Wordsworth

As these three specially commissioned stories amply demonstrate, Conrad is our greatest writer of the sea. His characters are tested by dramatic events 'that show in the light of day the inner worth of a man, the edge of his temper, and the fibre of his stuff; that reveal the quality of his resistance and the secret stuff of his pretences, not only to others but also to himself'. In «Typhoon», Conrad's funniest story, Captain MacWhirr blunders into a hurricane that reveals the sea's treachery, violence and terror. «Falk» is desperate to get married, but first he must tell of his terrible experiences as sole survivor of a stricken ship that once drifted into the ice-caps of Antarctica. «The Shadow-Line» is a poignant and beautiful story. Written during the First World War and based on Conrad's fond evocation of his own first command, it expresses his solidarity with all who were obliged to cross in early youth the shadow-line of their war-torn generation. It includes a glossary of nautical terms.

With an Introduction and Notes by Deborah Wynne, Chester College. Illustrated by Marcus Stone. «Our Mutual Friend», Dickens' last complete novel, gives one of his most comprehensive and penetrating accounts of Victorian society. Its vision of a culture stifled by materialistic values emerges not just through its central narratives, but through its apparently incidental characters and scenes. The chief of its several plots centres on John Harmon who returns to England as his father's heir. He is believed drowned under suspicious circumstances — a situation convenient to his wish for anonymity until he can evaluate Bella Wilfer whom he must marry to secure his inheritance. The story is filled with colourful characters and incidents — the faded aristocrats and parvenus gathered at the Veneering's dinner table, Betty Higden and her terror of the workhouse and the greedy plottings of Silas Wegg.

For 150 years, the tales of Hans Christian Andersen have been delighting both adults and children. This edition contains all of Andersen's 168 tales, and among the favourites are The Red Shoes, The Mermaid, The Emperor's New Clothes, and The Ugly Duckling.

With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. Guy de Maupassant was a master of the short story. This collection displays his lively diversity, with tales that vary in theme and tone, ranging from tragedy and satire to comedy and farce. In a lucidly direct style, he provides unflinching realism and sceptical irony. He depicts the deceptions, hypocrisies and vanities at different levels of society. Prostitution is frankly described, while the harshness of war is deftly exposed. His tales have been televised and have influenced films, operas and rock music. Unillusioned but humane, Maupassant remains our contemporary.

Transplanted to Europe from her native America, Isabel Archer has candour, beauty, intelligence, an independent spirit and a marked enthusiasm for life. An unexpected inheritance apparently gives her freedom, but despite all her natural advantages she makes one disastrous error of judgement and the result is genuinely tragic.

From its first publication in 1816 Rob Roy has been recognised as containing some of Scotts finest writing and most engaging, fully realised characters. The outlaw Rob Roy MacGregor was already a legendary, disputed figure by the time Scott wrote a heroic Scottish Robin Hood to some, an over-glamorised, unprincipled predator to others. Scott approaches Rob Roy indirectly, through the adventures of his fictional hero, Frank Osbaldistone, amid the political turmoil of England and Scotland in 1715. With characteristic care Scott reconstructs the period and settings so as to place Rob Roy and the Scotland he inhabits amid conflicting moral, economic and historical forces. This edition features, besides a new critical introduction and extensive explanatory notes, an essay outlining clearly the novels historical context and a glossary of Scottish words and phrases used by Scotts colourful, vernacular characters.

Rights of Man is a classic statement of the belief in humanity's potential to change the world for the better. Published as a reply to Burke's Reflections on the Revolution in France, it differs from that great work in every relevant respect. Where Burke uses the language of the governing classes, Paine writes with the vigour of a self-taught mast-maker and exciseman. With passionate and rapier wit, Paine challenges Burke's assertion that society cannot be judged by rational standards and found wanting. Rights of Man contains a fully-costed budget, advocating measures such as free education, old age pensions, welfare benefits and child allowance over 100 years before these things were introduced in Britain. It remains a compelling manifesto for social change.

Charles Darwin's travels around the world as an independent naturalist on HMS Beagle between 1831 and 1836 impressed upon him a sense of the natural world's beauty and sublimity which language could barely capture. Words, he said, were inadequate to convey to those who have not visited the inter-tropical regions, the sensation of delight which the mind experiences'. Yet in a travel journal which takes the reader from the coasts and interiors of South America to South Sea Islands, Darwin's descriptive powers are constantly challenged, but never once overcome. In addition, The Voyage of the Beagle displays Darwin's powerful, speculative mind at work, posing searching questions about the complex relation between the Earth's structure, animal forms, anthropology and the origins of life itself.

