Thames&Hudson

Wonderfully preserved Greek vases are a unique source of information about the mythology, religion, drama and daily life of the ancient Greek world. This sumptuous photographic book offers a superb visual introduction to the artistry of ancient Greek vases, exploring them not merely as beautiful vessels to bear water and wine, but also as instruments of storytelling and bearers of meaning. Presenting the vases and their imagery in their full narrative glory, The Greek Vase interprets their forms and stories along a variety of themes, from the adventures of gods and mythological heroes, to expressive scenes of sexual intimacy and depictions of social, family and domestic life. This beautifully illustrated book highlights what these pictures would have meant to the people who lived with and used them, how they have been received by later generations, and the profound influence of their form, decoration and narrative on subsequent art, architecture and literature.

Josef Koudelkas Wall comprises panoramic landscape photographs he made from 2008 to 2012 in East Jerusalem, Hebron, Ramallah, Bethlehem, and in various Israeli settlements along the route of the barrier separating Israel and Palestine. Whereas Israel calls it the security fence, Palestinians call it the apartheid wall, and groups like Human Rights Watch use the term separation barrier, the wall in Koudelkas project is metaphorical in naturefocused on it as a human fissure in the natural landscape. Sometimes blocks of concrete define the panoramas; at other times displaced olive treesa lifeline for one man, collateral damage in anothers claim for territorysubtly emerge. As in his Black Triangle project, made in the Bohemian foothills of the Ore Mountains in the early 1990s, Wall conveys the fraught relationships between humankind and nature and between closely related cultures. A chronology, lexicon, and captions provide context for the photographs. The book is designed by Xavier Barral, working closely with Koudelka, and is a coproduction by Aperture and Editions Xavier Barral. Wall, with texts by Ray Dolphin written in collaboration with Koudelka and project advisor Gilad Baram, is part of a larger project, This Place, initiated by photographer Frederic Brenner. This Place explores Israel as place and metaphor through the eyes of twelve internationally acclaimed photographers, who were invited to look beyond dominant political narratives and to explore the complexity of the place and its resonance for people around the world not to judge, but to question and to reveal.

What process lies behind the search for excellence in a sports car? This book reveals the work put into the production of the new supercar, LaFerrari a car whose ambitions are evident through its very name. A voyage of discovery of the Italian passion, method and excellence which created an authentic masterpiece on four wheels, told through the stories of the characters who have worked on the project, and the photos of its creation. Comparisons with its predecessors, the first style drafts, the clay models, wind-tunnel research, studies on cockpit ergonomics, vehicle dynamics, the perfection of the gears and brakes all are revealed here in an ebb and flow of images and designs. Furthermore, the development of the HY-KERS technology, thanks to its contribution in Formula 1 races, allows an insight into one of the most advanced frontiers in the world of sports cars destined for the road. High-craftsmanship, human experiences and futuristic technologies combine in this fascinating story, in a group work that achieves the greatest combination of innovation and aesthetic beauty.

Lee Miller was a Vogue cover girl, Man Ray's lover, the first photojournalist at the liberation of Dachau and Buchenwald, and one of the most important female photographers of the 20th century. Combining fine art and urban wit, her photographic technique was learned from the great photographers of her day, among them are Edward Steichen, Man Ray and George Hoyningen-Huene. Becky E. Conekin's Lee Miller in Fashion gives us a wide lens view on Miller's fashion photography. Set against the fast-changing landscapes of New York, Paris, and London, it reveals a neglected chapter in Miller's life: how this incredible woman challenged conventions and broke boundaries in her fashion photography for the leading magazines of the day. Using never-before-seen photographs and archival research, Conekin shows how Miller's fashion photographs were a brilliant combination of sharp wit, high art and modernist edge.

Mesmerizing, exhilarating and awe-inspiring, London has provided a rich subject for the many artists, satirists, map-makers and engravers who have tried to make a lasting record of their impressions of the city. Representations of London are fascinatingly diverse, presenting a lively and thought-provoking body of work that lets us see London as it has been experienced by its inhabitants through the ages. «London: A View from the Streets» brings together and interprets vivid images of the changing faces of London, featuring never-before-seen works from the rich collection of the British Museum. A broad range of pieces from artists including Canaletto, Hogarth, Cruikshank, Whistler and George Scharfe are all engagingly explored by Anna Maude, herself an expert on prints and drawings of London.

