Wordsworth

More's 'Utopia' is a complex, innovative and penetrating contribution to political thought, culminating in the famous 'description' of the Utopians, who live according to the principles of natural law, but are receptive to Christian teachings, who hold all possessions in common, and view gold as worthless.

Nostromo is the only man capable of the decisive action needed to save the silver of the San Tome mine and secure independence for Sulaco, Occidental province of the Latin American state of Costaguana. Is his integrity as unassailable as everyone believes, or will his ideals, like those which have inspired the struggling state itself, buckle under economic and political pressures? Nostromo is an extraordinary illustration of the impact of foreign commercial exploits on a young developing nation, and the problems of reconciling individual identity with a social role.

Virginia Woolf's singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence. Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide.

Little Dorrit is a classic tale of imprisonment, both literal and metaphorical, while Dickens' working title for the novel, Nobody's Fault, highlights its concern with personal responsibility in private and public life. Dickens' childhood experiences inform the vivid scenes in Marshalsea debtor's prison, while his adult perceptions of governmental failures shape his satirical picture of the Circumlocution Office. The novel's range of characters — the honest, the crooked, the selfish and the self-denying — offers a portrait of society about whose values Dickens had profound doubts.

The World Literature series reproduces the greatest books the world over with only the highest production standards. History, philosophy, psychology, political theory, fiction, and ancient texts are now accessible to everyone at an extremely affordable price.

The World Literature series reproduces the greatest books the world over with only the highest production standards. History, philosophy, psychology, political theory, fiction, and ancient texts are now accessible to everyone at an extremely affordable price.

An immediate best-seller on publication, Ben Hur remains a dazzling achievement by any standards. A thoroughly exhilarating tale of betrayal, revenge and salvation, it is the only novel that ranks with Uncle Tom's Cabin as a genuine American folk possession. Wallace writes with a freshness and immediacy that brings every action-packed scene to life and illuminates the geography, ethnology and customs of the ancient world.

Lewis Carroll (Charles Lutwidge Dodgson) is famed for his magical stories, Alice in Wonderland and Through the Looking-Glass, here illustrated throughout the inner pages by Sir John Tenniel's much loved drawings. However, inspired by the insatiable Victorian appetite for party games, tricks and conundrums, this eccentric and polymathical Englishman also wrote many other works of a humorous, witty, whimsical and nonsensical nature such as the mock-heroic nonsense verse The Hunting of the Snark, as well as dozens of other verses, stories, acrostics and puzzles, all of which are included in this volume. Oxford scholar, Church of England Deacon, University Lecturer in Mathematics and Logic, academic author of learned theses, gifted pioneer of portrait photography, colourful writer of imaginative genius and yet a shy and pedantic man, Lewis Carroll stands pre-eminent in the pantheon of inventive literary geniuses.

William Shakespeare (1564-1616) is acknowledged as the greatest dramatist of all time. He excels in plot, poetry and wit, and his talent encompasses the great tragedies of «Hamlet», «King Lear», «Othello» and «Macbeth» as well as the moving history plays and the comedies such as «A Midsummer Night's Dream», «The Taming of the Shrew» and «As You Like It» with their magical combination of humour, ribaldry and tenderness. This volume is a reprint of the Shakespeare Head Press edition, and it presents all the plays in chronological order in which they were written. It also includes Shakespeare's Sonnets, as well as his longer poems «Venus and Adonis» and «The Rape of Lucrece».

George Eliot's final novel, «Daniel Deronda» (1876), follows the intertwining lives of the beautiful but spoiled and selfish Gwendolene Harleth and the selfless yet alienated Daniel Deronda, as they search for personal and vocational fulfilment and sympathetic relationship. Set largely in the degenerate English aristocratic society of the 1860s, «Daniel Deronda» charts their search for meaningful lives against a background of imperialism, the oppression of women, and racial and religious prejudice. Gwendolen's attempts to escape a sadistic relationship and atone for past actions catalyse her friendship with Deronda, while his search for origins leads him, via Judaism, to a quest for moral growth. Eliot's radical dual narrative constantly challenges all solutions and ensures that the novel is as controversial now, as when it first appeared.

