Thames&Hudson

»Auto Focus» features the work of 75 contemporary photographers from around the world for whom self-portraiture is a central part of their work. Issues of identity national, sexual, racial, personal or artistic are key to all the images featured in this book. In an extended introduction, historical examples are used to enrich the understanding of how self-portraiture was first used in photography and to illustrate how the contemporary self-portrait derived and developed from those origins. The book, organized around five themes dominant in contemporary self-portraiture, provides a clear guide for readers through a significant and dynamic genre.

A mini edition of the bible of contemporary illustration, this is a comprehensive survey of exciting work from across the globe that will appeal to experts and newcomers alike. Each artists work is accompanied by a selfportrait and a short, illuminating profile exploring their inspirations and their approach both to illustration and to their career. Angus Hyland is a graduate of the Royal College of Art and a partner at Pentagram Design London. In 2001 Hyland was the co-curator, with Roanne Bell, of Picture This a British Council exhibition featuring the work of London illustrators.

This beautifully illustrated book examines the fascinating symbolism behind the motifs and patterns of embroidered textiles, from Ghanaian patchwork banners to Egyptian headshawls. Complete with a glossary, dictionary of stitches, further reading and information on where to access public collections as well as how to collect textiles of ones own, this is an unrivalled guide for anyone interested in textiles, costume or craft.

The Caravaggesque Painters. A Catalogue of the Artists and Works.

When French Elle ran an article on How to Become Hip in 15 Steps, there was no question about Step 1: have your photograph taken by Face Hunter. Face Hunter is the pseudonym of 32-year-old Swiss-born Yvan Rodic, who began his career with the advertising agencies Saatchi & Saatchi and Leo Burnett before founding one of the most innovative fashion blogs on the internet, which bills itself as eye candy for the style-hungry. Until recently, fashion trends were created by designers, celebrity models and fashion editors from the top down; now they trickle up from the street to the runway, sometimes bypassing the fashion industry entirely. Face Hunter is at the forefront of this fashion revolution as he travels the globe, snapping the most stylish looks in the street and discovering beguiling individualists in some 30 countries. These unexpected new icons of style are gathered together in over 300 photographs, accompanied by Face Hunter's sharp observations from the new frontline of fashion: the street corner.

Stickers are an essential part of the street art movement. Inexpensive and easy to produce, they act as a kind ofinformal business card for some graffiti writers, and a quick and effective promotional tool for many artists and illustrators. As more and more stickers are placed around major cities in the world, interest in the subject keeps growing. This all new follow on from the original Stickerbomb book is filled with a brand-new collection of 280specially-commissioned stickers by artists, illustrators, and graffiti writers from around the world, many of whom have not been featured in a publication before. It will appeal to a young market of designers, street artists, and illustrators, plus street art fans and anyone who collects stickers.

Tin-glazed earthenware has been made in Europe since the 15th century. In Britain, floor tiles and drug pots were made in Aldgate, London in the 16th century by immigrant potters from the Low Countries. In the early 17th century, factories making dishes and other wares were set up in London close to the River Thames. Their products were initially much influenced by Chinese porcelain as well as by Italian maiolica. Manufacture spread from London to centres such as Bristol, Liverpool and Dublin. Known as 'gally ware' in the 17th century, this type of pottery has come to be known as 'delftware' from the Dutch town of Delft which was renowned for its manufacture. Although impervious to liquids, delftware is quite fragile as it is fired at a relatively low temperature. However, it was made for many domestic uses: for eating and drinking, for pharmaceutical and hygienic purposes, and not infrequently for display. It was usually decorated by hand with painted inscriptions, coats-of-arms or splendid scenes — mainly biblical, allegorical or pastoral — or else in imitation Chinese style. Delftware production continued in centres all over the British Isles, including Ireland, until the early 19th century, although from the middle of the 18th century it was being displaced by both porcelain and durable cream-coloured earthenware, after almost 300 years of continuous production. The British Museum collection of delftware, which was established in the later part of the 19th century, is one of the finest in the world. It is especially notable for the number of pieces bearing dates and for those which document historical personages and events. This beautifully illustrated book will feature more than 140 items from this extensive collection and include pieces which have never before been fully described or published in colour.

n this remarkable book, artist Andy Goldsworthy offers a compelling look at the essence of wood as he has come to know it through his sculpture. Expanding upon the themes and preoccupations explored in his previous books, Goldsworthy evokes ideas of growth, perpetual change and transformation through works made of leaves, branches, ice, snow, boulders and sand. Much of his art is ephemeral: what has been drawn from nature will eventually merge with it again. The artist's photographs, superbly reproduced here, capture the moment at which each work came alive for him through a particular quality of light, a precise stage in melting, or the blowing of the wind.

