Phaidon Press

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

Goya is often called the last of the Old Masters and the first of the Moderns. He is appreciated as a portrait painter; a creator of menacing and melancholy images in oils; a master of enigmatic, satirical and revolutionary drawings and etchings; the champion of Spanish people in the struggle against oppression; and the recorder of their life and their sufferings in war. This volume aims to bring out the moods of this artist, from the gaiety and tenderness of the tapestry cartoons painted for the Spanish royal palaces to the mysterious ferocity of the «Black Paintings» painted in old age for his own house. Also included are some of Goya's less well-known masterpieces. Enriqueta Harris is the author of «Velazquez». This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

A grafter is English slang for hard worker, with the implication of long hours and hard physical labour. Formerly a professional ballet dancer, it was among his colleagues that Colin Jones began to take photographs and through dancing that he learnt of the tremendous physical labour involved in creating something of beauty. This is an empathetic tale of industrial post-war Britain. Jones' subjects are people who endure physical hardship with dignity — miners, shipbuilders, dockers and ballet dancers. It is a collection of Jones' best work from the early 1960s to the present day and is a poignant study of manual workers and working class families at the end of the industrial era in Britain, from miners cramped and soaking against a two-foot coal seam, dockers waiting in gangs on the docks for work, shipbuilders unaware that they are labouring on the yard's last vessel as well as the un-glamourous sweat and toil of his colleagues at the Royal Ballet. «Grafters» shows the crumbling slums of the East End and now-dead miners' villages in the Northeast, holidays on the pier and in seaside boarding houses and the desperate scavenging for coal on a slag heap. It is a nostalgic portrait of poverty and physical hardship endured with dignity.

The land that is now Egypt nurtured an extraordinary pioneering civilization — one of the oldest, most powerful, long-lasting and technically accomplished cultures the world has ever known. Over the millennia its achievements have never lost their power to amaze — and justly so, for the Egyptian architects and craftsmen produced some of the greatest masterpieces of world art. This book presents a carefully chosen selection of the finest works of art and architecture produced over a period of some 4000 years, from about 4000 BC, when the first sophisticated works of art began to be made, to 200 AD, when Egypt was a province of the Roman Empire and the old traditions had all but died out. Egyptian art is usually instantly recognizable and its basic formulas remained unchanged for thousands of years, yet at the same time it was remarkably varied in size, medium, subject-matter and type of object, ranging in size from the monumental pyramids and temples to the tiniest and most delicate pieces of jewellery, and embracing painting, sculpture, metalwork, woodwork, textiles and ceramics. At whatever scale, the art has an immediate appeal for its beauty and consummate craftsmanship, and the works illustrated in this book, all of the highest quality, can be enjoyed for their aesthetic qualities alone. They are also products of a culture very different from ours, and in his concise introduction Jaromir Malek provides the essential background for understanding why Egyptian art took the forms it did. The explanations continue in the informative captions to each illustration, and the chronological chart, map, bibliography and index provide quick reference. The works illustrated in «Egypt: 4000 Years of Art» are all masterpieces that can be enjoyed in their own right. Presented in strict chronological order, they also form a succinct history of the subject that will be a valuable resource for students and teachers. For all readers it will provide a fresh and beautiful introduction to some of the most remarkable art ever produced.

Heinrich Wolfflin was a pioneering critic who introduced new and rigorous methods of formal analysis into the study of art. Classic Art, first published in 1899, is itself a classic that has exercised a profound influence on the way people have looked at and thought about art. As an appraisal of the great artists of the Renaissance it can hardly be surpassed. Once again available in its elegant original format, it is an indispensable addition to every library of art books.

The series has always been highly regarded for its insight and authority, providing an invaluable introduction to key artists and movements in art history. Each volume contains an introductory essay, forty-eight full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white.

The Impressionists were scorned by the establishment during their lifetime, yet they are now among the most popular artists of all time. This volume includes the work of some of the best known, including Monet, Pissarro, Manet, Degas, Sisley, Cezanne, Renoir, and Van Gogh. The text touches on painting techniques, light, subject matter and photography. This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

Jean-Baptiste-Simeon Chardin (1699-1779) was arguably the most talented French painter of the eighteenth century, best known for his original still lifes. Composed of simple, everyday objects, these works glow with warmth and magic, from the dull iron of the kitchen pans, to the glaze of the green earthenware jug or the shining copper of the cauldron. There is no superfluous detail or search for decorative effect; the beauty of his paintings lies in their minimalism. Chardin received early recognition for his work, becoming a member of the French Royal Academy in 1728 at the age of only twenty-nine. Following the success of his early still lifes and inspired no doubt by his Dutch seventeenth-century predecessors, whose work was very much in vogue in Paris at the time, Chardin went on to paint some exquisite genre scenes and portraits, remarkable for their realism and honesty as well as for their technique. His works had a tremendous influence on subsequent artists, inspiring painters as diverse as Courbet, Manet and Cezanne.

