ACC Distribution

Based in the San Francisco Bay Area in California, the classically trained architects of John Malick and Associates draw from numerous historical styles, including English Arts and Crafts, Mediterranean, and Georgian Colonial. Each project reflects the spirit of a unique time and place, while also addressing current needs and budgets. The projects featured in this monograph abandon the modern idiom and return to a time when buildings reflected noble achievements, pastoral visions, and sacred resonances. They embrace construction methods that revive the lost art of craftsmanship. Time-tested materials and picturesque details such as post-and-beam construction reflect the care and craft that are the signatures of artistic attention. Authentic finishes and hardware infuse a sense of beauty and livability rarely achieved by modern architecture. Through lush photography and engaging text, the reader is able to experience the sophistication of a Palladian neoclassical villa, the warmth of a Yorkshire cottage, and the sun-washed simplicity of a Mediterranean village nestled in the hills.

This beautifully illustrated volume takes a fresh look at some of the most enduring landscapes painted by Claude Monet between 1883 and 1926 in and around his garden at Giverny, some 50 miles northwest of Paris.

'Masters of French Painting, 1290-1920' presents 138 of the most significant and representative works of art in the Wadsworth Atheneum's internationally recognised collection of French paintings and pastels, ranging from religious subjects, such as Nicolas Poussin's magnificent 'The Crucifixion' (1644-6) and Noel Halle's tender and human 'Holy Family' (1753) to Toulouse- Lautrec's 'Jane Avril Leaving the Moulin Rouge' (1892). As the first public art museum in the US, the Wadsworth Atheneum paved the way for encyclopaedic museums across the country. Founded by Daniel Wadsworth, the Atheneum opened in 1844 with 79 paintings and three sculptures, and today holds more than 50,000 works of art. 'Masters of French Painting, 1290-1920' provides scholars and researchers with an up-to-date resource on French art, and art-lovers with a beautifully illustrated guide to this remarkable collection.

The exhibition which this catalogue accompanies is the second part of a story which began with last year's show at the Gulbenkian, 'In the Presence of Things: Four Centuries of European Still-Life Painting'. The latter traced the evolution in Europe of the type of picture now known as the still life, from its beginnings in the seventeenth century over a chronological span of two centuries. It illustrated the wide range of artistic approaches to the abiding themes of still-life painting — the fruit piece, the game piece, kitchen and banquet still lifes, the flower painting, and the trompe l'oeil — as well as the varying cultural and social significance of such arrangements of foodstuffs, objects and commodities. The exhibition concentrated on the artistic motivations of painters and particularly the ways in which they were inspired by the idea of the still life as an 'imitation of nature'. Therefore, a generous selection of works demonstrated the artifice and virtuosity of seventeenth-century painters in response to this fundamental aesthetic challenge. The exhibition ended at a crossroads, exemplified by the paintings of Luiz Melendez, who copied arrangements of objects on tabletops before him with obsessive accuracy, and the two artists who ultimately took the still life into new expressive directions, Chardin and Goya. The present exhibition picks up the story of still life in nineteenth-century France, showing the revival of interest in the genre among avant-garde painters who responded to artistic traditions. However, the themes that are played out in the different sections of the show — including the breadth and complexity of ideas associated with the still life, its new challenges and excitements, and the stresses placed on this very category of art itself — take the visitor far away from the artistic world described in the first part. The reason for this is to be seen in the manifold aspects of the cultural context explored here; modernity.

The word museum comes from the Greek word for a temple dedicated to the muses: history, astronomy, dance, music, comedy, tragedy, and lyric, epic, and religious poetry. Each of these muses is in evidence at the Cleveland Museum of Art. Few public collections can boast Cleveland's concentration of quality, rarity, and worldwide renown. Dedicated in 1916 for the benefit of all the people forever, the museum is home to a constellation of masterpieces — works that define their medium, that define our experience of art. In The Cleveland Museum of Art new director David Franklin offers a personal tour of some of his favourite objects, selected from holdings that span 6,000 years of artistic achievement. Each entry offers a reflection on the work of art, explaining why it is one of his highlights.