Vincent van Gogh (1853–1890) is one of the greatest figures in Western art. Revered for his bold, expressionist paintings, he is also admired as a prodigious and eloquent letter writer. His correspondence displays a remarkable literary gift and an ability to communicate his ideas and feelings about nature, art, and life in direct, emotive language. Illustrated with works of art and letters that demonstrate Van Gogh’s abiding preoccupations--the role of color in painting, the cycles of nature, and friendship, for example--this fascinating book explores the correspondence as a self-portrait of the artist and the man. The letter-sketches that Van Gogh used to describe completed works or those in progress are reproduced here alongside the finished paintings or drawings, providing a unique insight into his artistic development. Drawing on new and extensive research, leading authorities on Van Gogh reveal how the letters enhance and shape our view of this modern master.

University buildings pose an interesting challenge for contemporary architecture. The seven liberal arts have long ago been joined by countless other faculties and departments. This branching out of knowledge requires a specialization of its structures which play a role in the transmission of learning and the creation of new knowledge. In addition, subjects of interconnectivity and sustainability on campuses step into focus together with the multimedia requirements imposed by modern universities. For both teaching and research it is essential to enable the preservation and access to the constantly growing knowledge of mankind. This volume presents about 70 recents projects from around the world by means of texts, photos and drawings

This book gives graphic designers the confidence to do everything necessary to ensure trouble-free, high-qualityprintingto calibrate images; adjust trapping levels; and mix colors that wont print as something that is a complete surprise. It explains scanning and resolution, and discusses good and bad image formats, describing techniques to make images look good in print. There is advice on how to get accurate quotes from a printer, a checklist to use when sending a job to print, and a glossary of print production terms.

Architectural Drawing focuses on the exciting possibilities for representing the built environment using allthe techniquesboth traditional and digitalthat are now available. Packed with practical information thebook illustrates all the key types and media of drawingfrom sketches to working detailsand includes some of the best examples by practicing architects. This book will be an indispensable practical resource in architectural schools.

This pioneering art series combines stunning high-quality color reproductions with expert commentary on the most popular artists of all time at an extremely accessible price. Giotto, Raphael, Leonardo da Vinci, Michelangelo, Botticelli, and Vermeer are names well known to any student of art history, museum-goer, or culturally engaged individual. Rizzoli is pleased to launch its Classics of Art series with monographs on these six world-renowned painters, whose signature styles and sheer genius continue to inspire both scholars and lay people to this day. Each book in this series features a literary introduction and thoroughly researched essay followed by a section devoted to a detailed description of a selection of the artist's masterpieces. An extensive chronology of the artist's life and important historical events of his era as well as a compilation of remarks by famous historians, modern and old, add cultural perspective and insight into each painter's stylistic development. A visual chart with captions as to the whereabouts of each painting and a concise bibliography with suggested further reading provide invaluable research tools. With authoritative text by leading art historians from around the globe, these lavishly illustrated editions provide fresh insights into the art and lives of the most brilliant artists in the history of painting. No matter what your knowledge of art history, this series will compel you to explore a world of art beyond the canvas.

A wide-ranging and detailed survey dedicated to the protagonists of the contemporary art scene in Eastern Europe. As the title suggests, history, memory and identity are the principle «open questions» for many countries in Eastern Europe that have over the past twenty years seen their course in history change radically in the wake of the fall of the Berlin wall on November 9th, 1989. The catalogue includes twenty-nine artists from eighteen countries, including the Russian Federation, Lithuania, Estonia, Poland, the Czech Republic, Slovakia, Romania, Serbia and Croatia, many of which are presented here for the first time in a survey comprising more than 150 photographs, films and video-installations. History Memory Identity marks a continuation of Asian Dub Photography (Skira, 2009) dedicated to Far Eastern art.

Featuring more than 100 of the most significant and influential buildings of the twentieth century, this book includes both classic works by such seminal architects as Le Corbusier, Frank Lloyd Wright, Mies van der Rohe and Alvar Aalto, as well as those by more recent masters, such as Norman Foster, Frank Gehry and Rem Koolhaas. For each of the buildings included there are numerous, accurate scale plans showing each floor, together with elevations, sections and site plans where appropriate. All of these have been specially commissioned for the book and are based on the most up-to-date information and sources. There is also a concise text explaining the significant architectural features of the building and the influences it shows or generated, together with full-colour images. Cross-references to other buildings in the book highlight the various connections between these key structures. This second edition features 8 new buildings, and 16 additional pages. It also has some additions to the information and images on many of the buildings from the first edition. It has a new introduction and a new jacket.

1000 New Designs 2 and Where to Find Them is a comprehensive roundup of the best in contemporary design, from around the world. It features a huge range of striking new products, chapters include: Tables and chairs; Sofas and beds; Storage; Kitchens and bathrooms; Tableware; Textiles; Lighting; Electronics and more. Works by the leading international designers, such as Konstantin Grcic, Tokujin Yoshioka, Ron Arad, Patricia Urquiola and Pearson Lloyd, are featured, along with commentaries giving an insight into current developments in design and in-depth studies on selected products.

