Wordsworth

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Robin Hood is the best-loved outlaw of all time. In this beautifully illustrated edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest — Robin himself, Little John, Friar Tuck, Will Scarlet and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin's deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.

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The highest standards in editing and production have been applied to the Wordsworth Children's Classics, while the low price makes them affordable for everyone. Wordsworth's list covers a range of the best-loved stories for children, from nursery tales, classic fables, and fairy tales to stories that will appeal to older children and adults alike. Many of these volumes have contemporary illustrations, and while they are ideal for shared family reading, their attractive format will also encourage children to read for themselves. Like all Wordsworth Editions, these children's books represent unbeatable value.

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When the Cuthberts send to an orphanage for a boy to help them at Green Gables, their farm in Canada, they are astonished when a talkative little girl steps off the train. Anne, red-headed, pugnacious and incurably romantic, causes chaos at Green Gables and in the village, but her wit and good nature delight the fictional community of Prince Edward Island, Canada, and ensure that Anne of Green Gables continues to be a firm favourite with readers worldwide. Anne of Avonlea continues Anne’s story. Now half-past sixteen but as strong-headed and romantic as ever, Anne becomes a teacher at her old school and dreams of its improvement. But her responsible position and mature ambitions do not prevent her entanglement in the scrapes that still seem to beset her in spite of her best intentions. Thoroughly charming and amusing, with a supporting cast of colourful and endearing characters, both books will enchant and entertain readers, guaranteeing that Anne’s adventures capture their affections as well as their imaginations.

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The 64 poems in “A Child's Garden of Verses” are a masterly evocation of childhood from the author of “Treasure Island” and “Kidnapped”. They are full of delightful irony, wit and the fantasy worlds of childhood imagination, and introduce for the first time the Land of Nod. But they are also touched with a genuine and gentle pathos at times as they recall a world which seems so far away from us now. This edition, which includes Charles Robinson's charming illustrations and vignettes, is described as the definitive edition by “The Oxford Companion to Children's Literature”.

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Robert Burns, the most celebrated of all Scottish poets, is remembered with great devotion — his birthday on 25th January provokes fervour and festivity among Scots and many others the world over. Born in 1759 into miserable rustic poverty, by the age of eighteen Burns had acquired a good knowledge of both classical and English literature. In June 1786 his first collection of verse, «Poems Chiefly in the Scottish Dialect», which included «To a Mouse» and «The Cotter's Saturday Night», was greeted with huge acclaim by all classes of society. His later poems and ballads include Auld Lang Syne, the beautiful song «My Love is like a Red Red Rose», «Highland Mary», «Scots Wha Hae» and his masterpiece, «Tam o'Shanter».

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William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art. Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom he had four children. His remarkable autobiographical poem The Prelude was completed in 1805, but was not published until after his death, and it is included in this full edition of Wordsworth's poetry.

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This edition of the poetry of Rudyard Kipling (1865-1936) includes all the poems contained in the Definitive Edition of 1940. In his lifetime, Kipling was widely regarded as the unofficial Poet Laureate, and he was awarded the Nobel Prize for Literature in 1907. His poetry is striking for its many rhythms and popular forms of speech, and Kipling was equally at home with dramatic monologues and extended ballads. He is often thought of as glorifying war, militarism, and the British Empire, but an attentive reading of the poems does not confirm that view. This edition reprints George Orwell's hard-hitting account of Kipling's poems, first published in 1942, and generally regarded as one of the most important contributions to critical discussion of Kipling.

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John Donne (1572-1631) is a poet of concerted emotional and intellectual force, whose strenuously original approach to the subject matter, diction and form of verse re-made English poetry. Donne’s poetry combines paradoxical wit, scientific and theological learning with the rhythms and diction of spoken language. Crises of love, conscience, and faith are the great concerns of his poetry which is by turns exalted or disenchanted, direct or oblique, morally profound or outrageously spiteful.

