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In '21st Century Residential Landscaping', Chelsea Flower Show gold medal winning landscape architect Dean Herald takes the reader through the steps involved in transforming your residential landscape, covering gardens, decks, patios and courtyards; outdoor cooking, living, dining, lounge and fire areas; and swimming pools. Using a selection of projects Dean has personally worked on, he offers invaluable advice on such topics as innovation and use of materials, how to overcome or work around challenges posed by difficult or constraining sites, how to use space in a way that best suits the environment, how to practically approach the 'form vs. function' debate, how to create a family-friendly garden, and how to best connect the indoors with the outdoors. Packed with great ideas and inspirational projects from one of Australia's most awarded landscape architects, '21st Century Residential Landscaping' will help transform your garden dreams into a reality.

Every great architect has an original vision. The ability of master architects to see the big picture, to create inclusive, responsive designs that embrace building, site, and interiors with subtlety and style, leads to their work gaining widespread praise and international acclaim. Their talent and ambition, along with an unfaltering attention to detail and flair for fusing art and architecture, combine to produce houses of unparalleled style and comfort. Starchitect Houses presents an up-to-the-minute collection of residential work from these much-lauded practitioners, proving that architecture can always be re-imagined. This invaluable new compendium of spectacular houses designed by architecture's brightest stars also provides unique insights into their personal design philosophies. Stunning architectural photography of each house is supplemented with detailed descriptions, plans, sections, and sketches, revealing the mastery behind each design. Project locations range from the USA to France, from Italy to Dubai, and from Hong Kong to Spain.

Having spent the last 20 years in Africa photographing wildlife alongside the likes of Peter Beard, David Gulden has come to understand that his endeavour is more than one to create appealing artworks, but instead to create a document of the declining landscape of all the precious creatures that live there. In 95 black-and-white photographs that feature tranquility, bursts of action, portraiture, and the natural canvas of the animals and their environments, he visualises for us the concept of global change so famously described by William Yeats in his poem, 'The Second Coming', and from which the inspired title of this work derives. Join this extraordinary photographer and environmentalist, David Gulden, on a phenomenal personal yet universal safari that until the publication of this book would not have been possible except through actual travel; a safari where nature's creatures are captured with greater intimacy and artistry than one would have thought possible.

This new series examines several highly regarded masterpieces in an attempt to unravel the mysteries that surround them. Through an innovative concept and a fresh approach, 'Art Mysteries', edited by Marco Carminati and Stefano Zuffi, presents an up-to-date and spectacular reading of famous paintings, investigating key clues that suggest previously unknown background information. 'The Stories of St Matthew' marked a turning point in Caravaggio's career, and in the history of painting itself. Behind their mystery lies an unprecedented creative process, characterised by choices and pentimenti revealed by detailed analyses. At the time, Michelangelo Merisi da Caravaggio was an unruly thirty-year-old painter of small to medium-sized works, commissioned privately. Although at first Cardinal Mathieu Cointrel had no intention of involving Caravaggio in the decoration of his family chapel in the Church of San Luigi dei Francesi in Rome, fate (a positive fate in the light of art history) offered the painter, through a series of contretemps and coincidences, the chance of a lifetime to become a publicly acclaimed master.

Carlo Mollino (1905-1973) was one of the foremost figures in a generation of Italian architects. Born at the dawn of the twentieth century, his work embodied the renewal of the national artistic season and marked the golden age of Italy's global identity. This biography demonstrates Mollino's unique anti-conformist attitude, a design statement that was at odds with the zeitgeist in his home town, Turin, in the 1980s. This brave move, however, paid off and was the reason for the great international interest in his extraordinary creative skills in the fields of architecture, design and photography. Also famous for his love for mountains, cars and aviation, Mollino captured the attention (and the amazement) of the critics for the individuality of his works. In architecture, furniture and interior design, his output combined examples of Surrealist sensibility and a pioneering and highly personal organic approach. His famous three-legged chairs, tables with zoomorphic shapes, armchairs 'on tiptoe' and daring skeletal structures have in recent years achieved the very peak of world collecting, thereby contributing to his renown as an unparalleled creator. Published in the same style as the successful 'Minimum Architects' series, the 'Minimum Design' series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers completes the subject.