The book presents outstanding hand drawings of German architects from various areas of architecture and design. The focus of the presentation is on the individual manuscripts of the architects and designers.

400 years after the death of Caravaggio, some of the worlds most illustrious art historians comment on an extraordinary collection of 25 of his works. How is it possible that an artist who lived over four centuries ago is still seen today as an icon of modernity? The answer must be sought in his works; this is where we will grasp Caravaggios aesthetic pursuit. His is a simple, non ideal, art. He observed without prejudice, hewing close to the truth of things. In short, his was a revolutionary art, one which continues to fascinate laypeople and experts alike to this day. The curators of the exhibition, which will take place in Rome in the spring of 2010, asked some of the world's preeminent Caravaggio scholars to share their feeling and insights about their favorite works by the artist. The result is an original catalogue of great rigour yet expressed in deeply human and richly subjective tones.

A critical survey of contemporary museums, as well as a reference in the field of architecture. The book analyzes the design and production of museum complexes all over the world in the last decade, and gives a critical interpretation of one of the most challenging subjects in the recent architectural panorama. The author organizes 89 designed and mostly built museums through a series of critical categories each introduced by a short introduction: Essential, Monolith, Archeology, Insert, Overlapping, Theatre, Context. The work of the most important contemporary masters such as Alvaro Siza, Zaha Hadid, Tadao Ando, Massimiliano Fuksas, Renzo Piano, Steven Holl, Jean Nouvel, Frank Gehry, Daniel Libeskind crosses the most recent research and experiences in the world of museum's. The works of emerging architects such as Tezuka Architects, Mansilla & Tunon, Asymptote, Diller + Scofidio, Delugan Meissle, UN studio, Michael Maltzan, and many others shows clearly how museum design became a fundamental field of research on the changing nature of the public spaces as well as on the relevant relationship between landscape and architecture.

Museums are some of the great architectural hallmarks of any place. Since the discovery of the Bilbao Effect, triggered at the end of the last century by the Frank O. Gehry's building, new museums have been emerging all over the world. The volume presents the most varied forms of exhibition buildings of the last decade and reveals their varied spatial and architectural concepts: from the white cube idea that exists chiefly to display the exhibit itself, to a flamboyant freestanding structure, which enriches the image of the city and involves the works in its dynamic spatial configuration. A broad diversity of museums is considered: museums of businesses and institutes, of technology and toys, of literature and architecture.

In this book, students will learn various methods of designing fashion, how to create and use inspirations, how fabric and colour strengthen a designers viewpoint, how to create dynamic fabric stories that form well-merchandized groups, and how to refine their own vision as a fashion designer. By mastering key principles, students will develop and refine their creativity and increase their understanding of what makes a successful design. In these pages, assignments challenge the reader to go from conceptual understanding of these principles to their practical application. Interviews with fashion industry leaders give the reader inside information on what makes a successful fashion designer today. The final chapter provides full preparation for the professional world, including putting together a portfolio, writing a CV and interview technique.

»Jewelry from Nature» explores 200 years of fine jewelry made from natural materials, worn by style icons including the Duchess of Windsor, Coco Chanel and Diana Vreeland. Among the jewelers included are Cartier (whose Art Deco pieces in coral are icons of their era), Van Cleef & Arpels, Boivin, Faberge, Verdura (whose seashell brooches from the 1940s are collectors items), Schlumberger, Hermes, Lalique, Seaman Schepps and Tiffany. The book also features a host of important contemporary designers, notably Patricia von Musulin, Ted Muehling and Liv Blavarp. This timely and unique study of a key theme in jewelry design will appeal to makers, dealers, curators, collectors and historians.

A unique glimpse inside a world of luxury, tradition, and splendor. Many historic homes in Paris serve as residences to foreign ambassadors; these historical sites are closed to the general public. From a seventeenth-century hotel particulier, to a Belle Epoque palace, to a distinctively contemporary setting, each residence rivals the next in its beauty, art collection, and period furniture set against a backdrop of accomplished refinement. Alain Stella invites us over the threshold inside the most prestigious chancelleries and ambassador residences in Paris — from China and Peru to Egypt and Poland. Tapestries inspired by Goya's drawings grace the lavish salons at the Spanish residence. Jean Prouve and Charlotte Perriand created a minimalist interior at the Japanese residence that evokes the refined style of a traditional Japanese home. The palace of Eugene de Beauharnais — home to the German ambassadors since 1818 — retains its elaborate Empire style, intact since the time of Josephine. Superb photographs, specially commissioned for this book over the course of a year, divulge the secrets of these previously unpublished artistic and architectural treasures.

Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form.