This book is the result of pioneering research work at the Deutsches Architekturmuseum (DAM, German Museum of Architecture) in Frankfurt-on-the-Main. Investigated is the architectural model as distinct means and method of creating and presenting architecture or architectural ideas and concepts, rather than the model merely representing a specific building e.g. as part of an architect's oeuvre. While architectural photography and drawing has been subject of countless exhibitions and publications, no comparable research on the architectural model has been done so far. This book coincides with an exhibition at the DAM in summer 2012. The authors and curators have drawn from the museum's own vast collection of models created by over 400 architects from 25 countries. The book presents 100 models, featuring works of renowned architects such as Norman Foster, Arata Isozaki, Louis I. Kahn, Rem Koolhaas, Ludwig Mies van der Rohe, Frei Otto, Aldo Rossi, Skidmore Owings & Merrill and James Stirling. The images are complemented by detailed descriptions of each item and by comprehensive essays on the results of the entire research project.

Anne Menke has travelled the world on assignment for the likes of 'Vogue', 'Harper's Bazaar', 'Vanity Fair', and 'The New York Times', usually in search of the perfect environment to shoot a fashion spread. Through this, she has discovered that these environments themselves are the origins of much of the fashion we see on the runways today and has compiled an incredible record of people and places with that in mind. Texts by luminaries such as Peter Beard, Paul Johnson and Paul Smith explain where fashion meets culture in ethnic populations in Latin America, Europe, Asia, North America, and more.

Instead of focusing purely on how to decorate your interior, this book looks mainly at the necessary structural format when building or renovating a house. Included are powerful interiors from architects such as Hans Verstuyft, Lieven Musschoot, Gino Debruyne and Buro 2.

Featured in this massive 800-page collection of residential architecture are houses as diverse in range and style as the countries in which they are located. From country estates to beachfront holiday retreats, lakeside houses to hip urban dwellings, the one thing all these houses share is quality design. Accompanied by floor plans, text and lush full-colour photography, 200 Houses is not only a beautiful coffee-table book but a valuable reference and source of inspiration.

Whether prompted by an uncertain global economy, a decrease in the average family size or a growing desire to tread more lightly on the land and share limited resources, more people are choosing apartment living than ever before. This trend, combined with a greater-than-ever range of construction and finishing materials, has led to a plethora of exciting new apartment builds and remodels worldwide. Today, both owners and architects are benefiting from the myriad of interior design and material options at their fingertips, making the dream apartment more attainable than ever before. This stunningly photographed digest of contemporary apartment designs is packed with ideas for making the most of any apartment layout, from small, compact spaces to multi-level homes. Descriptive text outlining the client's brief and architect's responses is accompanied by valuable project data, detailed plans and drawings, providing further insight into what makes these designs great. For architects, interior designers or anyone seeking to buy, build or remodel an apartment in the 21st century, this is an invaluable and inspirational sourcebook bursting with practical ideas.

