Random House Inc.

In the crowded greenroom of a porn-movie production, hundreds of men mill around in their boxers, awaiting their turn with the legendary Cassie Wright. An aging adult film star, Cassie Wright intends to cap her career by breaking the world record for serial fornication by having sex with 600 men on camera—one of whom may want to kill her. Told from the perspectives of Mr. 72, Mr. 137, Mr. 600, and Sheila, the talent wrangler who must keep it all under control, Snuff is a dark, wild, and lethally funny novel that brings the presence of pornography in contemporary life into the realm of literary fiction.

SLOW: Life in a Tuscan Town is an unprecedented photographic personal journey into the heart of hidden Tuscany that celebrates the principles that define the Slow Food movement and pays tribute to the region’s kaleidoscope of vibrant characters, whose shared culture revolves around the everyday pleasure of growing, preparing, and eating food. With an anecdotal charm reminiscent of Peter Mayle’s A Year in Provence, Douglas Gayeton’s interplay of pictures and words conveys a thrilling narrative that transports you halfway around the globe to the charming town of Pistoia, nestled in the outskirts of Florence. There we meet the mushroom hunters and sheep farmers, the winemakers and fishermen, the bakers, butchers and chocolate makers whose lives are profoundly bound to the rhythms of nature. It is a riveting story told in a riveting way: each image comprised of multiple photographs taken over a period of time that can range anywhere from ten minutes to several hours, and layered with Gayeton’s handwritten notes, recipes, facts, and sayings. With this process, Gayeton has managed to introduce the concept of story and time; both compressed and exploded, into his portraits. The result is a photographic approach critics have dubbed flat film; the effect is exhilarating. As Gayeton observes, “What my eyes saw was always grander than any lens could capture…How could I introduce the presence of time, of an emerging and evolving story comprised of not one, but many moments, into a single photograph?” In the accompanying text, Gayeton offers an absorbing first person account of his immersion into rural Italian culture, offering an intimacy that draws us deeper into this romantic and rustic world. A photographer, a pioneering new media creator, a wonderful writer and an award winning documentarian, Gayeton is passionately interested in food, culture, art, and people.

Sophie Rose is a crime reporter at a major Chicago newspaper and the daughter of Bobby Rose, a charming gentleman and big-time thief. When asked to write an exposé about her notorious father, Sophie quits and goes to work at a small newspaper, covering local personalities such as William Harrington, the 5K runner whose trademark is red socks. Those socks—with Sophie’s business card tucked inside—are practically all that’s found after Harrington is killed near Prudhoe Bay, Alaska, seemingly in a brutal polar bear attack. Sophie heads north to investigate, but danger follows in her wake. After one attempt on her life, she’s assigned brash but sexy Jack MacAlister as a bodyguard. But Sophie and Jack will soon be fighting more than their growing passion for each other. Powerful forces will stop at nothing to prevent the exposure of the sinister conspiracy Sophie and Jack are about to uncover.

This is a tale of two cities... two girls... and a life-altering swap. Daisy's just landed the perfect job: spending a year in Paris writing about fashion. Swapping homes with French student Isabelle seems like the perfect arrangement. Sensible Isabelle, however, finds London bewildering. But all her assumptions about crazy English guys are overturned when she meets hunky gardener Tom. Meanwhile, fun-loving Daisy discovers that Paris is the City of Love, and more than one Monsieur Right...

In a French courtroom, the trial of a woman is taking place. Gladys Eysenach is no longer young, but she is still beautiful, elegant, cold. She is accused of shooting dead her much-younger lover. As the witnesses take the stand and the case unfolds, Gladys relives fragments of her past: her childhood, her absent father, her marriage, her turbulent relationship with her daughter, her decline, and then the final irrevocable act. With the depth of insight and pitiless compassion we have come to expect from the author of Suite Francaise, Irene Nemirovsky shows us the soul of a desperate woman obsessed with her lost youth.

This title includes an introduction by Sir Paul McCartney. First published in 1964 and 1965, In His Own Write and A Spaniard in the Works are a brilliantly inventive and offbeat collection of John Lennon's stories, drawings and poems.

Welcome to the world of Kara Gillian, a cop with a gift. Not only does she have the power of «othersight» to see what most people can't even imagine, but she's become the exclusive summoner of a demon lord. Or maybe it's the other way around. The fact is, with two troublesome cases on her docket and a handsome FBI agent under her skin, Kara needs the help of sexy, insatiable Lord Rhyzkahl more than he needs her. Because these two victims, linked by suspicious coincidence, haven't just been murdered. Something has eaten their souls. It's a case with roots in the arcane, but whose evil has flowered among the rich, powerful, and corrupt in Beaulac, Louisiana. And as the killings continue, Kara soon realizes how much there's still to learn about demons, men, and things that kill in the night — and how little time she has to learn it.