Fathers and Sons is one of the greatest nineteenth century Russian novels, and has long been acclaimed as Turgenev's finest work. It is a political novel set in a domestic context, with a universal theme, the generational divide between fathers and sons. Set in 1859 at the moment when the Russian autocratic state began to move hesitantly towards social and political reform, the novel explores the conflict between the liberal-minded fathers of Russian reformist sympathies and their free-thinking intellectual sons whose revolutionary ideology threatened the stability of the state. At its centre is Evgeny Bazorov, a strong-willed antagonist of all forms of social orthodoxy who proclaims himself a nihilist and believes in the need to overthrow all the institutions of the state. As the novel develops Bazarov's political ambitions become fatally meshed with emotional and private concerns, and his end is a tragic failure. The novel caused a bitter furore on its publication in 1862, and this, a year later, drove Turgenev from Russia.

Herodotus (c480-c425) is 'The Father of History' and his Histories are the first piece of Western historical writing. They are also the most entertaining. Why did Pheidippides run the 26 miles and 385 yards (or 42.195 kilometres) from Marathon to Athens? And what did he do when he got there? Was the Battle of Salamis fought between sausage-sellers? Which is the oldest language in the world? Why did Leonidas and his 300 Spartans spend the morning before the battle of Thermopylae combing their hair? Why did every Babylonian woman have to sit in the Temple of Aphrodite until a man threw a coin into her lap, and how long was she likely to sit there? And what is the best way to kill a crocodile? This wide-ranging history provides the answers to all these fascinating questions as well as providing many fascinating insights into the Ancient World.

Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

Jules Verne's third science fiction novel describes the discovery and exploration of a secret tunnel which leads through a volcano to the centre of the Earth. The leader of the expedition, together with his ward and joined by his nephew and an Icelandic guide commence the journey.

The proverbial phrase ‘life’s little ironies’ was coined by Hardy for his third volume of short stories. These tales and sketches possess all the power of his novels: the wealth of description, the realistic portrayal of the quaint lore of Wessex, the ‘Chaucerian’ humour and characterisation, the shrewd and critical psychology, the poignant estimate of human nature and the brooding sense of wonder at the essential mystery of life. The tales which make up Life's Little Ironies tenderly re-create a rapidly vanishing rural world and scrutinise the repressions of fin-de-siecle bourgeois life. They share the many concerns of Hardy's last great novels, such as the failure of modern marriage and the insidious effects of social ambition on the family and community life. Ranging widely in length and complexity, they are unified by Hardy's quintessential irony, which embraces both the farcical and the tragic aspects of human existence.

It is more than a century since the ascetic, gaunt and enigmatic detective, Sherlock Holmes, made his first appearance in A Study in Scarlet. From 1891, beginning with The Adventures of Sherlock Holmes, the now legendary and pioneering Strand Magazine began serialising Arthur Conan Doyle's matchless tales of detection, featuring the incomparable sleuth patiently assisted by his doggedly loyal and lovably pedantic friend and companion, Dr Watson. The stories are illustrated by the remarkable Sydney Paget from whom our images of Sherlock Holmes and his world derive and who first equipped Holmes with his famous deerstalker hat. The literary cult of Sherlock Holmes shows no sign of fading with time as each new generation comes to love and revere the penetrating mind and ruthless logic which were the undoing of so many Victorian master criminals.

Anton Chekhov is widely regarded as one of the greatest writers of short stories. He constructs stories where action and drama are implied rather than described openly, and which leave much to the reader's imagination. This collection contains some of the most important of his earliest and shortest comic sketches, as well as examples of his great, mature works. Throughout, the doctor-turned-writer displays compassion for human suffering and misfortune, but is always able to see the comical, even farcical aspects of the human condition.