Brian Duffy is best known as one of the great British fashion photographers of the 1960s and 70s, and one of the greatest innovators of documentary fashion photography. This book has been published with the full cooperation of the Duffy archive. Brian Duffy defined the image of the 1960s, and was as famous as the stars he photographed. Together with David Bailey and Terence Donovan, he is recognised as one of the innovators of documentary fashion photography, a style which revolutionised fashion imagery and furthermore the fashion industry. Together they formed a new cult of the fashion photographer putting themselves centre stage with the models and celebrities they captured on film and leading directly to a photographer cult that manifested itself in the famous film Blow Up. Swinging London had arrived and Duffy was in the thick of it. The press nicknamed the three photographers 'The Terrible Three' and as Duffy put it Before 1960, a fashion photographer was tall, thin and camp. But we three are different: short, fat and heterosexual! Norman Parkinson added to their notoriety by naming them 'The Black Trinity.' Duffy's first commission came from Ernestine Carter, the then fashion editor of The Sunday Times. From there he was hired by British Vogue in 1957 where he remained working until 1963 photographing famous models such as Pauline Stone and Jean Shrimpton. In the 1960s Duffy worked for many of the major fashion magazine and papers, not only British but also serving long periods with French Elle magazine. His list of subjects was a role call of the celebrities of that time: Sidney Poitier, Michael Caine, Tom Courtney, Sammy Davis JNR, Nina Simone, John Lennon, Paul McCartney, Charlton Heston and William Burroughs. Duffy's most famous photograph dates from the 1970s and is the iconic cover of David Bowie's album Aladdin Sane. He was also critically acclaimed for advertising campaigns for Benson & Hedges and Smirnoff. Notoriously, in 1979 Duffy decided to give up photography, burning many of his negatives in a symbolic fire in his back yard. Many negatives were lost but in 2009, at the behest of his son, Chris, Duffy resumed work as a photographer and shot images of people he had photographed in the 1960s and 70s. Recently many negatives have been discovered and salvaged. The story of his early career and comeback was showcased in a BBC documentary shown 8 times in 2010 and titled The Man Who Shot the 60s. Duffy died on 31 May 2010.

In his follow-up to the successful Life in Oak-Framed Buildings and Timber Framed Buildings author Ivo Pauwels describes the many different realizations of wooden structures — from garages and terraces to gardens sheds, pool houses, guest houses and home offices. Timber-framed buildings are becoming increasingly popular across Europe, and this book provides an excellent source of inspiration, illustrating a traditional building style combined with a modern way of living, working and relaxing.

A sweet life full of pleasure and indulgence, La Dolce Vita was a phrase that entered popular usage following the success of the 1960 film 'La Dolce Vita' written and directed by Federico Fellini and starring Marcello Mastroianni, Anita Ekberg and Anouk Aimee. As a phrase it has come to sum up the Golden Age of stylish sophistication in Italy that spanned the years 1958 to 1964. This glorious period was also marked by a rise in celebrity culture and with it the emergence of paparazzi photographers. All the big movie stars, from Kirk Douglas, Clark Gable, Tony Curtis and John Wayne to Jayne Mansfield and Brigitte Bardot were candidly snapped as they visited Rome or vacationed in Positano. Like a magnet, Italy drew the beautiful people of the period to its playground shores and there they were captivated by its sweet life of plenty.

From the celebrated author of Houses of God, Architecture for Architects and many other popular titles, comes this book on New York's most celebrated living architects, the latest new-generation practitioners. It also offers an exploration of the legacy of the original 'Five Architects' — Features an exclusive foreword by Kristen Richards. Young architects in New York are finding new ways to practice, experimenting with cutting-edge materials, and expressing changing values in their work. This book profiles the work of 12 firms making a name in the city that never sleeps — the latest of a new generation of practitioners that are being challenged by a new economy. The book explores the legacy of New York's original Five Architects — Peter Eisenman, Michael Graves, Charles Gwathmey, John Hejduk and Richard Meier — and how these new firms are following that history and departing from it. Find out what some of the most creative young architects in New York are up to.

A brand new interiors book, by Piet Swimberghe and Jan Velinde, showcasing one of the most popular styles in Europe. 'Quiet Living' features country-style interiors, from city homes as well as sprawling country houses, exploring the current trend for a rural approach to interior design.

