures in the field and coverage of statistical journals and societies. While embracing the whole multi-disciplinary spectrum of this complex subject, information is presented in a clear and practical manner. This revised and updated edition features recommended web links for many entries, accessible via the «Dictionary of Statistics» website, which provide valuable extra information. Entries are generously illustrated with useful figures and diagrams, and include worked examples where applicable. Appendices include a historical calendar of important statistical events, lists of statistical and mathematical notation, and statistical tables. An invaluable dictionary for statistics students and professionals from a wide range of disciplines, including economics, politics, market research, medicine, psychology, pharmaceuticals, and mathematics. Also provides a clear introduction to the subject for the general reader.

In these tales Gogol guides us through the elegant streets of St Petersburg, the city erected by force and ingenuity on the marshes of the Neva estuary. Something of the deception and violence of the city's creation seems to lurk beneath its harmonious facade, however, and it confounds its inhabitants with false dreams and absurd visions — `nothing is what it seems!' warns Gogol. St Petersburg is also the setting for «Marriage», Gogol's satire on courtship and cowardice. Finally, for «The Government Inspector», indisputably Russia's greatest comedy, we move to the provinces although even here St Petersburg's preoccupation with status and appearances makes its presence felt.

'a Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe' E. M. Forster E. M. Forster's description of C. P. Cavafy (1863-1933) perfectly encapsulates the unique perspective Cavafy brought to bear on history and geography, sexuality and language in his poems. Cavafy writes about people on the periphery, whose religious, ethnic and cultural identities are blurred, and he was one of the pioneers in expressing a specifically homosexual sensibility. His poems present brief and vivid evocations of historical scenes and sensual moments, often infused with his distinctive sense of irony. They have established him as one of the most important poets of the twentieth century. This volume presents the most authentic Greek text of the 154 authorized poems ever published, together with a new English translation that conveys the accent and rhythm of Cavafy's individual tone of voice.

Take the papers that are with this, the diaries of Harker and the rest, and read them, and then find the great Un-Dead, and cut off his head and burn his heart or drive a stake through it, so that the world may rest from him. Bram Stoker's classics vampire story has haunted and disturbed the modern imagination for a hundred years. Set in Transylvania, London, and Whitby, it pits the sinister but seductive Count Dracula against a team of Vampire-hunters armed only with typewriters, phonographs, and syringes. They must obstruct his plan to conquer London before the forces of madness and depravity overwhelm them all. Vividly presented in the form of diaries and letters, the narrative blends ancient superstitions with modern technologies, and pulsates with obsessive fears of foreignness and sexuality. Blood, information, and hypnotic energy circulate furiously among the characters until he tale reaches its violent climax. This new edition has an introduction and bibliography which draw on the latest scholarship, and Top page detailed notes which explain literary, geographical, and technological allusions in the novel.

The three novels which make up The Forsyte Saga chronicle the ebbing social power of the commerical upper-middle class Forsyte family between 1886 and 1920. Soames Forsyte is the brilliantly portrayed central figure, a Victorian who outlives the age, and whose baffled passion for his beautiful but unresponsive wife Irene reverberates throughout the saga. Written with both compassion and ironic detachment, Galsworthy's masterly narrative examines not only the family's fortunes but also the wider developments within society, particularly the changing position of women in an intensely competitive male world. Above all, Galsworthy is concerned with the conflict at the heart of English culture between the soulless materialism of wealth Top page and property and the humane instincts of love, beauty, and art.

''The ordinary laws of Nature are suspended. The various checks with influence the struggle for existence in the world at large are all neutralized or altered. Creatures survive which would otherwise disappear.'' Headed by the larger than life figure of Professor Challenger, a scientific expedition sets out to explore a plateau in South America that remains frozen in time from the days when dinosaurs roamed the Earth. Seemingly impossible to penetrate, this lost word holds great danger for the four men, whether from fiendish ape-men or terrifying prehistoric creatures. Arthur Conan Doyle's Top page classic tale of adventure and discovery still excites the reader today, just as dinosaurs continue to grip the popular imagination.