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Housman's melodic and memorable poems have been popular for over a century. He writes typically of lost love, of the brevity of happiness, of young soldiers doomed to die. Admirers have found his work elegant and resonant; detractors have thought much of it mannered and glib. But Housman speaks with two voices: the smooth texts conceal a dark sub-text. This tormented and secretive man wrote poems alive with indirect self-disclosure.

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Although Tennyson (1809-1892) has often been characterized as an austere, bearded patriarch and laureate of the Victorian age, his poems speak clearly to the imagination of the late 20th century. His mastery of rhyme, metre, imagery and mood communicate their dark, sensuous and sometimes morbid messages. Much given to melancholy and feelings of aching desolation, Tennyson's verse also carries clear messages of hope: 'Ring out the old, ring in the new', and 'Tis better to have loved and lost/Than never to have loved at all'.

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»Daisy Miller» is one of Henry James's most attractive heroines: she represents youth and frivolity. As a tourist in Italy, her American freedom and freshness of spirit come up against the corruption and hypocrisy of European manners. From its first publication, readers on both sides of the Atlantic have quarrelled about her, defending or attacking the liberties that Daisy takes and the conventions that she ignores. All three tales in this collection, «Daisy Miller», «An International Episode» and «Lady Barbarina», express James's most notable subject, 'the international theme', the encounters, romantic and cultural, between Americans and Europeans. His heroes and heroines approach each other on unfamiliar ground with new freedoms, yet find themselves unexpectedly hampered by old constraints. In «An International Episode», an English lord visiting Newport, Rhode Island, falls in love with an American girl, but their relationship becomes more complicated when she travels to London. In the light-hearted comedy «Lady Barbarina», a rich young American seeks an English aristocratic bride. The unusual outcomes of these three tales pose a number of social questions about marriage and the traditional roles of men and women. Is an international marriage symbolic of the highest cultural fusion of values or is it an old style raid and capture? Is marriage to remain the feminine destination?

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»The Diamond as Big as the Ritz» is an ominous fable about the pursuit of great wealth. Readers will be transported to a fabulous fantasy land of such opulence that its very existence has to remain a jealously guarded secret. Fatal consequences lie in store for 'bona fide' guests and uninvited visitors alike, while the sybaritic luxury of the place is evoked in an effortless prose style which is quintessentially F. Scott Fitzgerald. Also featured in this volume are «The Cut-Glass Bowl», «May Day», «The Rich Boy», «Crazy Sunday», «An Alcoholic Case», «The Lees of Happiness», «The Lost Decade» and «Babylon Revisited».

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The diary is that of a man who acknowledges that he is not a «Somebody» — Charles Pooter of 'The Laurels', Brickfield Terrace, Holloway, a clerk in the city of London — and it chronicles in hilarious detail the everyday life of the lower middle class during the Great Victorian age.

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When Jerry, Jimmy and Cathy discover a tunnel that leads to a castle, they pretend that it is enchanted. But when they discover a Sleeping Princess at the centre of a maze, astonishing things begin to happen. Amongst a horde of jewels they discover a ring that grants wishes. But wishes granted are not always wishes wanted, so the children find themselves grappling with invisibility, dinosaurs, a ghost and the fearsome Ugli-Wuglies before it is all resolved. This edition of The Enchanted Castle has forty-seven evocative illustrations by H.R. Millar

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This book contains over forty of the best-loved fairy stories, beautifully illustrated by Arthur Rackham. Favourites such as Jack the Giant-killer, Jack and the Beanstalk, Dick Whittington, The Three Little Pigs and The Babes in the Wood are all here among many others, but stories from different traditions also make their appearance, including The Three Bears and Little Red Hiding Hood.