The changing status of knitwear in high fashion is a fascinating history in which the threads of socio-cultural revolutions and fashion design are closley knit together. By unravelling its ups and downs, in different places and eras, this book starts to shed a light on the origins of our current perspective on knitwear. Due to knitwear's associations with hobby culture, femininity and crafts, it is too often overlooked that it can also be something highly fashionable, experimental and a daring choice for fashion designers. Knitwear's contemporary comeback is in fact a vogue for something that never really disappeared. Body hugging cling, jersey sportswear, raw knits, sculptural volumes, lace-like body nets... the possibilities of knitting make it an endless source of inspiration for fashion designers. This book starts to tug at the yarn of knitwear's hidden history, investigating different production methods, social histories and the aesthetic (r)evolutions of knitwear in fashion. With topics ranging from grandad chic to utilitarian jumpers, from fashionable stockings to 3D knits, the everlasting appeal of twinsets and the formless in fashion... this book takes a closer look at something we all own but that is often simply taken for granted: knitwear. Published to coincide with an exhibition at the Fashion Museum in Antwerp. Text in English and Dutch. Emmanuelle Dirix works at the Winchester College and teaches costume history at the fashion department of the Antwerp Academy.

Country houses and town houses from Southern Italy with their collected, poetic, intimate spaces. Salento is located in the south-eastern extremity of Italy — located in the 'heel' of the Italian 'boot'. This book captures, in glorious photographs, the incredible interior design style of the region. Slowly becoming internationally recognised — just as 'Tuscan Style' before it — Salento Style encompasses an eclectic mix of fashions: at once simple, but sophisticated, rural and aristocratic, antique and contemporary.

• Includes works by Ribera, Murillo, Goya, Pacheco, Carducho, Herrera the Elder, Herrera Barnuevo, Carreño de Miranda and Maella, from both public and private collections • Accompanies a major exhibition at The Frick Collection in New York, from the 5th October 2010 to the 9th January 2011 This elegantly designed, fully illustrated volume presents exquisite drawings by Spanish artists over the course of two centuries, featuring works by Ribera, Murillo and Goya from public and private collections in the New York area. Published to accompany a major exhibition at The Frick Collection in New York, this book presents the character, range and depth of the Spanish tradition of drawing from the early 17th to the early 19th century. These extraordinary works share a distinctiveness of technique, subject and mood that sets them apart from Italianate examples produced on the Peninsula in the same period — in other words, they represent a specifically 'Spanish manner'. Although Italian Renaissance principles of figure drawing and perspective were practiced by Spanish draftsmen, the greatest of them also employed techniques of dazzling idiosyncrasy: lines dart and dash freely over the paper as if the hand of the artist could not be restrained, and energetic splotches of ink wash enrich forms. Many of the themes favoured by these artists — fantastic creatures, murderers and martyrdoms, and unusual treatmants of the human body — also distinguish these works. Jonathan Brown is Carroll and Milton Petrie Professor of Fine Arts at the Institute of Fine Arts, New York University. Susan Grace Galassi is Senior Curator at The Frick Collection. Lisa A. Banner is an independent scholar.

• Part of the Director's Choice Series, a personal and engaging guide with a unique approach to the works in one of the most important collections in the world • Showcases well-known masterpieces as well as lesser-known works The National Gallery in London is home to one of the greatest collections of Western European painting in the world, from the late medieval period to the beginning of the 20th century. Raphael and Titian, Rembrandt and Rubens, Poussin and Claude, Velázquez and Goya, Hogarth and Turner — these are just a few of the great masters whose works are represented in this remarkable institution. Today, the National Gallery is one of the top five tourist attractions in the United Kingdom. Each year, more than four million people explore the gallery's impressive collections, including its renowned holdings in Italian Renaissance art and 17th-century Dutch and Flemish painting. Nicholas Penny has with great difficulty selected 37 paintings from the abundantly rich collection in his care, explaining why he believes them to be especially beautiful or memorable.