In Symposium, a group of Anthenian aristocrats attend a party held by Agathon to celebrate his victory in the drama festival of the Dionysia. They talk about love until the drunken Alcibiades bursts in, and decides to talk about Socrates instead. Symposium gives a picture of the sparkling society that was Athens at the height of her empire. The other three dialogues in this collection — Apology, Crito and Phaedo — are more sombre. The Athenians, catastrophically defeated in war, have lost their self-confidence and their ability to tolerate what they do not understand. Socrates is put on trial for impiety, found guilty and put to death. Apology is Socrates's speech in his own defence at his trial. Crito explains his refusal to escape when escape could be easily arranged. Phaedo gives an account of Socrates's last day. He and his friends discuss the nature and immortality of the soul until the sun sets and Socrates drinks the hemlock which has been prepared for him.

Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the eighteenth century, the book relates a story of seduction issuing in 'the inward suffering which is the worst form of Nemesis'. But it is also a rich and pioneering record — drawing on intimate knowledge and affectionate memory — of a rural world that we have lost. The movement of the narration between social realism and reflection on its own processes, the exploration of motives, and the constant authorial presence all bespeak an art that strives to connect the fictional with the actual.

While no collection of limericks can claim to be ‘complete', The Wordsworth Book of Limericks contains an astonishing collection of over 1,800 verses — all of them comical, and a great number so far from cleanliness as to verge on the obscene. This is not a book for the prurient, but it will give enormous pleasure to all who relish the unique art-form of the limerick. Whether this book is kept by the bed or by the loo, perhaps buyers should ask themselves the question that Mervyn Griffith-Jones QC put to the Lady Chatterly jury in 1960: 'Is this a book you would even wish your wife or your servants to read?'

The story of Edmund Dantes, self-styled Count of Monte Cristo, is told with consummate skill. The victim of a miscarriage of justice, Dantes is fired by a desire for retribution and empowered by a stroke of providence. In his campaign of vengeance, he becomes an anonymous agent of fate. The sensational narrative of intrigue, betrayal, escape, and triumphant revenge moves at a cracking pace. Dumas' novel presents a powerful conflict between good and evil embodied in an epic saga of rich diversity that is complicated by the hero's ultimate discomfort with the hubristic implication of his own actions.

»Felix Holt» is set, like «Middlemarch» in the Midlands at the time of the Great Reform Bill of 1832. This novel brings social and political history vividly to life with its magnificent rendering of provincial England in the ferment of electioneering. Against this background Eliot tells a love story and weaves a plot which has many elements of the sensation novel, such as illegitimacy, blackmail, and the discovery of an heiress, where suspense is maintained until the end.

Sigmund Freud's audacious masterpiece, The Interpretation of Dreams, has never ceased to stimulate controversy since its publication in 1900. Freud is acknowledged as the founder of psychoanalysis, the key to unlocking the human mind, a task which has become essential to man's survival in the twentieth century, as science and technology have rushed ahead of our ability to cope with their consequences. Freud saw that man is at war with himself and often unable to tolerate too much reality. He propounded the theory that dreams are the contraband representations of the beast within man, smuggled into awareness during sleep. In Freudian interpretation, the analysis of dreams is the key to unlocking the secrets of the unconscious mind.

Rene Descartes (1569-1650), the 'father' of modern philosophy, is without doubt one of the greatest thinkers in history: his genius lies at the core of our contemporary intellectual identity. Breaking with the conventions of his own time and suffering persecution by the Church as a consequence, Descartes in his writings — most of which are philosophical classics — attempted to answer the central questions surrounding the self, God, free-will and knowledge, using the science of thought as opposed to received wisdom based on the tenets of faith. This edition, the most comprehensive one-volume selection of Descartes' works available in English, includes his great essay, Discourse on Method.

The flaxen-haired beauty of the child-like Lady Audley would suggest that she has no secrets. But M.E. Braddon's classic novel of sensation uncovers the truth about its heroine in a plot involving bigamy, arson and murder. It challenges assumptions about the nature of femininity and investigates the narrow divide between sanity and insanity, using as its focus one of the most fascinating of all Victorian heroines. Combining elements of the detective novel, the psychological thriller and the romance of upper class life, Lady Audley's Secret was one of the most popular and successful novels of the nineteenth century.