Eero Saarinen was born in Finland in 1910. After his family moved to the United States in 1923 Eero graduated from Yale University where he subsequently completed post-graduate work at the Cranbrook Academy of Art. This famous school of architecture and design was directed by his father Eliel and, it was here that Eero met Charles Eames and Florence Schust Knoll. The three became close friends and worked together on some of the most remarkable projects in the history of American and international design.Throughout his career Saarinen divided his time between architecture and design. He designed some of the most important post-Second World War buildings in America (the General Motors Technical Center, the MIT chapel and auditorium, the TWA Terminal at J.F.K. Airport in New York), and his objects, most of which manufactured by Knoll, are absolute icons of contemporary design. He died prematurely at the age of 51 in Ann Arbor, Michigan. Published in the same style as the successful 'Minimum Architects' series, the 'Minimum Design' series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers completes the subject.

This new series examines several highly regarded masterpieces in an attempt to unravel the mysteries that surround them. Through an innovative concept and a fresh approach, 'Art Mysteries', edited by Marco Carminati and Stefano Zuffi, presents an up-to-date and spectacular reading of famous paintings, investigating key clues that suggest previously unknown background information. According to a recent survey, Leonardo da Vinci's 'Mona Lisa', the Louvre masterpiece, is still considered the most famous painting in the world; and yet, despite popular acclaim is still shrouded in shadow and mystery. Who is the women in the portrait? Why does she seem to be smiling at us? Why did Leonardo never finish nor sell the painting? Why is it now in France? These and other questions make this book a compelling read. Following the story of the 'Mona Lisa', we'll travel from luxurious Florentine palazzi to the magnificence of Versailles, from the austere rooms of the Louvre to World War II air raid shelters. Not to mention the sensational theft that, in 1911, had the whole word waiting with bated breath...

This new series examines several highly regarded masterpieces in an attempt to unravel the mysteries that surround them. Through an innovative concept and a fresh approach, 'Art Mysteries', edited by Marco Carminati and Stefano Zuffi, presents an up-to-date and spectacular reading of famous paintings, investigating key clues that suggest previously unknown background information. The sublime synthesis of Piero della Francesca's art, the Montefeltro Altarpiece, now in the Pinacoteca di Brera, is one of the most famous works dating from the painter's maturity. It was executed in the refined context of the Urbino court, probably to be placed above Duke Federico da Montefeltro's tomb in the Church of San Bernardino. Napoleon's soldiers took it to Milan in 1811, and since then it has never ceased to fascinate and intrigue viewers. What does its perfect marble architecture mean? Who exactly are the characters portrayed? Above all, what is the egg hanging from the shell-shaped vault above the Virgin Mary's head intended to convey? Seeking the answers to these questions involves an exciting journey of discovery leading to the solution of Piero della Francesca's enigmas.

Founded in 1807, The Hunterian at the University of Glasgow is Scotland's oldest public museum and was the first to have its entire collection recognised as being of National significance for Scotland. The Hunterian belongs to an elite group of university museums that have collected across a wide spectrum of disciplines for research and teaching. Amongst The Hunterian's treasures today are the scientific apparatus used by James Watt and Lord Kelvin; monumental sculpture and antiquities from the Antonine Wall; major earth, life and medical sciences holdings; Scotland's most important print and numismatic collections; rare 'first contact' artefacts from the Pacific Ocean; and extensive collections of European and Scottish art, including the personal estates of the artist James McNeill Whistler and architect and designer Charles Rennie Mackintosh. David Gaimster, the Hunterian's Director, has made an extraordinary selection of objects, each of which tell a compelling narrative in respect of their origin and what they reveal about the changing intellectual climate of collecting and research over 200 years.

Swiss animated film is currently in one of its most productive, ambitious and successful historical periods. Never before have so many films been made and never before have these films enjoyed such international success. At the centre of 'animation.ch' are conversations with 20 film makers who are representative of the variety and uniqueness of Swiss animated film — from short author films to children's productions, from television series to feature film projects, not to mention art and commercial productions. 'animation.ch' explores the development of Swiss animated film over the last 20 years, examines current trends and looks at what's to come in the future. With Georges Schwizgebel, Jonas Raeber, Samuel and Frederic Guillaume, Ted Sieger, Yves Netzhammer, Claudius Gentinetta, Claude Barras, Isabelle Favez, Jadwiga Kowalska, Rafael Sommerhalder, Adrian Fluckiger, Marina Rosset, Basil Vogt, Dustin Rees, Zoltan Horvath, Izabela Rieben, Maja Gehrig, Anne Baillod, Francois Chalet and Claude Luyet.