Thought-provoking and richly visual, Nature Morte brings together, for the first time, the poignant, provocative re-imaginings of the traditional still life by over 180 international contemporary artists. This visually stunning and timely book reveals how leading artists of the 21st century are reinvigorating the still life, a genre previously synonymous with the sixteenth- and seventeenth-century Old Masters. Michael Petry's careful selection celebrates works by emerging and established artists alike, from all over the globe, including John Currin, Elmgreen & Dragset, Robert Gober, Renata Hegyi, Damien Hirst, David Hockney, Gary Hume, Sarah Lucas, Beatriz Milhazes, Gabriel Orozco, Elizabeth Peyton, Marc Quinn, Gerhard Richter, Sam Taylor-Wood and Ai Wei Wei. Short and compelling introductions begin each chapter and are followed by dramatic, visually led spreads that pair each work with a perceptive reading of its significance to the still-life tradition. Petry's engaging, provocative text reveals how contemporary practitioners are revisiting the major motifs of the still life and translating them for the modern world. Petry explores the timeless themes of life, death and the irrevocable passing of time in these new works for our modern world; artworks that invite us to pause and reconsider what it means to be human.

The concept of taking the existing material as an idea is what is behind the expression Rough Interiors. The building and rooms are taken as they are and the traces of the past are preserved in the sense of remaining visible, into which the design concept is integrated. Old shells are given a new life with the aid of very different design interventions. It is the breaks, contrasts and contradictions instead of perfect harmony and smooth surfaces which characterise these works. The interiors presented range from low- budget to luxury projects. A fascinating interplay be — tween past and present emerges in the interplay of rough ceilings, un-plastered walls and visible concrete beams together with creative re-use ideas, modern materials and innovative form language.

By the end of the decade, styles, markets, materials, demographics, inspirations and the very definition of fashion had been transformed. The young generation wanted informal but stylish clothes, and self-expression was paramount. Fashion had given way to style. Jonathan Walford charts these revolutions, from Londons mod youthquake to the ye-yes in Paris via the flower children and Afro movement in the US, and shows how a new internationalism changed the fashion landscape, as London, New York, Florence, San Francisco, Hong Kong, Madrid and Rome challenged the dominance of Paris haute couture.

Colors for Fashion is an updated and much-revised successor to Colors for Modern Fashion by the same author, incorporating the latest fashion garments and extensive breakdowns of techniques for drawing in colour. The book also includes a chapter on working in colour using Photoshop and a CDR with video of the author demonstrating the basic techniques for using coloured markers, watercolours and coloured pencils.

Some of the most important people in fashion Chanel, Alaia, Blahnik, Yves Saint Laurent, Pucci, Kenzo and Missoni are known for their public image and their iconic designs. But what kind of world have they cultivated behind closed doors? From France to Italy, from England to Morocco, come along on a private visit to the remarkable homes of the worlds great couturiers, stylists, muses and fashion personalities. Ivan Terestchenkos glorious photographs revel in the decor, works of art and the personal collections of these legendary designers. Some interiors, such as Chanels apartment at 31 rue Cambon, are mythic, while others are completely unconventional. For some, home is a sanctuary, for others a place of reflection and inspiration; but in every case, the surroundings of these people reveal much about their enjoyment of textiles, art, space and light.

A movies storyboard is the crucial stage when the words of the screenplay becomes a visual narrative; its often the source of the iconic imagery of the finished movie, and it is always a key point in the interaction of screenwriter, director, producer and art director. For the first time, the history of this vital art form is told in the way it deserves. A host of storyboards — ranging from Terry Gilliams energetic sketches, to the lush painted artwork that defined Gone With The Wind — reveal how the directors vision is defined before the cameras start to roll. A must for all serious fans and students of film, this book tells the story of cinema as it has never been told before.

The essential purpose of a staircase is utilitarian: to facilitate ascent and descent. Yet the design of even the simplest stair is complex, requiring great knowledge, skill and ingenuity. This volume showcases the astonishing diversity of staircases over the centuries, from the stepped pyramids of the Maya to the exquisitely proportioned stairs of the Renaissance, to the elaborate balustraded confections of the Baroque period, to the virtuosic, computer-aided designs of today. A superb range of photographs, many specially taken for this publication, illustrates clear and accessible written surveys by specialist architectural historians. From Renaissance masterpieces, the sweeping curves of Art Nouveau, the functional beauty of the Bauhaus, to high-tech contemporary dream creations, the staircase is a powerful emblem of technological and artistic achievement. Architectural tours de force all, often charged with religious, mystical and hierarchical meaning, these staircases are inherently dynamic, as is every page of this fascinating and beautifully illustrated book.

