Royal Academy of Arts

This fascinating book charts the dazzling trajectory of Russian avant-garde architecture during the brief but intense period of design and construction that took place fromc. 1922 to 1935. Fired by the radical new language of Constructivist artists, such architects as Konstantin Melnikov, Moisei Ginsburg and the Vesnin brothers produced designs whose innovative style embodied the energy and optimismof the new Soviet Socialist state. The architectural photographer Richard Pare has spent the last fifteen years documenting the remains and ruins of these iconic structures.His spectacular large-scale photographs are juxtaposed with vintage photographs, contemporary periodicals and numerous drawings and paintings by such Constructivist artists asMalevich, Tatlin, Popova and Lissitsky, making this book essential reading for all who are interested in the history of twentieth-century architecture, Constructivist art and Soviet-era Russia.

This is the first publication to look exclusively at Henry Moore's work in plaster. Until recently the plasters have been regarded as preparatory stages in the process of making a sculpture rather than as works of art in their own right. In fact, their scarred surfaces, on which each incised line is visible, convey a sense of immediacy and a complexity of texture that is absent from the highly finished sculptures in bronze and marble, lending them a disturbing intensity. Acutely aware of the psychological and aesthetic changes that occurred in his sculptures once he cast them from plaster to bronze, Moore made a number in plaster only. Anita Feldman, a leading authority on Henry Moore, reappraises the significance and value of these beguiling creations, while the sculptor Malcolm Woodward recalls his time assisting Moore in their production. Illustrated with plasters of all sizes and from three decades, and including commentaries by the artists Anthony Caro and Phillip King, this important book uncovers a little-known aspect of Moore's incomparable oeuvre.