Random House Inc.

»Glue» is the story of four boys growing up in the Edinburgh schemes, and about the loyalties, the experiences — and the secrets — that hold them together into their thirties. Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer: driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally — who has one less skin than everyone else and seems to find catastrophe at every corner. As we follow their lives from the seventies into the new century — from punk to techno, from speed to Es — we can see each of them trying to struggle out from under the weight of the conditioning of class and culture, peer pressure and their parents' hopes that maybe their sons will do better than they did. What binds the four of them is the friendship formed by the scheme, their school, and their ambition to escape from both; their loyalty fused in street morality: back up your mates, don't hit women and, most importantly, never grass — on anyone. Despite its scale and ambition, «Glue» has all Irvine Welsh's usual pace and vigour, crackling dialogue, scabrous set-pieces and black, black humour, but it is also a grown-up book about growing up — about the way we live our lives, and what happens to us when things become unstuck.

Greeks living in Germany who speak Italian because they run a pizzeria; Katka, whose mescalin cactus enables her to separate body and mind, with the result that they check in a psychiatric clinic together; Klaus who tries to broaden his vocabulary with the help of a radio programme, Russian for Children, and promptly ends up in jail on his first visit to Moscow; contract killers on the trams; bodies in the basement; lunatics on the road: welcome to the wonderfully absurd world of Wladimir Kaminer. Kaminer moved from Moscow to Berlin ten years ago in a lucky wave of emigration, hoping for a better life and an apartment of his own. But, he found much more: a country adrift in the extraordinary flux of reunification and a city that was casting a spell on artists, drifters, losers and hopeless idealists. Of his encounters with these people, Kaminer makes unforgettable tales of compassion and humour. And in relating the singulary offbeat encounters of his own life, he manages to capture something universal about our disjointed times.

When a wizardly experiment goes adrift, the wizards of Unseen University find themselves with a pocket universe on their hands: Roundworld, where neither magic nor common sense seems to stand a chance against logic. The Universe, of course, is our own. And Roundworld is Earth. As the wizards watch their accidental creation grow, we follow the story of our universe from the primal singularity of the Big Bang to the Internet and beyond. Through this original Terry Pratchett story (with intervening chapters from Cohen and Stewart) we discover how puny and insignificant individual lives are against a cosmic backdrop of creation and disaster. Yet, paradoxically, we see how the richness of a universe based on rules, has led to a complex world and at least one species that tried to get a grip of what was going on.

Churchill’ s history of World War II is, and will remain, the definitive work. This is Churchill’ s own abridgement of his original six-volume history.

Twenty two year old, Sumire is in love for the first time with a woman seventeen years her senior. But, whereas Miu is a glamorous and successful older woman with a taste for classical music and fine wine, Sumire is an aspiring writer who dresses in an oversized second hand coat and heavy boots like a character in a Jack Kerouac novel. Surprised that she might, after all, be a lesbian, Sumire spends hours on the phone talking to her best friend, K about the big questions in life: what is sexual desire and should she ever tell Miu how she feels about her? K, a primary school teacher, is used to answering questions, but what he most wants to say to Sumire is «I love you.» He consoles himself by having an affair with the mother of one of his pupils. But, when a desperate Miu calls him out of the blue from a sunny Greek island and asks for his help, he soon discovers that all is not as it seems and something very strange has happened to Sumire.

Tibor Fisher's hilarious first novel follows the adventures of two young Hungarian basketball players through the turbulent years between the end of World War II and the anti-Soviet uprising of 1956. In this spirited indictment of totalitarianism, the two improbably heroes, Pataki and Gyuri, travel the length and breadth of Hungary in a epic quest for food, lodging, and female companionship.

Victor Mancini has devised a complicated scam to pay for his mother's hospital care: pretend to be choking on a piece of food in a restaurant and the person who 'saves you' will feel responsible for you for the rest of their lives. Multiply that a couple of hundred times and you generate a healthy flow of cheques, week in, week out. Victor also works at a theme park with a motley group of losers, cruises sex addiction groups for action, and visits his mother, whose Alzheimer's disease now hides what may be the startling truth about his parentage.

A few days later what they have been warned of comes to pass: a life raft is washed up on a beach. In it are two men, dressed in expensive suits, shot dead. The dead men were Eastern European criminals, victims of what seems to have been a gangland hit. But what appears in Sweden to be an open-and-shut case soon takes on a far more sinister aspect. Wallander travels across the Baltic Sea to Riga in Latvia, a nation experiencing the massive social and political upheaval that will lead to its independence from the Soviet Union. There Wallander is plunged into a frozen, alien world of police surveillance, scarcely veiled threats, and lies. Doomed always to be one step behind the shadowy figures he pursues, he comes to understand what it is to live in a nation in which democracy is still only a dream. Only his dogged, almost subconscious desire to se that justice is done brings the truth to light.