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John Milton (1608-74) has a strong claim to be considered the greatest English poet after Skakespeare. His early poems, collected and published in 1645, include the much loved pair L'Allegro and Il Penseroso ('the cheerful man and the thoughtful man'), Lycidas (his great elegy on a fellow poet) and Comus (the one masque which is still read today). When the Civil War began Milton abandoned poetry for politics and wrote a series of pamphlets in defence of the Parliamentary party, then in defence of the execution of Charles I: these include his great defence of the freedom of the press, Areopagitica. In the course of this work he lost his sight, and was blind for the last twenty years of his life. During this time he wrote his two great epics, Paradise Lost and Paradise Regained, and his retelling of the story of Samson as a Greek tragedy. This edition contains all his poems in English, with introduction and notes by Laurence Lerner (formerly Professor of English, University of Sussex)
Kim

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This novel tells the story of Kimball O'Hara (Kim), who is the orphaned son of a soldier in the Irish regiment stationed in India during the British Raj. It describes Kim's life and adventures from street vagabond, to his adoption by his father's regiment and recruitment into espionage.

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»King Lear» has been widely acclaimed as Shakespeare's most powerful tragedy. Elemental and passionate, it encompasses the horrific and the heart-rending. Love and hate, loyalty and treachery, cruelty and self-sacrifice: all these contend in a tempestuous drama which has become an enduring classic of the world's literature.

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Motherless Sara Crewe was sent home from India to school at Miss Minchin's. Her father was immensely rich and she became 'show pupil' — a little princess. Then her father dies and his wealth disappears, and Sara has to learn to cope with her changed circumstances. Her strong character enables her to fight successfully against her new-found poverty and the scorn of her fellows.

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This anthology of Rudyard Kipling's greatest short stories contains some of the most memorable and popular examples of the genre of which he was an undisputed master. «The Man Who Would be King» is a classic tale of adventure as the opportunistic, renegade and vagabond pair of Daniel Dravot and Peachey Carnehan attempt to establish themselves at the level of god and king over the primitive people of Kafiristan. Other famous short stories included are: «Only a Subaltern», «The Phantom Rickshaw», «Wee Willie Winkie», and «Baa Baa Black Sheep».

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Martin Chuzzlewit is Charles Dickens' comic masterpiece about which his biographer, Forster, noted that it marked a crucial phase in the author's development as he began to delve deeper into the 'springs of character'. Old Martin Chuzzlewit, tormented by the greed and selfishness of his family, effectively drives his grandson, young Martin, to undertake a voyage to America. It is a voyage which will have crucial consequences not only for young Martin, but also for his grandfather and his grandfather's servant, Mary Graham with whom young Martin is in love. The commercial swindle of the Anglo-Bengalee company and the fraudulent Eden Land Corporation have a topicality in our own time. This strong sub-plot shows evidence of Dickens' mastery of crime where characters such as the criminal Jonas Chuzzlewit, the old nurse Mrs Gamp, and the arch-hypocrite Seth Pecksniff are the equal to any in his other great novels. Generations of readers have also delighted in Dickens' wonderful description of the London boarding-house — 'Todgers'.

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None of the great Victorian novels is more vivid and readable than The Mayor of Casterbridge. Set in the heart of Hardy's Wessex, the 'partly real, partly dream country' he founded on his native Dorset, it charts the rise and self-induced downfall of a single 'man of character'. The fast-moving and ingeniously contrived narrative is Shakespearian in its tragic force, and features some of the author's most striking episodes and brilliant passages of description.

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One of the great Classics of Western Literature, «Les Miserables» is a magisterial work which is rich in both character portrayal and meticulous historical description. Characters such as the absurdly criminalised Valjean, the street urchin Gavroche, the rascal Thenardier, the implacable detective Javert, and the pitiful figure of the prostitute Fantine and her daughter Cosette, have entered the pantheon of literary dramatis personae.

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Robert Browning (1812-1889) represents the intellectual and argumentative strand in English poetry in contrast to the more ornate style of Spenser and Tennyson. His poetry demonstrates how a poet must be a sharp perceptive observer of the complexity of the human condition. Perhaps his most moving poetry was written to express his feelings for his wife, the poet Elizabeth Barrett Browning, in which he deals in a very 'modern' way with the uncomfortable fact that we can never quite bridge the gap between ourselves and the people we love.