The «Meditations» of Roman Emperor Marcus Aurelius are a readable exposition of the system of metaphysics known as stoicism. Stoics maintained that by putting aside great passions, unjust thoughts and indulgence, man could acquire virtue and live at one with nature.

The legend of King Arthur and his knights of the Round Table is one of the most enduring and influential stories in world literature. Its themes — love, war, religion, treachery and family loyalty — are timeless, as are the reputations of its major characters, Arthur, Merlin, Guenever and Launcelot. Malory's Le Morte Darthur is a story of noble knights, colourful tournaments and fateful love, set in a courtly society which is outwardly secure and successful, but in reality torn by dissent and, ultimately, treachery. Originally published in 1485, Malory's Le Morte Darthur is here presented in modern spelling and is accompanied by an Introduction and helpful Glossary

Written in 1513 for the Medici, following their return to power in Florence, The Prince is a handbook on ruling and the exercise of power. It remains as relevant today as it was in the sixteenth century. Widely quoted in the Press and in academic publications, The Prince has direct relevance to the issues of business and corporate governance confronting global corporations as they enter a new millennium. Much of what Machiavelli wrote has become the common currency of realpolitik, yet still his ideas retain the power to shock and annoy. In the words of Norman Stone, The Prince is 'a manual of man-management that would suit a great many parts of the modern world'.

In the early years of the 18th century, Scotland is torn by religious and political strife. Hogg's sinner, justified by his Calvinist conviction that his own salvation is pre-ordained, is suspected of involvement in a series of bizarre and hideous crimes. A century later his memoirs reveal the extraordinary, macabre truth. The tale is chilling for its astute psychological accuracy as it illustrates, with power and economy, the dire effect of self-righteous bigotry on a fanatical character.

The Prophet represents the acme of Kahlil Gibran's achievement. Writing in English, Gibran adopted the tone and cadence of King James I's Bible, fusing his personalised Christian philosophy with a spirit and oriental wisdom that derives from the richly mixed influences of his native Lebanon. His language has a breath-taking beauty. Before returning to his birthplace, Almustafa, the 'prophet', is asked for guidance by the people of Orphalese. His words, redolent with love and understanding, call for universal unity, and affirm Gibran's certainty of the correlated nature of all existence, and of reincarnation. 'The Prophet' has never lost its immediate appeal and has become a ubiquitous touchstone of spiritual literature.

This edition presents the classic free translation by Edward Fitzgerald of the great Persian poem by the 12th century astronomer and poet — Omar Khayyám. Fitzgerald's masterful translation was first published as an anonymous pamphlet in 1859. Its colourful, exotic and remote imagery greatly appealed to the Victorian age's fascination with the Orient, while its luxurious sensual warmth acted as a striking counterpoint to the growth of scientific determinism, industrialisation and the soulless Darwinian doctrine of the survival of the fittest. Greatly praised by Dante Gabriel Rossetti, Swinburne, Ruskin and William Morris, the romantic melancholy of the poem anticipates the poetry of Matthew Arnold and Thomas Hardy, while its epicurean motifs link it to the Aesthetic Movement

Dating from around 300BC, Tao Te Ching is the first great classic of the Chinese school of philosophy called Taoism. Within its pages is summed up a complete view of the cosmos and how human beings should respond to it. A profound mystical insight into the nature of things forms the basis for a humane morality and vision of political utopia. The ideas in this work constitute one of the main shaping forces behind Chinese spirituality, art and science, so much so that no understanding of Chinese civilisation is possible without a grasp of Taoism. This edition presents the authoritative translation by Arthur Waley, with a new Introduction reflecting recent developments in the interpretation of the work.

Marco Polo (1254-1329) has achieved an almost archetypal status as a traveller, and his Travels is one of the first great travel books of Western literature, outside the ancient world. The Travels recounts Polo's journey to the eastern court of Kublai Khan, the chieftain of the Mongol empire which covered the Asian continent, but which was almost unknown to Polo's contemporaries. Encompassing a twenty-four year period from 1721, Polo's account details his travels in the service of the empire, from Beijing to northern India and ends with the remarkable story of Polo's return voyage from the Chinese port of Amoy to the Persian Gulf. Alternately factual and fantastic, Polo's prose at once reveals the medieval imagination's limits, and captures the wonder of subsequent travel writers when faced with the unfamiliar, the exotic or the unknown.