Hilary Burde, saved by education from a delinquent childhood, cheated out of Oxford by a tragic love tangle, cherishes his obsessive guilt and disappointment in a dull, orderly civil service job. When the man whom he has harmed and betrayed reappears as head of his department, Hilary hopes for forgiveness, even for redemption and a new life, but finds himself haunted by a ghostly repetition.

Confess, Fletch The flight from Rome had been pleasant enough, even if the business he was on wasn’t exactly. His Italian fiance’s father had been kidnapped and presumably murdered, and Fletch is on the trail of a stolen art collection that is her only patrimony. But when he arrives in his apartment to find a dead body, things start to get complicated. Confess, Fletch Inspector Flynn found him a little glib for someone who seemed to be the only likely suspect in a pretty clear case of homicide. He wasn’t exactly uncooperative, but it wasn’t like he was entirely forthcoming either. And Flynn wasn’t entirely convinced that the nineteenth-century Western artist Edgar Arthur Tharp really occupied most of Fletch’s thoughts. Confess, Fletch With the police on his tail and a few other things to do beside prove his own innocence, Fletch makes himself at home in Boston, renting a van, painting it black, and breaking into a private art gallery. That is when he’s not “entertaining” his future mother-in-law and visiting with the good Inspector Flynn and his family.

Fletch He’s an investigative reporter whose methods are a little unorthodox. Currently he’s living on the beach with the strung-out trying to find to the source of the drugs they live for. Fletch He’s taking more than a little flack from his editor. She doesn’t appreciate his style. Or the expense account items he’s racking up. Or his definition of the word deadline. Or the divorce lawyers who keep showing up at the office. Fletch So when multimillionaire Alan Stanwyk offers Fletch the job of a lifetime, which could be worth a fortune, he’s intrigued and decides to do a little investigation. What he discovers is that the proposition is anything but what it seems.

Fletch Won As a fledgling reporter, Fletch is doing more flailing than anything else. That and floating around from department to department trying to figure where he fits in. His managing editor’s got him pegged for the society pages, but the kind of society Fletch gets involved with is anything but polite. Fletch Won His first big interview, a millionaire lawyer with a crooked streak and an itch to give away some of his ill-gotten gains, ends up dead in the News-Tribune’s parking lot before Fletch can ask question number one. So Fletch ends up going after the murderer instead, and ends up learning a thing or two about crime and punishment. Fletch Won At the same time, he’s supposed to be covering (or maybe uncovering) a health spa that caters to all its clients needs, and gets hired as a very personal trainer. Never mind that he’s supposed to be getting married at the end of the week; Fletch has a few other engagements to take care of first.

Fletch’s Fortune He hadn’t been a practicing journalist for years, although people remembered him and he still has a few contacts. And he’s pretty sure he hasn’t paid his dues to the American Journalism Alliance anytime recently. But somebody has. Fletch’s Fortune Enjoying himself on the French Riviera, developing a killer tan, and sleeping with the neighbor’s wife, Fletch is feeling pretty flush. But when agents Eggers and Fabens show up with a little more information about Fletch than is comfortable and an invitation to the A.J.A. convention, how could he refuse? Fletch’s Fortune So he finds himself enlisted as a spy among his peers. But before he can even set up his surveillance, there’s a murder. And almost everybody’s a suspect. Because a lot of people were employed by Walter March, and most of them had a reason to hate him.

Twice in the last century, brutal war erupted between the United States and the Confederacy. Then, after a generation of relative peace, The Great War exploded worldwide. As the conflict engulfed Europe, the C.S.A. backed the Allies, while the U.S. found its own ally in Imperial Germany. The Confederate States, France, and England all fell. Russia self-destructed, and the Japanese, seeing that the cause was lost, retired to fight another day. The Great War has ended, and an uneasy peace reigns around most of the world. But nowhere is the peace more fragile than on the continent of North America, where bitter enemies share a single landmass and two long, bloody borders. In the North, proud Canadian nationalists try to resist the colonial power of the United States. In the South, the once-mighty Confederate States have been pounded into poverty and merciless inflation. U.S. President Teddy Roosevelt refuses to return to pre-war borders. The scars of the past will not soon be healed. The time is right for madmen, demagogues, and terrorists. At this crucial moment in history, with Socialists rising to power in the U.S. under the leadership of presidential candidate Upton Sinclair, a dangerous fanatic is on the rise in the Confederacy, preaching a message of hate. And in Canada another man — a simple farmer — has a nefarious plan: to assassinate the greatest U.S. war hero, General George Armstrong Custer. With tension on the seas high, and an army of Marxist Negroes lurking in the swamplands of the Deep South, more than enough people are eager to return the world to war. Harry Turtledove sends his sprawling cast of men and women — wielding their own faiths, persuasions, and private demons — into the troubled times between the wars.