The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers — A new, modern-spelling text, collated and edited from all existing printings — Extensive introduction gives full attention to the play's bold treatment of racial themes, gender, and social relations — Detailed performance history designed to meet the needs of theatre professionals — On-page commentary and notes explain language, word-play, and staging — Appendices on music in the play and a full translation of the Italian novella from which the story derives — Illustrated with production photographs and related art — Full index to introduction and commentary — Durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major Top page achievement of twentieth-century scholarship.'

A schoolteacher in a provincial town falls in love with and marries a young local woman. He thinks he's found a bliss only described in novels. But before long, his sharp points of bliss become blurred. The loss of ideals and poverty of actual experience are the themes of these stories. Chekhov's Russians, at the close of the 19th century are trapped in a prison of frustration, which he depicts with laconic power.

After the death of her parents, the neglected and spoiled Mary Lennox is sent to her uncle's large and lonely house on the Yorkshire Moors. There she discovers a secret garden and with the help of her strange, animal-charming friend Dickon, not only restored the garden but in the process transforms herself from a sullen, unhappy child to an unselfish, happy one, and helps to cure her sick cousin and to rehabilitate his gloomy, grief-stricken father. Frances Hodgson Burnett's passionate belief in the redemptive forces of renewal is shown nowhere more clearly than in The Secret Garden, her most sensitive and popular children's novel. First published in 1911, it lies in the best tradition of the family story developed by such writers as E. Nesbit in Top page Britain and Louisa M.Alcott and Susan Coolidge in America.

Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction. Yet, as well as being highly enjoyable, Poe's tales are works of very real intellectual exploration. Abandoning the criteria of characterization and plotting in favour of blurred boundaries between self and other, will and morality, identity and memory, Poe uses the Gothic to question the integrity of human existence. Indeed, Poe is less interested in solving puzzles or in moral retribution than in exposing the misconceptions that make things seem 'mysterious' in the first place. Attentive to the historical and political dimensions of these very American tales, this new critical edition selects twenty-four tales and places the most popular — 'The Fall of the House of Usher', 'The Masque of the Red Death', 'The Murders in the Rue Morgue; and 'The Purloined Letter' — alongside less well-known Top page travel narratives, metaphysical essays and political satires.

Dashwood, sensible and sensitive, and her romantic, impetuous younger sister Marianne, the prospect of marrying the men they love appears remote. In a world ruled by money and self-interest, the Dashwood sisters have neither fortune nor connections. Concerned for others and for social proprieties, Elinor is ill-equipped to compete with self-centred fortune-hunters like Lucy Steele, whilst Marianne's unswerving belief in the truth of her own feelings makes her more dangerously susceptible to the designs of unscrupulous men. Through her heroines' parallel experiences of love, loss, and hope, Jane Austen offers a powerful analysis of the ways in which women's lives were shaped by the claustrophobic society in which they had to Top page survive.

The profoundest book there is, born from the innermost richness of truth, an inexhaustible well into which no bucket descends without coming up with gold and goodness.''Thus Spoke Zarathustra (1885) was Nietzsche's own favourite among all his books and has proved to be his most popular, having sold millions of copies in many different languages. In it he addresses the problem of how to live a fulfilling life in a world without meaning, in the aftermath of 'the death of God'. Nietzsche's solution lies in the idea of eternal recurrence which he calls 'the highest formula of affirmation that can ever be attained''. A successful engagement with this profoundly Dionysian idea enables us to choose clearly among the myriad possibilities that existence offers, and thereby to affirm every moment of our lives with others on this 'sacred' earth. This translation of Zarathustra (the first new English version for over forty years) conveys the musicality of the original German, and for the first time annotates the abundance of allusions to the Top page Bible and other classic texts with which Nietzsche's masterpiece is in conversation.

The Wind in the Willows (1908) is a book for those 'who keep the spirit of youth alive in them'. So wrote Kenneth Grahame of his timeless tale of Toad, Mole, Badger, and Rat in their beautiful and benevolently ordered world. But it is also a world under siege, threatened by dark and unnamed forces, and defended by the mysterious Piper at the Gates of Dawn. The Wind in the Willows has achieved an enduring place in our literature: it succeeds at Top page once in arousing our anxieties and in calming them by giving perfect shape to our desire for peace and escape.