The killer detail: a singular feature that catches the eye, encapsulates an attitude, or refines a style, distinguishing the wearer from the crowd. A ribbon on a hat, a belt knotted around a trench coat, the lining of a jacket, the lacing on a boot. Ephemeral, and yet timeless. Written and curated by seasoned journalists whose intimate backstage knowledge is matched only by their assiduous research, these rare, often candid portraits by celebrated photographers from Helmut Newton and Linda McCartney to Peter Lindbergh and Annie Leibovitz reveal as much about the ethos of the star as about their sartorial choices. Covering all aspects of the wardrobe from head to toe, the authors provide astute analysis of the killer detail as an element of the celebritys own iconic style, and as a lasting contribution to the history of fashion. From Marlene Dietrichs pant suit to Chloe Sevignys leather Perfecto; from Liz Taylors leopard print swimsuit to Jimi Hendrixs military jacket; and from Marvin Gayes vinyl raincoat to Frank Sinatras fedora, this book tracks the making of fashion legend through the icons that inspired it; the individuals who dared to invent new perspectives in fashion that continue to be reinterpreted on runways and in the street.

An ambitious publication in scope and specification, the book presents the total design output of one of the worlds most talented and sought-after graphic designers. Presented loosely chronologically and with candid commentary throughout, this large-scale publication reveals a fascinating journey from Bantjes' early work as a typesetter to her adoption of digital technologies that push conventional print production to the limit.

This innovative book is the first to provide a fun, interactive way to learn about architecture. Filled with an array of beautiful and elegant drawings, it poses all manner of architectural challenges for the user: from designing your own skyscraper, to drawing an island house or creating a Constructivist monument, plus many others more. Aimed at anyone who loves drawing buildings, it encourages the users to imagine their own creative solutions by sketching, drawing and painting in the pages of the book. In so doing, they will learn about a whole range of significant architectural issues, such as the importance of site and materials, how to furnish a space, how to read plans, how to create sustainable cities and so on. The book also includes numerous examples of works and ideas by major architects to draw inspiration from and will appeal to everyone from children to students to architects.

In the first fully illustrated work of his illustrious career, David Thomson re-examines a series of moments which readers will experience in beautifully reproduced imagery from seventy-two carefully selected films across a hundred-year time span. Hailed by John Banville as the greatest living writer on the movies, David Thomson takes readers on an unprecedented visual journey. His moments range from a set of Eadward Muybridges pioneering photographs to sequences in films from the classic Citizen Kane, Sunset Boulevard and The Red Shoes to the unexpected The Piano Teacher, Burn After Reading immersing the reader via a groundbreaking marriage of imagery and the authors accompanying narrative. David Thomsons evocative, unflinching prose and profound understanding of what makes film and art form identify him as one of the great film writers of our time, making it likely that Moments that Made the Movies will be widely viewed as an important classic on the subject of international cinema.

Although the public perception of graffiti has changed radically over the last fifty years, few would have predicted that it would become the subject of this major new textbook. Christoph Ganter covers the history of informal mark-making in the public realm, from the first unauthorized characters inscribed on the ancient walls of Egypt and Pompeii to nineteenth-century Vienna, where Joseph Kyselak established himself as the father of graffiti; from New York's Taki 183, the first modern graffiti writer, to more recent developments brought about by the Hip Hop revolution. The effects of the 1980s films Beat Street, Wild Style, and StyleWars are examined, as is the influence graffiti experts on today's subculture through books, magazines, and the Internet. The practical elements of graffiti are considered in later chapters, which combine tips on handling a spray can, creating a unique tag, and getting work up safely and legally with step-by-step diagrams that show how to achieve effects such as bubblestyle, blockbusters, oneliners, and wildstyle. A teacher's manual features sample plans for a single lesson as well as guidance on structuring a longer course.

Death has never looked so beautiful. The fully articulated skeleton of a female saint, dressed in an intricate costume of silk brocade and gold lace, withered fingers glittering with colorful rubies, emeralds, and pearls — this is only one of the specially photographed relics featured in Heavenly Bodies. In 1578 news came of the discovery in Rome of a labyrinth of underground tombs, which were thought to hold the remains of thousands of early Christian martyrs. Skeletons of these supposed saints were subsequently sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation. The skeletons, known as the catacomb saints, were carefully reassembled, richly dressed in fantastic costumes, wigs, crowns, jewels, and armor, and posed in elaborate displays inside churches and shrines as reminders to the faithful of the heavenly treasures that awaited them after death. Paul Koudounaris gained unprecedented access to religious institutions to reveal these fascinating historical artifacts. Hidden for over a century as Western attitudes toward both the worship of holy relics and death itself changed, some of these ornamented skeletons appear in publication here for the first time.