When Eugenie Davies is killed by a driver on a quiet London street, her death is clearly no accident. Someone struck her with a car and then deliberately ran over her body before driving off, leaving nothing behind but questions. What brought Eugenie Davies to London on a rainy autumn night? Why was she carrying the name of the man who found her body? Who among the many acquaintances in her complicated and tragic life could have wanted her dead? And could her murder have some connection to a twenty-eight-year-old musical wunderkind, a virtuoso violinist who several months earlier suddenly and inexplicably lost the ability to play a single note? For Detective Inspector Thomas Lynley, whose own domestic life is about to change radically, these questions are only the first in an investigation that leads him to walk a fine line between personal loyalty and professional honor. Assigned to the case by his superior, Superintendent Malcolm Webberly, Lynley learns that Webberly's first murder investigation as a DI over twenty years ago involved Eugenie Davies and a sensational criminal trial. Yet what is truly damaging is what Webberly already knows and no doubt wants Lynley to keep concealed. Now the pressure is on Lynley to find Eugenie Davies' killer. For not only is he putting his own career into jeopardy, but he is also attempting to safeguard the careers of his longtime partners Barbara Havers and Winston Nkata. Together, they must untangle the dark secrets and darker passions of a family whose history conceals the truth behind a horrific crime.

Henry Wilt, tied to a daft job and a domineering wife, has just been passed over for promotion yet again. Ahead of him at the Polytechnic stretch years of trying to thump literature into the heads of plasterers, joiners, butchers and the like. And things are no better at home where his massive wife, Eva, is given to boundless and unpredictable fits of enthusiasm — for transcendental meditation, yoga or the trampoline. But if Wilt can do nothing about his job, he can do something about his wife, in imagination at least, and his fantasies grow daily more murderous and more concrete. After a peculiarly nasty experience at a party thrown by particularly nasty Americans, Wilt finds himself in several embarrassing positions: Eva stalks out in stratospheric dudgeon, and Wilt, under the inspiration of gin, puts one of his more vindictive fantasies into effect. But suspicions are instantly aroused and Wilt rapidly achieves an unenviable notoriety in the role of The Man Helping Police With Their Enquiries. Or is he exactly helping? Wilt's problem — although he's on the other side of the fence — is the same as Inspector Flint's: where is Eva Wilt? But Wilt begins to flourish in the heat of the investigation, and as the police stoke the flames of circumstantial evidence, Wilt deploys all his powers to show that the Law can't tell a Missing Person from a hole in the ground.

Twenty years ago, a boy named Jack Sawyer travelled to a parallel universe called The Territories to save his mother and her Territories «twinner» from a premature and agonizing death that would have brought cataclysm to the other world. Now Jack is a retired Los Angeles homicide detective living in the nearly nonexistent hamlet of Tamarack, WI. He has no recollection of his adventures in the Territories and was compelled to leave the police force when an odd, happenstance event threatened to awaken those memories. When a series of gruesome murders occur in western Wisconsin that are reminiscent of those committed several decades earlier by a real-life madman named Albert Fish, the killer is dubbed «The Fisherman» and Jack's buddy, the local chief of police, begs Jack to help his inexperienced force find him. But is this merely the work of a disturbed individual, or has a mysterious and malignant force been unleashed in this quiet town? What causes Jack's inexplicable waking dreams, if that is what they are, of robins' eggs and red feathers? It's almost as if someone is trying to tell him something. As that message becomes increasingly impossible to ignore, Jack is drawn back to the Territories and to his own hidden past, where he may find the soul-strength to enter a terrifying house at the end of a deserted track of forest, there to encounter the obscene and ferocious evils sheltered within it.