This adventure story tells of three men and their guide Umslopogaas who trek into the remote interior of Africa in search of a lost white race. Through unknown territories their perilous journey takes them to Zu-vendis, a kingdom ruled by the beautiful twin sisters, Nyleptha and Sorais.

The Oxford Shakespeare General Editor Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the works for modern readers — a new, modern-spelling text, collated and edited from all existing printings — on-page and facing-page commentary and notes explain language and allusions — detailed introductions consider the sonnets' biographical and literary background, how the poems relate to the plays, dating and textual matters, and the mysteries of 'Mr W. H.' and the 'Dark Lady' — includes poems attributed to Shakespeare in the seventeenth century — full index to introductions and commentary — durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.'

When A Connecticut Yankee at King Arthur's Court was published in 1889, Mark Twain was undergoing a series of personal and professional crises. Thus what began as a literary burlesque of British chivalry and culture grew into a disturbing satire of modern technology and social thought. The story of Hank Morgan, a nineteenth-century American who is accidentally returned to sixth-century England, is a powerful analysis of such issues as monarchy versus democracy and free will versus determinism, but it is also one of Twain's finest comic novels, still fresh and funny after more than 100 years. In his introduction, M. Thomas Inge shows how A Connecticut Yankee develops from comedy to tragedy and so into a novel that remains a major literary and cultural text for new generations of readers. This edition reproduces a number of the original drawings by Dan Beard, of whom Twain said 'he not only illustrates the text but he illustrates my thoughts'.

La Dame aux Camelias still has the power to cast the spell that has fascinated generations of readers. Dumas's marvellously beautiful, intelligent, and vibrant heroine lives on in revivals of the stage version, in film and television adaptations, and inLa Traviata, Verdi's perennially popular opera. For Marguerite has long since attained the status of a myth. Dumas's subtle and moving portrait of a woman in love is a timeless antidote to the cynicism of every age.

The Decameron (c.1351) was written in the wake of the Black Death, a shattering epidemic which had shaken Florence's confident entrepreneurial society to its core. In a country villa outside the city, ten young noble men and women who have escaped the plague decide to tell each other stories. Boccaccio's skill as a dramatist is masterfully displayed in this virtuoso performance of one hundred tales, vivid portraits of people from all stations in life, with plots which revel in a bewildering variety of human reactions. Themes are playfully restated from one story to another within an elegant and refined framework. One of Chaucer's most fruitful sources for the Canterbury Tales, Boccaccio's work artfully combines the essential ingredients of narrative: fate and desire, crises and quick-thinking. This new translation by Guido Waldman captures the exuberance and variety and tone of Boccaccio's masterpiece.

'Instantly the spirit of hell awoke in me and raged...I was suddenly struck through the heart by a cold thrill of terror.' Stevenson's short novel, published in 1886, became an instant classic. It was a Gothic horror that originated in a feverish nightmare, whose hallucinatory setting in the murky back streets of London gripped a nation mesmerized by crime and violence. The respectable doctor's mysterious relationship with his disreputable associate is finally revealed in one of the most original and thrilling endings in English literature. In addition to Jekyll and Hyde, this edition also includes a number of short stories and essays written by Stevenson in the 1880s, minor masterpieces of fiction and comment: 'The Body Snatcher', 'Markheim', and 'Olalla' feature grave-robbing, a sinister double, and degeneracy, while 'A Chapter on Dreams' and 'A Gossip on Romance' discuss artistic creation and the 'romance' form. Appendixes provide extracts from contemporary writings on personality disorder, which set Stevenson's tale in its full historical context.

'I regret to see that my book has turned out un fiasco solenne' James Joyce's disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would 'retard the course of civilisation in Ireland'. Joyce's aim was to tell the truth — to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, reveal to the Irish the unromantic reality the recognition of which would lead to the spiritual liberation of the country. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners — a death, an encounter, an opportunity not taken, a memory rekindled — and collectively they paint a portrait of a nation.