From the New York Times — bestselling author of Original Sin comes the second book in her new, fantastically thrilling paranormal suspense series, The Seven Deadly Sins.

In 1957, Eugene Smith, a thirty-eight-year-old magazine photographer, walked out of his comfortable settled world—his longtime well-paying job at Life and the home he shared with his wife and four children in Croton-on-Hudson, New York—to move into a dilapidated, five-story loft building at 821 Sixth Avenue (between Twenty-eighth and Twenty-ninth streets) in New York City’s wholesale flower district. Smith was trying to complete the most ambitious project of his life, a massive photo-essay on the city of Pittsburgh. 821 Sixth Avenue was a late-night haunt of musicians, including some of the biggest names in jazz—Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them—and countless fascinating, underground characters. As his ambitions broke down for his quixotic Pittsburgh opus, Smith found solace in the chaotic, somnambulistic world of the loft and its artists. He turned his documentary impulses away from Pittsburgh and toward his offbeat new surroundings. From 1957 to 1965, Smith exposed 1,447 rolls of film at his loft, making roughly 40,000 pictures, the largest body of work in his career, photographing the nocturnal jazz scene as well as life on the streets of the flower district, as seen from his fourth-floor window. He wired the building like a surreptitious recording studio and made 1,740 reels (4,000 hours) of stereo and mono audiotapes, capturing more than 300 musicians, among them Roy Haynes, Sonny Rollins, Bill Evans, Roland Kirk, Alice Coltrane, Don Cherry, and Paul Bley. He recorded, as well, legends such as pianists Eddie Costa, and Sonny Clark, drummers Ronnie Free and Edgar Bateman, saxophonist Lin Halliday, bassist Henry Grimes, and multi-instrumentalist Eddie Listengart. Also dropping in on the nighttime scene were the likes of Doris Duke, Norman Mailer, Diane Arbus, Robert Frank, Henri Cartier-Bresson, and Salvador Dalí, as well as pimps, prostitutes, drug addicts, thieves, photography students, local cops, building inspectors, marijuana dealers, and others. Sam Stephenson discovered Smith’s jazz loft photographs and tapes eleven years ago and has spent the last seven years cataloging, archiving, selecting, and editing Smith’s materials for this book, as well as writing its introduction and the text interwoven throughout. W. Eugene Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of The Jazz Loft Project, no one had seen Smith’s extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tale (s)...

In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier's magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces — John G. Morris, Magnum Photos' first executive editor, called Capa «the century's greatest battlefield photographer» — and his writing is by turns riotously funny and deeply moving. From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world. Faithfully producing and methodically analyzing 100 master drawings—including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others—Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

Great portraits go beyond a mere record of a face. They reveal one of the millions of intimate human moments that make up a life. In Beyond Portraiture, renowned photographer Bryan Peterson shows how to spot those “ah-ha!” moments and capture them forever. A teary child...old people laughing together...a smiling girl with big, big hair. Everyone remember pictures like these, usually taken by a mother, a father, a friend holding a camera, forever preserving small yet revealing vignettes of our personal histories. But we always relied on pure luck and chance to catch those moments. Peterson’s approach explains what makes a photo memorable, how to spot the universal themes that everyone can identify with, and how to use lighting, setting, and exposure to reveal the wonder and the joy of everyday moments. Beyond Portraiture makes it easy to create indelible memories with light and shadow.

A young mother, blond and pretty, vanishes from her South Boston home, leaving behind only one witness—her four-year-old daughter—and one suspect—her handsome, secretive husband. From the moment Detective Sergeant D. D. Warren arrives at the Joneses’ snug little bungalow, instinct tells her that something is seriously off with the wholesome image the couple has worked so hard to create. With the clock ticking on the life of a missing woman and a media firestorm building, D.D. must decide whether Jason Jones is hiding his guilt—or just trying to hide. But first she must stand between a potential killer and his next victim—an innocent child who may have seen too much.

The ultimate intimate look at Daniel's life based on his private and professional photo collections and the archive of his recordings. Exclusive images give a unique insight into his private life, his early career and current global superstardom. Also covers the wedding to Daniel's beloved wife Majella, their wonderful home and the many famous people he has met along the way.