The Tenant of Wildfell Hall is a powerful and sometimes violent novel of expectation, love, oppression, sin, religion and betrayal. It portrays the disintegration of the marriage of Helen Huntingdon, the mysterious ‘tenant’ of the title, and her dissolute, alcoholic husband. Defying convention, Helen leaves her husband to protect their young son from his father's influence, and earns her own living as an artist. Whilst in hiding at Wildfell Hall, she encounters Gilbert Markham, who falls in love with her. On its first publication in 1848, Anne Brontë's second novel was criticised for being 'coarse' and 'brutal'. The Tenant of Wildfell Hall challenges the social conventions of the early nineteenth century in a strong defence of women's rights in the face of psychological abuse from their husbands. Anne Brontë's style is bold, naturalistic and passionate, and this novel, which her sister Charlotte considered 'an entire mistake', has earned her a position in English Literature in her own right.

Laurence Sterne's «The Life and Opinions of Tristram Shandy, Gentleman» is a huge literary paradox, for it is both a novel and an anti-novel. As a comic novel replete with bawdy humour and generous sentiments, it introduces us to a vivid group of memorable characters, variously eccentric, farcical and endearing. As an anti-novel, it is a deliberately tantalising and exuberantly egoistic work, ostentatiously digressive, involving the reader in the labyrinthine creation of a purported autobiography. This mercurial eighteenth-century text thus anticipates modernism and postmodernism. Vibrant and bizarre, «Tristram Shandy» provides an unforgettable experience. We may see why Nietzsche termed Sterne 'the most liberated spirit of all time'.

Educated beyond her station, Grace Melbury returns to the woodland village of little Hintock and cannot marry her intended, Giles Winterborne. Her alternative choice proves disastrous, and in a moving tale that has vibrant characters, many humorous moments and genuine pathos coupled with tragic irony, Hardy eschews a happy ending. With characteristic derision, he exposes the cruel indifference of the archaic legal system off his day, and shows the tragic consequences of untimely adherence to futile social and religious proprieties.

Anna Karenina is one of the most loved and memorable heroines of literature. Her overwhelming charm dominates a novel of unparalleled richness and density. Tolstoy considered this book to be his first real attempt at a novel form, and it addresses the very nature of society at all levels, — of destiny, death, human relationships and the irreconcilable contradictions of existence. It ends tragically, and there is much that evokes despair, yet set beside this is an abounding joy in life's many ephemeral pleasures, and a profusion of comic relief.

Carved by Old Gepetto, Pinocchio has an enormous nose which grows even longer whenever he tells a lie. And Pinocchio is such a scamp that he gets into all sorts of mischief. He runs away and joins a circus but eventually the conscience of a talking cricket and Pinocchio's guardian fairy restore him to good behaviour, obedience and care for others.

It is 1757. Across north-eastern America the armies of Britain and France struggle for ascendancy. Their conflict, however, overlays older struggles between nations of native Americans for possession of the same lands and between the native peoples and white colonisers. Through these layers of conflict Cooper threads a thrilling narrative, in which Cora and Alice Munro, daughters of a British commander on the front line of the colonial war, attempt to join their father. Thwarted by Magua, the sinister 'Indian runner', they find help in the person of Hawkeye, the white woodsman, and his companions, the Mohican Chingachgook and Uncas, his son, the last of his tribe. Cooper's novel is full of vivid incident pursuits through wild terrain, skirmishes, treachery and brutality but reflects also on the interaction between the colonists and the native peoples. Through the character of Hawkeye, Cooper raises lasting questions about the practises of the American frontier and the eclipse of the indigenous cultures.

Set in the reign of Richard I, Coeur de Lion, Ivanhoe is packed with memorable incidents — sieges, ambushes and combats — and equally memorable characters: Cedric of Rotherwood, the die-hard Saxon; his ward Rowena; the fierce Templar knight, Sir Brian de Bois-Gilbert; the Jew, Isaac of York, and his beautiful, spirited daughter Rebecca; Wamba and Gurth, jester and swineherd respectively. Scott explores the conflicts between the Crown and the powerful Barons, between the Norman overlords and the conquered Saxons, and between Richard and his scheming brother, Prince John. At the same time he brings into the novel the legendary Robin Hood and his band, and creates a brilliant, colourful account of the age of chivalry with all its elaborate rituals and costumes and its values of honour and personal glory.