'Fashion Sourcebook — 1920s' is the first book in a brand-new series by Fiell Publishing that documents comprehensively the seasonal fashion styles of the 20th century, decade by decade. Sumptuously illustrated with over 600 original photographs, drawings and prints, this title is a must-have reference work for not only students of fashion, but for all fashionistas. 'Fashion Sourcebook — 1920s' focuses on the Art Deco period with its beautiful beaded dresses, cloche hats and t-bar shoes as worn by the fashionable flappers and the bright young things of the time. An accompanying introduction outlines the major themes within fashion during this period and introduces its most famous designers and assesses their creative contributions.

On assignment for 'Look' magazine to photograph the movie star in 1961, Douglas Kirkland photographed Marilyn Monroe and made history for both himself and for the actress. Working in the intimate confines of an unmade bed, the result — still amazing today — is a series of some of the most spontaneous and flirtatious photographs ever taken of this film legend. They made the photographer's career and added a new facet to that of the actress.

'Typology', volume 2 of the new series 'Christ & Gantenbein Review', presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous 20th-century building production provides a basis for urban project creation. In this new book, the buildings are documented with floor plans, axonometric projections, recent photographs and key information. The theoretical essay by Emanuel Christ and Christoph Gantenbein and four texts by other authors explain the interactions between the contexts, especially the governing urban rule sets and the buildings, and show the potential for the design of a contemporary urban architecture. Text in English and German.

'Living by the Sea' presents inspirational seaside architectural and interior design projects. The book showcases beautiful houses and apartments situated on the North Sea coast of Belgium and The Netherlands. Text in English, French and Dutch.

Born in London, 1959, Jasper Morrison is a British designer renowned for injecting a quietly humorous style into his designs which range from chairs, tables and lamps to the more challenging tram that he designed for the city of Hanover. After graduating in Design at Kingston Polytechnic and the Royal College of Art, Morrison opened his office in London where he reworked the 'anonymous' object with the intention of playing with the rules of 'form'. Even in the early stages of his career Morrison followed his decision to design for industrial production and was keen to utilise ready-made industrial components. His constant enhusiasm to embark on collaborations with fellow designers has allowed him to commission many products from them, being allowed by his clients to experiment with many differing materials and technologies. Rather than striving for the excess that upsets most contemporary design, Morrison suggests the concept of the super normal which is clearly visible in the profuse theoretical production that is embodied by his work. Published in the same style as the successful 'Minimum Architects' series, the 'Minimum Design' series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers completes the subject.

Architect and industrial designer Stefano Giovannoni was born in La Spezia in 1954. He earned a degree from the Faculty of Architecture in Florence in 1978. An unfailing creator of best-selling objects, starting from his first industrial project, the 'Girotondo' series for Alessi, he has designed objects that have become full-fledged mass cults: the Bombo stool, Mami series of pots and Alessi bathroom have all garnered record-breaking sales within the design industry. Convinced that the best proof of a project's validity is its commercial success, Giovannoni succeeded in blending the very high quality of his designs with the product's mass market appeal, interpreting and often anticipating the public's wants. While a designer's work is usually identified with furniture design, Giovannoni's vast output instead ranges from designing cars to ice cream, from small and large electrical appliances to electronic equipment. Published in the same style as the successful 'Minimum Architects' series, the 'Minimum Design' series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers completes the subject.

Designer brands in Paris, Milan, and Tokyo are copying hip-hop street life today, and the T-Shirt is the urban fashion staple. Now, the first book from the women who redefined and marketed the torn T-shirt concept and started a fashion craze, shares 20 unexpected and easy-to-follow projects for every gal from 10-25. Here's a way to be hip, cool, and fiscally responsible — all at the same time.

Explore the brilliant, bold designs and intriguing collections in the beautiful interiors of author Carey Maloney, his partner, architect Hermes Mallea, and their firm, M(Group), in this one-of-a-kind interactive omnibus, Stuff: The M(Group) Interactive Guide to Collecting, Decorating With, and Learning About, Wonderful and Unusual Things. Stuff invites the reader inside the homes of impassioned collectors, detailing the wide variety of art and objects that go into the creation of M(Group)'s complex, richly layered, and beautifully orchestrated interiors. A unique interactive digital recognition technology allows readers to delve deep into 40 captivating topics, expanding the scope of the book to include cyberlinks to the world's great museum collections, the most important dealers, and the most illuminating research resources. Enter M(Group)'s world of wonderfully diverse spaces and learn about an array of esoteric and varied subjects, from anatomical models to Australian aboriginal art, pre-Columbian pottery to Coromandel screens, and taxidermy to Tiffany lamps, all accompanied by personal anecdotes as witty and insightful as the homes M(Group) designs.