For centuries Antarctica has captured the imagination of explorers, scientists, and armchair travelers. Its starkly beautiful landscape, extraordinary wildlife, and harsh climate only begin to suggest the wonders of the world's least understood continent. Intrigued by a part of the planet vividly described in the journals of explorers Robert Falcon Scott and Ernest Henry Shackleton, award-winning photographer Joan Myers set out to see for herself why people are drawn to such an inhospitable and uncompromising place. Over the course of several trips, Myers traversed the continent by foot, plane, helicopter, snowmobile, and Coast Guard icebreaker. Working in below-freezing temperatures, braving blizzards and wind chills as low as — 84°F, she captured entrancing panoramas of Antarctica's beauty and vast scale, teeming penguin rookeries and docile seals, and the ghostly abandoned huts of early explorers. From her temporary base at McMurdo Station, Antarctica's primary research facility, she documented the daily lives of the scientists and support staff who work in this extreme environment. Wondrous Cold features more than 180 of Myers' captivating color and black-and-white photographs. Her engaging journal entries describe the physical challenges of taking photographs in a place where a tripod freezes solid in five minutes as well as the research, rhythms, and rituals of life on the Ice. New York Times writer Sandra Blakeslee contributes sidebars on the science conducted at the world's most remote frontier.

Between 1980 and 1990, over five hundred of photographer Amy Arbus's impromptu and edgy portraits of New Yorkers appeared in the Village Voice's monthly fashion feature, «On the Street». The column's missive was to document the city's most adventurous trednsetters as they lived their lives. But Arbus's photographs tell much more than a style story. From the friendliest to the grittiest, every one of these images is a potent tribute to self-expression. Taken as a whole, they reflect an era of contradictions, a time in America when urban individualism and raw creativity were courageously fighting for breathing room and holding their own in a culture ruled by wealthy conservatism and Republican politics. For the first time since that hard-to-define decade, this time-capsule collection of images is being revisited. On the Street features seventy of the most revealing and expressive images taken by Arbus on the city’s fashion-fertile sidewalks. From the unknown to the unmistakably famous, her subjects are all equally unforgettable. Arbus’s ubiquitous lens captured the most influential style-makers, from The Clash on the set of Martin Scorsese's King of Comedy and Madonna on the same day her single “Everybody” hit the charts, to Anna Sui, Joey Arias, Phoebe Legére, and countless other local artists, actors, costume designers, shop owners, musicians, make-up artists, graffiti artists, and downtown scenesters. From eyewear to underwear and schoolgirl skirts to backless shirts; from women dressed like men to men that are barely dressed; from lipstick to just plain schtik, there is no aspect of 80’s style that goes unrepresented. A. M. Homes, the renowned author of The End of Alice and contributing editor at Vanity Fair, offers a personal and illuminating essay that introduces and celebrates Arbus’ photographs, while elegantly placing them in the context of the time in which they were taken.

Overcome by the brutal murder of his niece, Alex vows to capture the psychopath before he kills again. During his investigation, Alex discovers that she was mixed up with some very important, very dangerous people-and she's not the only one who has disappeared. The hunt for the murderer leads Alex and his girlfriend, Detective Brianna Stone, to Washington's most infamous club-a place where every fantasy is possible, if you have the credentials to get in. Could the killer could be one of their patrons, one of Washington's elite who will do anything to keep their secrets buried? With astonishing plot twists and electrifying revelations, I Am Alex Cross is James Patterson's most suspenseful Alex Cross novel yet.

Told in Mitch's trademark knowledgeable yet irreverent style, find out the answers to questions such as: Why are slugs so slimy? What is the best thing to do if you fall into quicksand? Why does skin go wrinkly when we stay in the bath for too long? How rare are four-leafed clovers? Was there a Mary who had a little lamb? How clever is your right foot? And are there any loos in igloos?

Many of us take it as a given that the Great Depression — the consequences of which reverberated for decades, crippling the future of an entire generation and setting the stage for WWII — resulted from a confluence of inexorable forces beyond any one person or government's control. In fact, as erudite economist Liaquat Ahamed explains, it was the decisions taken by a small number of central bankers that were the primary cause of the economic meltdown. In Lords of Finance, we meet the neurotic and enigmatic Montagu Norman of the Bank of England; the xenophobic and suspicious Emile Moreau of the Banque de France; the arrogant yet brilliant Hjalmar Schacht of the Reichsbank; and, the dynamic Benjamin Strong of the New York Federal Reserve Bank. These four men were as prominent in their time as Alan Greenspan, Hank Paulson and Mervyn King are today, but their names were lost to history, their story untold, until now. Harnessing a keen sense of history and the narrative skills of the novelist, Liaquat Ahamed tells their story in vivid and gripping detail. As yet another period of economic turmoil makes headlines today, the Great Depression and the year 1929 remain the benchmark for true financial mayhem. Offering a new understanding of the origins and global nature of financial crises, Lords of Finance is a timely and arresting reminder that individuals — their ambitions, limitations and human nature — lie at the very heart of global catastrophe.

