Ernest Hemingway

High in the pine forests of the Spanish Sierra, a guerrilla band prepares to blow up a vital bridge. Robert Jordan, a young American volunteer, has been sent to handle the dynamiting. There, in the mountains, he finds the dangers and the intense comradeship of war. And there he discovers Maria, a young woman who has escaped from Franco's rebels.

In «Death in the Afternoon», Hemingway shares the sights, the sounds, the excitement, and above all, the knowledge which fuelled his passion for Spain and the bullfight. This remarkable book contains some of his finest writing, inspired by the intense life, as well as the inevitable death, of those hot, violent afternoons.

Written when Hemingway was at the height of his creative powers, the stories in Winner Take Nothing glow with the mark of his unique talent. Hunters, wives, old men of wisdom, waiters, fighters, women loved, women lost: they are all here, living on the raw edge, making love, facing the inevitable reality of death. The characters, the dialogue, the settings, the remarkable insight could have come only from Hemingway's imagination. As an introduction to his work, or as an overview of the themes he developed at greater length in his novels, it is a stunningly successful collection.

In 1918 Ernset Hemingway went to the war to end all wars, in the ambulance service in Italy. He was wounded and twice decorated. Here he recreates the fear, comradeship, and the courage of his young American volunteer and the men an women he meets in Italy.

Paris in the twenties: Pernod, parties and expatriate Americans, loose-living on money from home. Paris in the twenties: Pernod, parties and expatriate Americans, loose-living on money from home. Jake is wildly in love with Brett Ashley, aristocratic and irresistibly beautiful, with an abandoned, sensuous nature that she cannot change. When the couple drift to Spain to the dazzle of the fiesta and the heady atmosphere of the Bullfight, their affair is strained by new passions, new jealousies, and Jake must finally learn that he will never possess the woman that he loves.

The book opens on the day Hemingway's close friend Pop, a legendary hunter, leaves him in charge of the camp. Tensions have heightened among the various tribes and news arrives of a potential attack on the hunters, forcing Hemingway not only to take on his new role of leader but, equally important, to assist his wife Mary in pursuing the great lion she is determined to kill before Christmas. Passionately detailing the African landscape, the excitement of the chase, and the heartfelt relationships with his African neighbours, Hemingway, a master of dramatic fiction, weaves a tale that is rich in laughter, beauty and insight.

Subtitled ‘A Romantic Novel in Honour of the Passing of a Great Race’, «The Torrents of Spring» – Hemingway’s second published work – wonderfully parodies the themes and styles of the ‘great race’ of writers of his generation. Spring is coming to the small towns of Michigan, but the snow still covers the land when Scripps O’Neil sets of for Chicago, decides to stop a while in Petoskey, and meets up with Yogi Johnson. Their bizarre stories are a brilliant satire on conventional fiction. The characters they meet are absurd and yet strangely familiar. Short, fast-paced, funny, «The Torrents of Spring» throws light on Hemingway’s later work – and is a delight to read.

The Essential Hemingway is the perfect introduction to the astonishing, wide-ranging body of work by the Nobel Prize-winning author. This impressive collection includes: the full text of Fiesta, Hemingway's first major novel; long extracts from three of his greatest works of fiction, A Farewell to Arms, To Have and Have Not and For Whom the Bell Tolls; twenty-five complete short stories; and the breathtaking Epilogue to Death in the Afternoon.

From Ernest Hemingway's Preface: 'There are many kinds of stories in this book. I hope you will find some that you like — In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining, and nothing to say, or smooth and well-oiled in the closet, but unused'. This is a collection of Hemingway's first forty-nine short stories, featuring a brief introduction by the author and lesser known as well as familiar tales, including «Up in Michigan», «Fifty Grand», and «The Light of the World», and the «Snows of Kilimanjaro», «Winner Take Nothing» and «Men Without Women» collections.

In 1918 Ernest Hemingway went to war, to the 'war to end all wars'. He volunteered for ambulance service in Italy, was wounded and twice decorated. Out of his experiences came A Farewell to Arms. Hemingway's description of war is unforgettable. He recreates the fear, the comradeship, the courage of his young American volunteer and the men and women he meets in Italy with total conviction. But A Farewell to Arms is not only a novel of war. In it Hemingway has also created a love story of immense drama and uncompromising passion.

Paris in the twenties: Pernod, parties and expatriate Americans, loose-living on money from home. Jake is wildly in love with Brett Ashley, aristocratic and irresistibly beautiful, but with an abandoned, sensuous nature that she cannot change. When the couple drifts to Spain to the dazzle of the fiesta and the heady atmosphere of the bullfight, their affair is strained by new passions, new jealousies, and Jake must finally learn that he will never possess the woman he loves.

»Men Without Women» was a milestone in Hemingway's career. «Fiesta» had already established him as a novelist of exceptional power, but with these short stories, his second collection, he showed that it is possible, within the space of a few pages, to recreate a scene with absolute truth, bringing to life details observed only by the eye of a uniquely gifted artist. Hemingway's men are bullfighters and boxers, hired hands and hard drinkers, gangsters and gunmen. Each of their stories deals with masculine toughness unsoftened by woman's hand. Incisive, hard-edged, pared down to the bare minimum, they are classic Hemingway territory.

'If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast'. Hemingway's memories of his life as an unknown writer living in Paris in the 1920s are deeply personal, warmly affectionate and full of wit. Looking back not only at his own much younger self, but also at the other writers who shared Paris with him — literary 'stars' like James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald, Ezra Pound and Gertrude Stein — he recalls the time when, poor, happy and writing in cafes, he discovered his vocation.

Set in the Gulf Stream off the coast of Havana, Hemingway's magnificent fable is the story of an old man, a young boy and a giant fish. It was The Old Man and the Sea that won for Hemingway the Nobel Prize for Literature. Here, in a perfectly crafted story, is unique and timeless vision of the beauty and grief of man's challenge to the elements in which he lives.

In these Hemingway stories, which are partly autobiographical, men and women of passion live, fight, love and die in scenes of dramatic intensity. They range from hauntingly tragedy on the snow-capped peak of Kilimanjaro, to brutal America with its deceptive calm, and war-ravaged Europe.

Harry Morgan was hard, the classic Hemingway hero, rum-running, gun-running and man-running from Cuba to the Florida Keys in the depression. He ran risks, too, from stray coastguard bullets and sudden double-crosses. But it was the only way he could keep his boat, keep his independence, and keep his belly full.

The War is just over. In Venice, a city elaborately and affectionately described, Richard Cantrell, an American colonel, falls passionately in love with Renata, a young Italian countess who has 'a profile that could break your or anyone else's heart'. Cantrell is embittered, war-scarred old enough to be Renata's father but is overwhelmed by the selflessness and freshness of the love she is offering. But this is no fairy tale. The fighting may be ended, but the wounds of war have not yet healed. And for some, the longed-for peace has come too late.

This is Ernest Hemingway's lyrical journal of a month on safari in the great game country of East Africa, where he and his wife Pauline journeyed in December 1933. Hemingway's well-known interest in — and fascination with — big game hunting is magnificently captured in this evocative account of his trip. It is an examination of the lure of the hunt and an impassioned portrait of the glory of the African landscape and of the beauty of a wilderness that was, even then, being threatened by the incursions of man.