In telling the story of Clausen's life and career, McConkey unveils an artist of unusual integrity and singleness of purpose. At no time in his career of sixty years did Clausen settle into a formula and produce what he knew to be popular. The famous naturalist paintings of the early years, individual and distinctive despite their indebtedness to Millet and Bastien-Lepage, later become more colourful and the forms are diffused by light. It was an insatiable fascination with the play and influence of light on form and structure that kept Clausen at his easel and which he passed on in his celebrated lectures at The Royal Academy. Clausen emerges as an artist of real and substantial achievement.

The history of the corset proves that women have attached great importance to outward appearance and this since more than 2000 years. The corset was not a fashion item for the masses. The first flourishing period for the corset dates back to the Elizabethan and Spanish fashion between the 16th and 17th Century. The strict form of the corset went hand in hand with the fashion of the hoop skirt which was made in hard metal and accentuated female slenderness. The slender the loins, the more beautiful a woman. In 'Fashion Icons', Leen Demeester explores fashion trends throughout the centuries. She traces the origins of items of clothing such as the corset, the bra, the dress, the mini-skirt, trousers, accessories and high heels. These 'icons' show a distinct parallel between the history of women's appearance and the history of female emancipation. Top designers confirm that the image of a woman (and her place in society) still depends on her appearance and especially on the clothes she wears.

From Paris to Peoria, couture is a hot topic. Almost before a designer's runway show is finished, images of the current season's offerings are posted on the internet. Fashion magazines not only present designer clothes in fashion layouts, but also show the readers how to get the look for less. 'Affordable Couture' is not about how to recreate the look with what are commonly referred to as knock-offs. This practical guide book will give collectors and enthusiasts a better understanding of the high end designer fashion market, specifically how and where to look for affordable couture, resale couture and high end vintage pieces. The authors offer practical advice about key pieces every wardrobe should have, how to take care of your couture garments and an international directory of where to find couture at a discount in major cities around the world. Affordable Couture is a quick study on how to immerse oneself in the couture world and build up a fabulous collection to wear or to archive. This guide is aimed at anyone who is interested in designer fashion and fashion as art, as well as individuals who want to know and understand more about buying and collecting high quality designer and vintage pieces.

From the glamour and quiet brilliance of Christian Dior's New Look to the inventiveness of Rei Kawakubo to the uncompromising creativity of Alexander McQueen to the meticulous detail of the Mulleavy sisters (Rodarte), 'A History of Fashion: New Look to Now' is a celebration of the life and times of the fashion geniuses whose rare and enduring creations have defined the past sixty years. This book traces the history of fashion design with its intriguing personalities and its international cast of players and puts them into the context of what was happening in the world outside fashion. Covering haute couture to the emergence of deluxe, boutique and ready-to-wear, 'A History of Fashion: New Look to Now' illustrates the trends in fashion over the decades and the well worn truth that what goes around comes around. It covers not only the designers, but also the other forces in fashion such as the magazine editors, boutique owners, photographers and models. Lavishly illustrated with photographs, illustrations of the time and contemporary magazine campaigns as well as sketches, this book will provide both industry professionals and enthusiasts alike with a clear and precise picture of the ever changing world of fashion and a true insight into the craft of the dedicated designers whose imense talent continues to enrich, entertain and enhance the world in which we live.

In 1962, world-class photographer Douglas Kirkland spent three weeks with the most important fashion icon of all time, Coco Chanel. Over the course of this stay, Kirkland photographed Coco with her friends, on the runway, and in the privacy of her homes. Kirkland reveals these never-before-seen photographs in all their vibrancy, shedding new light on one of the world's most enduring, multi-faceted, and bestselling fashion legends of all time.

Living Fashion by Leen Demeester, explains the influence of fashion on the daily life of middle class women in Western Europe between 1750 and 1950. The text focuses mainly on high fashion as women from the middle classes tried to copy these styles as well as they could. The powerful rise of the bourgeoisie in the 19th century provided them with new possibilities and created an accessiblity to a pastime which stimulated the purchase of fashion. Jacoba de Jonge attended law school in Leiden, Netherlands, but gradually her passion for costume history grew and she started with a unique collection of dresses, now containing over 2500 pieces. She worked at the The Hague Kostuummuseum (museum of costume) for a year in 1965 and organised many costume exhibitions afterwards. With the help of historical gowns and accessories, fashion collector Jacoba de Jonge was able to create an image of the relation between the fashion ideal and the actual clothing that women were wearing. Living Fashion looks at the production of fashionable clothing and the subsequent consequences concerning posture and behaviour. The book is then completed by several expert studies on fashion in general. Text in English and Dutch.