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

BEYOND THE BUBBLE presents an overview of contemporary Japanese architecture following the collapse of the economic bubble of the 1980s and 90s. It includes the work of a selection of the most exciting architects working in Japan today, such as Toyo Ito, Atelier Bow Wow, and Kengo Kuma. BEYOND THE BUBBLE includes essays providing a survey of Japanese architecture from the 1980s to the present day, with detailed treatments of individual products. Written by an influential international expert on Japanese architecture and urbanism, it features a range of buildings, including residential, retail, and public works projects.

The artistic stagnation of Vienna at the end of the nineteenth century was rudely shaken by the artists of the Secession. Their works at first shocked a conservative public; but their successive exhibitions, their magazine «Ver Sacrum», and their application to the applied arts and architecture soon brought them an enthusiastic following and wealthy patronage. This book traces the course of this development, of the Wiener Werkstatte that followed, and the individual works of the artists concerned. Klimt, Olbrich, Loos and Hoffmann in architecture and applied arts. In other fields Mahler, Freud and Schnitzler were influencing the avant-garde. Peter Vergo quotes extensively from the writings of contemporary reviewers, critics and the artists themselves. He has eye-witness accounts of the exhibitions, the opening of the Secession building, the work in progress on the Palais Stoclet and Kabarett Fledermaus. The result is a documentary study of the successes and failures, hopes and fears of the members of an artistic movement which is still admired today.

A survey of the life and work of Alfred Sisley, one of the leading exponents of the Impressionist movement. The text examines how Sisley's painting life was devoted to the landscape. The author examines the tonal balance of such celebrated paintings as the snow-scenes of the Paris suburbs, views of the flooded Seine at Port-Marly and the colourful regattas on the Thames. The author recognizes that full recognition for the artist and his work only began after his relatively early death and argues that even now, his work is unjustifiably neglected. In studying Sisley's artistic development, the artist's English nationality, early career, struggle to earn a living, and secluded later years are examined.

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

Examining the black and white animated films of William Kentridge, this volume discusses the political and philosophical dimensions of drawing, a term the artist applies equally to his works on paper, film and theatre productions. It surveys Kentridge's work within a broad historical and geographic context of politicised art practices while analyzing the formal innovations of his animation techniques.

This highly illustrated overview of the state of painting documents concerns and ideas among contemporary painters. Often moving beyond the traditional image associated with this medium, this survey illustrates the richness, eclecticism, dynamism and contemporaneity of painting.

Presents a collection of visual games, doodles, graphic objects, sketches and quotations, and demonstrates how images can often convey meaning more clearly than text. This work explores the potential that words have to become pictures, and that drawings have to convey meanings, as well as a collection of ephemera.

An intriguing look at the work of Danish architect and furniture designer Arne Jacobsen (1902-71) through a detailed study of his masterwork, the SAS House in Copenhagen, completed in 1960. Divided into chapters that examine Room 606, the only preserved area of the hotel and a 'time-capsule' of exquisite woodwork, furnishings, and custom fabrics and colour palette. Rediscovers a lost world of mid-20th century form and sensation through hundreds of rare archival photographs, original drawings and sketches, and specially commissioned, new colour photographs of Room 606.

This work is a comprehensive overview of architecture worldwide since the 1960s. A guide to the many and varied contemporary architectural trends, it leads the reader through the styles and movements of architecture in the latter half of the 20th century. The Modern Movement in architecture early in the 20th century gave rise to the International Style — architecture was intended to transcend its time and place and provide a new world order in building and city planning. In the 1960s, modernism was seriously challenged by architects who began to question the validity of its principles. In place of modernism, a diverse array of building types and styles, driven by new architectural beliefs and theories, began to emerge. This text is an attempt to make sense of the pluralistic nature of contemporary architecture, by offering an accessible critique of the world's most prominent architectural movements and trends.

Arte Povera is Italy`s most important and influential post-war art movement. Originally championed by the leading art critic Germano Celant, it included internationally recognized artists. Edited by one of the world`s foremost authorities on the subject, Arte Povera is a complete overview of this movement.

Ten years ago it was reasonable to apply the label 'high-tech' to the work of Michael Hopkins. Today, however, with buildings such as the Glyndebourne Opera House and the New Parliamentary Building, Hopkins is perceived as a far more complex figure, perhaps even that most paradoxical of creatures, a high-tech historicist. This monograph features all of Hopkins's major built works and projects together with essays by the book's author, Colin Davies, the internationally respected critic and historian Kenneth Frampton, and the architect Patrick Hodgkinson.

Christopher Dresser travelled to Japan in 1876 and visited 64 potteries and dozens of other manufacturers. He took photographs home to spread the word there, and also advised the Japanese how best to export their trade. This book presents this story that focuses on the human drama of personalities involved in the two-way dialogue between cultures.