Sapphire Jones doesn't believe in relationships anymore — not since she caught her husband in bed with another woman. Now Sapphire only sees men on her terms which is why her current lover is younger than her, good looking, doesn't place any emotional demands on her so far, fingers crossed and is great in bed. What more does a girl need? Sapphire puts all her passion into running her own business — a high end lingerie and hen weekend company. She is doing well and life seems pretty good until she meets a very handsome, charming businessman who seems more than a match for Sapphire. Then things go badly wrong at the hen party she has planned for a soap star and tabloid darling. The evening is one that everyone will be talking about for all the wrong reasons and Sapphire faces front page headlines all of her own... Suddenly her business is in jeopardy, her well-controlled private life is falling apart, and in the middle of all this Sapphire realises that she is not immune to love after all, but has she left it too late?

From New York Times bestselling author Mary Balogh come two classic tales of love turned dangerous, set amid the splendor of Regency England--a time rife with passion, betrayal, and intrigue. DARK ANGEL: Jennifer Winwood has been engaged for five years to a man she hardly knows but believes to be honorable and good: Lord Lionel Kersey. Suddenly, she becomes the quarry of London's most notorious womanizer, Gabriel Fisher, the Earl of Thornhill. Jennifer has no idea that she is just a pawn in the long-simmering feud between these two headstrong, irresistible men — or that she will become a prize more valuable than revenge. LORD CAREW'S BRIDE: Jennifer's cousin Samantha Newman is smarting after she too is toyed with by Lord Kersey. In the midst of her heartbreak, she seeks solace from her new friend, the disabled gardener Hartley Wade. If only she knew that Hartley is secretly Lord Carew, and that he hides more than extraordinary wealth: a passionate secret held deep in his heart that only her love can reveal.

El nuevo bestseller de la reina del suspense. En su nuevo y apasionante thriller, Mary Higgins Clark explora la batalla legal sobre la inocencia o culpabilidad de un hombre acusado de matar a su mujer, sobre el trasfondo de un poco conocido fenomeno medico donde el receptor de un transplante de corazon percibe las emociones y recuerdos del donante. La joven abogada Emily Wallace se enfrenta al caso mas importante de su carrera. Hace dos anos la popular actriz Natalie Raines fue asesinada en su propia casa y su ex marido, Gregg Aldrich, ha sido desde entonces el principal sospechoso. A pesar de haberse dedicado en cuerpo y alma a la preparacion del caso contra Aldrich, Emily pasa por constantes momentos de duda cuando comienza el juicio. Por un lado, simpatiza con la madre de la asesinada, pero tambien, desde el primer momento, con Gregg. De donde provienen esas dudas? Y esos sentimientos tan contradictorios? Emily tiene una corazonada y no dejara de investigar, aunque el juez haya dictado sentencia y aunque ponga su propia vida en peligro.

Kyle McAvoy possesses an outstanding legal mind. Good-looking and affable, he has a glittering future. He also has a dark secret that could destroy his dreams, his career, even his life. One night that secret catches up with him. The men who accost Kyle have a compromising video they’ll use to ruin him–unless he does exactly what they say. What they offer Kyle is something any ambitious young lawyer would kill for: a job in Manhattan as an associate at the world’s largest law firm. If Kyle accepts, he’ll be on the fast track to partnership and a fortune. But there’s a catch. Kyle won’t be working for the firm but against it in a dispute between two powerful defense contractors worth billions. Now Kyle is caught between the criminal forces manipulating him, the FBI, and his own law firm–in a malignant conspiracy not even Kyle with all his intellect, cunning, and bravery may be able to escape alive.

In this innovative guide, master art instructor William Maughan demonstrates how to create a realistic human likeness by using the classic and highly accurate modeling technique of chiaroscuro (Italian for “light and dark”) developed by Leonardo da Vinci during the High Renaissance. Maughan first introduces readers to the basics of this centuries-old technique, showing how to analyze form, light, and shadow; use dark pencil, white pencil, and toned paper to create a full range of values; use the elements of design to enhance a likeness; and capture a sitter’s gestures and proportions. He then demonstrates, step by step, how to draw each facial feature, develop visual awareness, and render the head in color with soft pastels.