• Minimum Design: An indispensable compendium on important designers of the modern era • An ideal and accessible introduction suitable for students and lovers of design today Published in the same style as the successful Minimum Architects series, the Minimum Designers series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes will introduce in a practical manner the personalities and the works of the world s major designers by way of a historical-critical introduction to the work and life of each individual designer, including an accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or herwork summarising the most significant reviews published in magazines and newspapers in the sector. Franco Albini (1905-1977) was an original creator in the fields of furniture, product design, architecture, urban planning and interior design. He was incredibly successful during his career, receiving numerous awards and prizes in recognition of his remarkable aesthetic that challenged traditional design structures. Among his most famous objects are Poltroncina Luisa (1950) and the series on pets, the Cicognino table (1952) and the Fiorenza chair (1952). Giampiero Bosoni is an architect who has worked with Figini and Pollini, Gregotti and Enzo Mari. He is director of the magazine Progex-Design & Art. Espositive and Curator of exhibitions including Design and art in Italy during XX° Century

Covers all traditional and innovative materials used for floors, walls and ceilings. Provides expert advice on all applications and advantages as well as disadvantages of each material presented. Inspirational sourcebook with more than 1,500 illustrated examples. Interiors: Inspiration & Materials is the perfect book for anyone who wants to transform their house into a personal place reflecting their way of life. But choosing the best and most suitable materials for creating your ideal interior space is not always easy; there are an infinite number of possibilities for finding the ultimate solution for your personal needs. This comprehensive guide helps you navigate through the jungle of materials and their application. Interiors provides information on which materials can be used for floors, walls, ceilings, in kitchens or bathrooms with an objective and detailed introduction explaining the specific characteristics of each material. In addition to the technical information, the advantages and disadvantages of each material are described so that the reader gets a deep understanding of how the choice of concrete, natural stone or bamboo for a floor or the usage of wood, textile, ceramics or gesso on a wall or ceiling will transform the space. More than 1,500 illustrations demonstrate not only how «warm» and «cold» materials can be harmoniously juxtaposed, but also how a successful synthesis of function and aesthetics can be achieved.

• Gives a broad overview of European Renaissance through the great master Lucas Cranach, and a critical analysis of Lucas Cranach's works by important international experts • The exhibition Lucas Cranach: L'Altro Rinascimento will be showing at the Galleria Borghese, Rome from October 2010 to January 2011 Lucas Cranach: A Different Renaissance provides a new critical approach to the works of German Renaissance painter Lucas Cranach The Elder, and compares his work with that of Italian Renaissance artists such as Bartolomeo Veneto, Francesco Francia, Perugino, Lorenzo Lotto, and Titian. This book provides a new critical approach of his works, thanks to the contributions of Berthold Hinz, Karin Kolb, Andrew Martin, Martin Warnke and Heiner Borggrefe.

Istanbul, city of contrasts, is a bubbling cultural metropolis. In the hip quarters of Tesvikiye und Nisantasi, which are the preferred districts of artists and designers, the range of artistic approaches and attitudes is ever-present. The new Turkish art and design scene has been shaped by the innovative breakthrough of the twenty-first century like almost no other city in Europe. Whether in art, design, music or literature, Istanbul is the creative heart of the Turkish avant-garde. The creations of Istanbul's fashion designers are always astonishing, unconventional and modern. They move between history and modernity, tradition and innovation, between humanism and the cosmopolitan, philosophy and religion — poles which, for the Turkish designers, definitely do not oppose one another. To all of them Istanbul is an inexhaustible source of impressions, stimuli, ideas and images. This book features works from Arzu Kaprol, Bahar Korçan| Dilek Hanif, Ezra + Tuba Çetin (etcetura), Gamze Saraçoglu, Hakan Yildirim, Hatice Gökçe, Idil Tarzi, Mehtap Elaidi, Özgür Masur, Özlem Süer, Selim Baklaci, Sertaç Delibas, Simay Bülbül and Zeynep Tosun.

The book makes light on Ron Arad carrier from the eighties to nowadays. He is the founded of One Off, his an experimental laboratory in London, and teaches design at Royal College of Art of London.