Published in conjunction with a major exhibition organized by The Museum of Modern Art, New York, in collaboration with the Menil Collection, Houston, and the Art Institute of Chicago, Magritte: The Mystery of the Ordinary, 1926-1938 focuses on the breakthrough surrealist years of Rene Magritte, creator of some of the 20th century's most extraordinary images. Bringing together nearly 80 paintings, periodicals and early commercial work, it offers fresh insight into Magrittes identity as a revolutionary painter and surrealist artist. Beginning in 1926, when Magritte first aimed to create paintings that would, in his words, challenge the real world, and concluding in 1938 a historically and biographically significant moment just before the outbreak of World War II the publication traces central strategies and themes from this seminal period, particularly those of displacement, transformation, metamorphosis, the misnaming of objects, and the representation of visions seen in half-waking states. The publication also presents new conservation research on Magrittes materials and techniques, and an illustrated chronology outlining significant moments in the artists life during this significant period, including travel, connections with other surrealist artists and writers, contributions to journals, and important exhibitions and reviews.

Among the author's early projects in England that revealed his rigorous and elemental approach to design included a shop for Issey Miyake on Londons Sloane Street in 1983, and a house for the fashion photographer Nick Knight. He designed the award-winning «River and Rowing Museum» in Henley-on-Thames using green oak cladding, concrete and glass.

Just as Picassos Guernica or Géricaults Raft of the Medusa survive as powerful cultural documents of their time, there will be works from our own era that will endure for generations to come. But which ones? Which contemporary artworks best capture the zeitgeist of the late 20th and early 21st centuries? This bold and engaging book, written by one of the freshest and most exciting new voices in cultural criticism, predicts which artists and artworks from the past two decades will come to define our age through their power to question, provoke and inspire. This is essential and enjoyable reading for all those working with and studying contemporary culture, as well as for the general art-lover keen to find a clear path through the maze of global contemporary art.

In this superbly illustrated volume, Danièle Cohn, who has worked alongside Anselm Kiefer for many years, explains the central role the artists studios play in his artistic process. She reveals how Kiefers ateliers their layout and organization, and their location are intrinsic to his work as a painter and sculptor. The reader is taken on an exploration of Kiefers ateliers around the world, from the attic of a former school and a disused brickyard in Germany, via ateliers in the rural south of France and the urban setting of the Marais in Paris, to his current studio in Croissy-Beaubourg on the outskirts of the capital. Throughout, we discover how Anselm Kiefers work spaces have influenced his art.

The encounter between art and fashion has been a rapidly growing phenomenon over the last decade, with major international artists working with top fashion houses to produce contemporary masterpieces that challenge the traditional boundary between these two dynamic cultures. In Art/Fashion in the 21st Century, five chapters feature concise essays with profiles of the key designers, break-out stories about the most avant- garde projects and interviews with the leading lights of the art-fashion crossover phenomenon. Nearly 250 illustrations showcase collaborative art/fashion work from Acne Studios, Balenciaga, Chanel, Hussein Chayalan, Tracey Emin, Jean Paul Gaultier, Zaha Hadid, Hermès, Marc Jacobs, Calvin Klein, Jeff Koons, Stella McCartney, Issey Miyake, Takashi Murakami, Prada, Richard Prince, Anselm Reyle, Cindy Sherman, Juergen Teller, Viktor & Rolf, and many more. This is essential and inspiring reading for all those interested in the very cutting edge of both art and fashion and those who are already there.

Eyemazing is a breathtaking overview of the most collectible and daringly original contemporary art photography. Masterfully curated from over 10 years of content in the eponymous and innovative photography magazine, this book pushes boundaries and defies conventions. Divided in two flowing streams of imagery Dreams and Memories of a Past Life and Our Body, Our Cage. Our Body, Our Home, and with text contributions by Karl E. Johnson, Steven Brown and John Wood outstanding images from the worlds groundbreaking image makers in art photography are brought together in this collectible volume, which will be coveted by all photographers, photography collectors, curators and gallerists.