In her most masterful novel of medical suspense, New York Times bestselling author Tess Gerritsen creates a villain of unforgettable evil — and the one woman who can catch him before he kills again. He slips into their homes at night and walks silently into bedrooms where women lie sleeping, unaware of the horrors they soon will endure. The precision of the killer's methods suggests he is a deranged man of medicine, propelling the Boston newspapers and the frightened public to name him The Surgeon. The cops' only clue rests with another surgeon, the victim of a nearly identical crime. Two years ago, Dr. Catherine Cordell fought back and killed her attacker before he could complete his assault. Now she hides her fears of intimacy behind a cool and elegant exterior and a well-earned reputation as a top trauma surgeon. Cordell's careful facade is about to crack as this new killer recreates, with chilling accuracy, the details of Cordell's own ordeal. With every new murder he seems to be taunting her, cutting ever closer, from her hospital to her home. Her only comfort comes from Thomas Moore, the detective assigned to the case. But even Moore cannot protect Cordell from a brilliant hunter who somehow understands — and savors — the secret fears of every woman he kills. Filled with the authentic detail that is the trademark of this doctor turned author... and peopled with rich and complex characters — from the ER to the squad room to the city morgue — here is a thriller of unprecedented depth and suspense. Exposing the shocking link between those who kill and cure, punish and protect, The Surgeon is Tess Gerritsen's most exciting accomplishment yet. From the Hardcoveredition.

The stories in this collection move from Malaya to America and England, and include some of Maugham's most famous tales; 'Flotsam and Jetsam', the story of an old woman trapped for years in a loveless marriage in the remote rubber plantations; 'The Man with the Scar', and notably the opening story 'The Vessel of Wrath', a tale of the unexpected love that grows between a devout missionary nurse and a drunken reprobate. In this second volume of his collected stories, Maugham illustrates his characteristic wry perception of human foibles and his genius for evoking compelling drama from an acute sense of time and place.

The third volume of Somerset Maugham's Collected Short Stories, introduced by the author, contains the celebrated series about Ashenden, a secret service agent in World War I. Based on Maugham's own experiences with the British Intelligence service in Switzerland, the stories are vignettes in which he dramatizes both the romance and absurdity of espionage as well as its ruthlessness and brutality. Accountable only to 'R', Ashenden travels all over the Continent on assignments which entangle him with such characters as the traitor Grantley Caypor, the passionate Guilia Lazzari, and the sinister 'hairless Mexican'.

This final classic collection of stories reveals Somerset Maugham's unique talent for exposing and exploring the bitter realities of human relationships. Brilliant tales of love, infidelity, passion and prejudice, the stories range from 'The Lotus Eater' in which a man has a vision of a life of bliss in the Mediterranean, to the astringent tales of 'The Outstation' and 'The Back of Beyond' in Malaya and South East Asia. Largely set in favourite Maugham country, this colourful collection brilliantly evokes the numbered days of the British Empire.

To illuminate the mysterious greatness of Anton Chekhov's writings, Janet Malcolm takes on three roles: literary critic, biographer, and journalist. Her close readings of the stories and plays are interwoven with episodes from Chekhov's life and framed by an account of Malcolm's journey to St. Petersburg, Moscow, and Yalta. She writes of Chekhov's childhood, his relationships, his travels, his early success, and his self-imposed exile — always with an eye to connecting them to themes and characters in his work. Lovers of Chekhov as well as those new to his work will be transfixed by Reading Chekhov.

Bilbo's Last Song is a poem written by Bilbo, hero adventurer of The Hobbit, before he leaves Middle Earth to take a ship to the Undying Lands beyond the sunset at the end of The Lord of the Rings. Pauline Baynes' illustrations depict the journey that brings the ring bearers and the company of elves to the Grey Havens and the ship that is waiting to take them on their final journey. Running concurrently is a series of vignettes showing scenes from The Hobbit; so Bilbo remembers his first journey as he contemplates his last. A friend of the author's for many years, Pauline Baynes has included several of Tolkien's own ideas in her portrayal of the characters and scenes.

My name is Meredith Gentry, but of course it's not my real name. I dare not even whisper my true name after dark for fear that one hushed word will travel over the night winds to the soft ear of my aunt, the Queen of the Air and Darkness. She wants me dead. I don't even know why. Meredith Gentry, Princess of the high court of Faerie, is posing as a human in Los Angeles, living as a P.I. specializing in supernatural crime. But now the Queen's assassin has been dispatched to fetch her back-whether she likes it or not. Suddenly Meredith finds herself a pawn in her dreaded aunt's plans. The job that awaits her: enjoy the constant company of the most beautiful immortal men in the world. The reward: the crown-and the opportunity to continue to live. The penalty for failure: death.