Sheckley Robert

Robert Sheckley was science fiction's in-house reply to the black humorists of the 1950s and 60s: Bruce Jay Friedman, Terry Southern, and the young Thomas Pynchon were his nonetoo-distant relatives; Mort Sahl's comedy, Charles Schultz's cartoons, and Tom Lehrer's songs all mined similar veins. Sheckley targeted the conformity and consumerism of our mid-century technotopia while it was still under construction. His new worlds, alternate universes, and future dystopias have only become more present with the passing years, even as his career, played out both in the pulp magazines and in front-line venues like «Playboy» and «Omni» is a glimpse of a time when «science fiction writer» could be a kind of hipster credential. Mordant, absurdist, and deadpan, the best of Sheckley's dissident farces represent science fiction's high-water mark as an allegorical clearinghouse for twenty-century angst.

This time the humans are taking the offensive! Stan Myakovsky is a once-famous scientist fallen on hard times. Now he dodges spaceship repo men and dreams of the marketability of his cybernetic ant. Then a woman named Julie Lish walks into his life. She is beautiful, mysterious, and totally amoral. She is also skilled in the arts of thievery and Oriental self-defense. What's more, she has a plan so outrageous there might be one chance in a million to pull it off. Together Stan and Julie become the most unlikely pair of pirates in the universe. With a hijacked spaceship and a crew of hardcase misfits, they're searching for the ultimate pot of gold at the end of a bloody intergalactic rainbow: royal jelly from an alien hive. The only problem is that the fortune lies on the universe's most godforsaken planet. And once they get their hands on it, the'll have to fight their way past the aliens to get off the planet alive.